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Garip Kuş

The film tells the story of a man whose wife is falsely accused. Nazmi has been studying in Europe for many years. After his father's death, he returns to his village and takes over the farm. He begins to spend most of his time with his childhood friend Zeynep. His closeness with Zeynep soon turns into love. They marry shortly thereafter. This marriage is met with anger by Mahmut, who has loved Zeynep for years. Mahmut attempts to take revenge on Zeynep, whom he could not have.

Garip Kuş

5.0 1974
Fallow Land

The story of the film with a touch of journalistic atmosphere takes place in the autumn 1919 after the fall of the proletarian dictatorship. The main figure is Zilahy Kálmán, a high-school teacher, very much attracted to Ady's ideology. He is, at the same time, a rational minded sober character keeping a certain distance from the chaotic events. During the first months of the terror of the Whites, he takes a stand for his persecuted colleague, and with his wife's help, he hides Pálos, a Communist commissar in his flat.

Fallow Land

7.0 1973
Black Thursday

In Paris, in 1942, on a Thursday, the Parisian police herded together some 13,000 Jews for deportation to German territory. In this story, Paul (Christian Rist) is a teenager who tries to prevent this from happening. At first he attempts to save two elderly Jews, but they are resigned to their fate and comply with the order to assemble. For a short while, he is able to keep Jeanne (Christine Pascal) from joining them, but, after a long and strenuous day, she finally escapes from him he is too tired to chase after her.

Black Thursday

5.8 1974
Long Live Death

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

Long Live Death

5.9 1971
The Oath of Death

Three Sung loyalists decide to become blood brothers to fight the tyranny of the Tartar invaders. They build a stronghold and christen it 'The Flying Dragon Fortress' up in the hills. Gathering together a devoted army of followers, the three brothers wage war against the Tartar defense. Desiring to oust the oppressors altogether, Ma Ching plans to coerce an ally, Hong Zhang Chung to release the kidnapped Tartar princess in what initially seems a strategic and civil effort to gain points with the court. Not long after, it soon becomes apparent Ma desires both a great position and power and is willing to sacrifice anything and anyone to get it.

The Oath of Death

5.6 1971
John Baldessari: An Interview

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art. Integrating semiology and mass media imagery, he employed such strategies as appropriation, deconstruction, decontextualization, sequentiality, and text/image juxtaposition. With an ironic wit, Baldessari's work considers the gathering, sorting, and reorganizing of information. “Something that is part of my personality is seeing the world slightly askew. It’s a perceptual stance. The real world is absurd sometimes, so I don’t make a conscious attempt, but because I come at it in a certain way, it seems really strange,” Baldessari says in this interview with Nancy Bowen. A historical interview originally recorded in 1979 and re-edited in 2003 with support from the Lyn Blumenthal Memorial Fund.

John Baldessari: An Interview

NR 1979
Örkény István: Tóték

Lajos Tót, municipal firefighter at the Mátraszentanna. His house is clean, his garden bathed in sunshine. If his son weren't serving on the Russian front, Lajos Tót would only know there was a war on from the radio. When his son's commanding officer turns up one fine day to rest from the shocks of war at the Tót's, Lajos Tót and his family do everything to make the Major feel at home. Everything that is humanly possible. But what is humanly possible, in times of hardship at least, is a matter of opinion. "If a snake (a rarity) devours itself, is there a snake-sized void left behind? And is there any power that can feed a man his being? Is there? No? Is there? A toothy question!"

Örkény István: Tóték

9.0 1978
Ash Wednesday

Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark, and begins getting attention from young men. Her daughter tries to warn her that even though she has had the surgery it might be too late for her marriage, but she clings to the hope that Mark will come back once he sees her new look. Meanwhile, she must decide whether or not have an affair with a young man she's met.

Ash Wednesday

5.5 1973
Island of Horrors

Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.

Island of Horrors

4.8 1970
One Million-Year Trip: Bander Book

Bander is a 17-year-old boy from Earth who lives on a distant planet, which is populated by human shape-shifters who feed off of vegetables and animal tails. Violence soon breaks out, as invaders launch an attack on Bander's new planet. This was Japan's first 2-hour animated film for television. The program received high ratings when broadcast as part of a set of 24-hour TV programs called "Ai wa Chikyu wo Sukuu" on Nippon Television. After a long gap since his last animated film for television, this work fully reflects Osamu Tezuka's desire to achieve theatrical quality with this production.

One Million-Year Trip: Bander Book

5.4 1978