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This is an 8mm and 16mm experimental film made during the year of Covid-19 around the time I moved back to Taiwan from Japan. I shot 8mm footage during the state of emergency in Japan and just after moving back to Taiwan. I then spent several months cutting and pasting each 8mm frame onto 16mm film. Sometimes the daily fragments were too sentimental, but the film gave me shelter.

This film re-examines major environmental movements and events in Taiwan from the 1980s to 2018, including the protest against LCY Chemical Corp in Hsinchu, anti-DuPont movement in Lukang, movement against the expansion of petrochemical industry, anti-nuclear and anti-air pollution protests. It is a compilation of over 30 years of documentary footage and interviews of those who took part in the protests.

During the filming of a film crew in the studio, almost everyone was exhausted and exhausted for several hours. There were communication barriers and many bad things happened. Everything was turned to the director. The director finally lost his temper and left the studio. Go outside to smoke a cigarette, and when you go back again, everything has changed like a dream.

"In the Making: An Australia–Taiwan Indigenous Art Exchange" is a 43-minute bilingual documentary co-produced by Australia and Taiwan. It explores a five-year exchange program between Indigenous artists from both regions. Filmed mainly in Taiwan in late 2024, the artists' first in-person meeting reveals the depth and transformative potential of cross-cultural collaboration through interviews, shared creative processes, and the creation of new collaborative artworks.

Nan-Fang-Ao, a village in northeast Taiwan, once thrived on its big-net fishing industry. Now migrant workers from the Philippines and China vigorously live and work with the locals on one of the few remaining fishing boats. As we observe their life at sea, where the air is abuzz with different languages and gestures, thoughts of home drift among those who have come to provide for their families. There is the captain who talks about the old days, the woman who sent her husband off to sea and runs a shop in the village, and the laborers from foreign countries who buy gifts for their families at the market. With a fresh look, the film depicts people living on the unchanging stage of the ocean’s vast wilderness.

Somewhere, an unassuming betel nut stand sits next to the bustling streets. There, a fair-skinned beauty named Nana tends to the shop. Many customers frequent the shop after carefully parking their cars, and yet some take far too long to come out for what should be a quick transaction. Even weirder is that often these customers come out with a dazed look on their faces, but with seemingly no purchase made and empty hands… One day A-YAO enters the shop after being persuaded by A-Hsing only to discover a hidden side to the normal-looking shop…

Returning to the ancestral home his grandfather built for the family, the eldest grandson finds no trace of his own childhood. Through the rhythmic cadence of his grandmother’s Hakka, he begins to reclaim his identity—stitching together a family history from old photographs and the stories that survived.

Summer 1996. Days after finishing their national college entrance exams, teenagers Simao, Awai and Qiming crashed their car at dawn following a night out in Beihai - with passengers An'an and Xiaomei. Simao, the driver, hovered near death in ICU for three months while his grandmother and traumatized friends kept vigil. Unbeknownst to the comatose youth, two life-altering events occurred that summer: his long-absent mother visited secretly, and his college acceptance letter arrived. This coming-of-age story traces the trio's journey through guilt, confusion and fractured dreams in Simao's shadow. When he finally awakens three years later - his innocence preserved like a time capsule - his friends confront bittersweet truths: their struggles to outgrow teenage skins now mirror the very fractures that once bound them.

In 1968, Taitung Hongye Little League defeated Japan's Wakayama Little League 7-0, which was a legendary story of that era. The barefooted children of the Bunun tribe used stones as balls and sticks as sticks to win Taiwan the glory of defeating Japan. But what's the truth behind the legend? Where is the legendary young player now? This film goes into the fog of the premature death of more than half of the players, not only the stigma of impostor, but also the lament of underappreciated talent, and the baseball dream of the next generation of children.

An animated tale of how a family moved to Taiwan over a 5000 year journey.

Teachers and parents play important roles in children educational processes. The documentary explores and features the perspective from three different education systems and a career-oriented mother, and the different insights to education philosophies. Parents and educators need to find a balance and educate the next generation in a better way.

A documentary film about the U2 surveillance planes that were flown by the secret 35th Squadron of ROC Air Force.

Aims to convey an impression of shabiness, constant change and nostalgia, symbolising the absurdity, fragility and hopelessness of life.

Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.

Showcases the balance between desire and happiness, fantasy and the familiar, encouraging the audience to engage the sensations of the moment and embrace the uncertainty of the unknown.

Time can dilute sexual desire, but will it arouse the emotions between them?

In 2004, when an outbreak of H5N2 bird flu was first reported in Taiwan, Taiwan bureaucratic system insisted that this case was caused by chickens infected by migratory birds, but after investigation, the truth is unscrupulous businesspeople smuggling bird flu virus strains, invent and sell the illegal manufacture of vaccines. After the failure of the production, this vaccines resulting in a pandemic spread over whole henhouse. To unveil the truth, director began collecting samples from henhouse in 2006 and this six-year long investigation, never find the way out until the March 2010.

