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Alles Verbrecher: Eiskalte Liebe

You: an experienced vixen with the fashion sense of a random generator. He: an Italian pretty boy who swallowed all American action films with his mother's milk. Together are Herta Frohwitter, played by Ulrike Krumbiegel, and her assistant Marco Petrassi, played by Daniel Rodic Frankfurt's new investigator duo. They successfully fight "Verbräschä" and also the quirks of each other. The first common case leads them to a wedding fair. Rosi Döpfner, a hotel manager who is no longer completely fresh, reports her fiancé Rüdiger Vogelsang as missing.

Alles Verbrecher: Eiskalte Liebe

5.0 2014
Ol' Witch

Eight year old Paul and his mother just moved to a skyscraper. After an embarrassing encounter with Anna, Paul meets her in the elevator. Anna makes fun of him and they start to quarrel. They can't arrange about going up or down. The elevator suddenly drops and carries them deep down into the realms of a wicked witch. The witch is out for their youth, since her own time is running out. Their only chance against her is for once to help together. They meet a blind horse, a clock without clock hand and a knight without courage helping them on their journey.

Ol' Witch

7.0 1991
The Snack Giants – Behind the Scenes of Confectionery Manufacturers

The high consumption of snacks and sweets in Germany keeps producers on their toes. In Viersen, consumer giant Mars produces 10 million cookie chocolate bars every day-and each of them must look and taste absolutely identical. In Erdmannhausen, snack pretzels are produced in the first Württemberg pretzel factory, Huober. And the Lübeck-based marzipan manufacturer Niederegger wants to use traditional production processes to produce what it claims is the best marzipan in the world.

The Snack Giants – Behind the Scenes of Confectionery Manufacturers

NR 2022
Far from Berlin

East Berliner Dieter was working at a very low-level factory job when East and West Germany were unified. He has a very ill child to take care of who requires expensive and special treatments that are not covered by the state medical system. When he loses his job in the inevitable downsizing, he is approached by a sinister rich man to perform various off-the-books services for him, including spying on the rich man's wife. Reluctantly, he accepts the role of "friend" to this untrustworthy fellow. His child is becoming steadily worse, so when the requests of his "friend" include violent and unlawful actions, he does not feel able to refuse him outright.

Far from Berlin

7.0 1993
Attack of the Lederhosen Zombies

Steve, a young professional snowboarder, ruins a high-paying photo shoot by playing a silly prank. He, his girlfriend Branka and fellow snowboarder Joschi are left behind on the mountain. They seek shelter in an après-ski tavern that is hosting an all-night party. Things go from bad to worse when a scientific experiment unleashes an epidemic of zombies and mutant wildlife. This is mostly lost on the local drunkards, as they are not always easy to distinguish from zombies themselves. But Steve, Branka and Joschi have to find a way to survive this hellish night.

Attack of the Lederhosen Zombies

4.6 2016
14 Days to Life

Konrad von Seidlitz is a young yuppie lawyer currently celebrating his engagement with Cornelia, daughter of minister of justice Volkerts. As a public relations gag, he hasn't paid his parking fines for two years and now insists on being sentenced to jail for two weeks as punishment. Using his knowledge as a lawyer he makes the best out of his visit in jail still working, still in a splendid mood and not adapting to any rule. Probably a good way to get the desired public attention, but also a good way to make enemies inside the jail-house. One day before Konrad is to be released his booth is searched and two hundred grams of cocaine are found. That's a serious problem even for a brilliant lawyer like Konrad and even if you're innocent

14 Days to Life

5.3 1997
Our Nazi

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.

Our Nazi

8.7 1984