In 1991, a gruesome double murder was committed in Hsihchih in Taipei. Wang Wen-hsiao, a soldier whose fingerprint was found at the crime scene, was tried, convicted, and executed the following year. Prosecutors apprehended three additional young men and were suspected of torturing the suspects to extract confessions. The three’s death sentences have been appealed repeatedly over the years. Today, they are still waiting for a final outcome. This case of the century has proved to be difficult work even for forensic expert Dr. Henry Lee. Eighteen years of trial have hounded the three men and the victims’ son. They all yearn to unearth the truth and uphold justice. The truth, however, is elusive due to the passage of time and Taiwan’s flawed judicial system. The four young souls held captive in different forms can only continue to spend their lives trying to pursue that taste of freedom that no one else can truly appreciate.

He has tattoos. He writes poems. He paints. He has done a few dirty jobs. When he was in prison for the second time, he received a literary award. He always looks for work, friends, love, but gets lost again and again... He is Weiming, a pen name he adopted when he was in junior high school.

Taiwan's democracy is the envy of Chinese people all over the world. At the same time, when this two-party system-'blue' and 'green'-get at each other's throats, it seems to cast a dark cloud over this beacon of advancing democratization. How does the young generation, many of them first time voters, feel about the political environment they've inherited? Will they allow for their political differences to drive a deeper wedge into the Taiwanese society? A year and a half before Taiwan's 2012 Presidential Election I gathered a group of young people from across the blue and green spectrum to participate in a political dialogue. Although they're from opposing parties, they were willing to talk politics. Through these deliberately arranged dialogues, what sparks will fly?

Taiwan in the year 2000, only thirteen years after the lifting of Marshall Law rule and still an unruly place referred to by many as the “Wild, Wild East,” provides a perfect setting for The Taiwan Oyster. Masquerading as a bender road-­‐movie, the darkly comic film explores deep existentialist questions as the protagonists journey deeper and deeper into the Taiwanese countryside. Darin and Simon’s quest for the perfect burial spot becomes a strange trip down Taiwan’s picturesque East Coast Highway as they encounter the unique cultures of Taiwan, welcoming families, violent gangsters, and Nikita, another lost soul who joins their odyssey. Along the way, they explore the Southeast Asian ex-­patriot experience, their own personal demons, and the universal questions that arise when one is confronted with an untimely death.

Popular internet celebrity Raccoon Chao suddenly is afflicted with insomnia which worsens over time. He meets Kangaroo Dai at a bar and falls in love quickly, but the insomnia affects their relationship. After seeking out the help of a psychiatrist and meeting several men, he slowly uncovers the secrets at the root of his troubles.

In the second year of high school, Pei and her neighboring classmate Wen were inseparable, their bond deepening with each passing day, as if transcending the bounds of mere friendship. In the tender bloom of youth, Pei embarked on a heartfelt journey of self-discovery and quest for belonging, seeking the answers her heart yearned for.

We stepped on Orchid Island (Lanyu) because of an ancient chant, which is the earliest sound of the Tao people recorded by Japanese scholar Kitasato Takeshi in the 1920s. Our filming journey, a 3-hour boat ride from the southeast coast of Taiwan, became a heartfelt exploration of the island's intersections between old and new, tradition and modernity.

In 1956, the U. S. Naval Medical Research Unit No.2 built a pure white building in Shuilin Township, Yunlin County, and began a seven-year research project. The building was white, clean and bright, so that local residents call it the "American White House." The various things in the research process made the residents quite curious and suspicious of this mysterious building. The adults even reminded the children not to approach it. However, Taiwan didn’t know much about this project. After the project ended, all relevant materials were taken to the United States and stored at Johns Hopkins University. So the team went to America to find research materials and bring them back to Taiwan. The director’s father was one of the members of the research project then. Therefore, the shooting process is not only to dig out the past, but also to evoke the youthful memories of those elders.

Jia-ling got notified of her father’s passing due to the COVID, and she returns to Taipei from abroad to take care of the funeral matters. Chen Hsiung is an old man living alone with mild dementia, who mistakes Jia-ling as his married daughter. In the congregate housing shrouded by the pandemic, they found the long lost feeling of accompanying, even just for some brief moment.

This dance film presents Siddhartha as reimagined by Lin Hwai-min and performed by Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Inspired by Hesse’s novel and a pilgrimage to Bodh Gaya, where the Buddha attained enlightenment, Lin created a work of stillness and elemental force. The stage is shaped by tons of golden rice grains into shifting landscapes—like rain, waterfalls, and deserts. Georgian folk songs flow through the space as dancers, carrying wooden staffs, move in slow, spiraling journeys, while a monk in white remains motionless. In the final scene, a dancer rakes the grains into vast concentric circles, forming an image of quiet intensity. Premiered in 1994, this 90-minute work is one of Lin’s key creations. Widely toured and acclaimed, it remains among Cloud Gate’s most performed works. Recorded in high definition, this 2013 version stands as the definitive edition of this landmark piece.

Clad in white and wielding the deadly Ringing Sword, the beautiful Yeh Chiu Lu wanders the countryside righting the wrongs perpetrated by the White-Haired Warlord, Tsao Tan (Law Bun, "King Of Kings"). Determined to wipe out the Chiang Clan, Tsao Tan sets his swordsman to capture Master Chiang (Kong Ban, "Shaolin Kung Fu Mystagogue"), the last of the clan. Only the Ringing Sword and a mysterious ninja, with his own vendetta against Tsao Tan, stand in his way.

Simple, yet complex. A man (favourite actor Wang Shin-hong) meets a woman (standard actor Wu Ke-xi) on a moored ship, a sort of floating palace decorated like a Buddhist temple. The woman or her spirit struggles with her memories and the man takes on the form of a Buddhist monk in his next life. Complex and yet simple. The man, the woman and the camera move gracefully 'dancing' through the space. Only the thought of escape.

On her city balcony, Audrey delights in the flutter of tiny birds—fluffing their feathers, chattering, and sneaking tangerine bites. Their chirps sound like cheerful hellos and playful spats, inspiring her to invent a bird-language translator that unlocks their secret conversations.

A young woman, Kuo, embarks on a journey to find her birth family.

Before the COVID-19 mandatory quarantine is canceled, soldier Wei Yu calls his fellow soldier Ferris, seeking advice on how to fake a positive rapid test result to secure a week off. However, their squad leader, “Winnie”, who specializes in bothering Wei Yu, refuses to let him off so easily.

The documentary takes us on a journey to Sinje`s hometown of Alor Setar where she grew up with a strong sense of freedom in nature that shaped her into a fearless and positive person. Sinje reflects on the importance of childhood freedom and how it impacts character and outlook on life. Sinje shares her experiences of living fearlessly and embracing her passions as a modern working mother of three. Through her story, we explore the joys and challenges of motherhood, finding the balance between career and family, and prioritising self-care.

As a storied apartment complex awaits its eventual demolition, its inhabitants teeter on the edge of poverty in an invisible city hidden in plain sight.

This is a documentary about sweetness and hurt, pursuit and loss. It is a bluebird's song of comrades and their joy, tinged with melancholy premonition-a song that comes from afar as though to rub shoulders with life directly, only to pass on. A story of two marriages, one lesbian and one gay. The parallel structure lays bare the complexity of queer love, but also the cruelty inherent to love itself. Domestic violence, faithfully captured by the camera, threads its way like a deep silent river, cutting out its course and leaving a path of marks and scars. The survivor is like a child who cannot explain, but can only remember.

The film begins with the discovery of a mysterious female corpse along the coast of Taiwan. Adorned in provocative lingerie and tattoos, her colorful nails stand out against her swollen and unrecognizable face. As the police delve into her identity, the intertwined stories of two girls emerge.

Taiwanese writer and social critic Long Yingtai spent the last decade undertaking an ambitious project to record the untold stories of the Chinese Civil War that culminated in the Kuomintang's 1949 retreat to Taiwan. Based on her research as well as first-hand experiences collected through interviews, Long wrote the book "Big River Big Sea 1949," and, with the help of producer Wang Shau-di and director Huang Li-ming, also created this companion documentary. The film chronicles her yearlong journey visiting war survivors scattered throughout Taiwan, Hong Kong, and various places in mainland China, preserving a generation's precious memories in the form of a vivid oral history.

A boy named Noddy, who likes to play games very much. His favorite is hide and seek because everyone likes it. But Noddy is always the first one to get caught. Every time he gets caught, he puts up a long face. Because once he gets caught, he can only stand aside and look at everyone else playing. Noddy hates to lose so he tries to observe carefully every time. Learn to run like everyone else, to cheat like everyone else, to fool around like everyone else and not to get caught. Gradually, Noddy plays hide and seek better and better. One day, he finds the safest place and hides inside quietly and patiently without making any noise. He sees other kids getting caught one by one. Noddy finally succeeds; no one can find him.

Jeui is a teenager who lives in Tamshui, near Taipei City. Jeui never liked to go to school. One day he meets Old Man Shu on a train to Tamshui. Jeui decides to run away from school and spend the day with him on the streets. Accompanied by Old Man Shu, Jeui wanders about in this small town. Jeui loves to play the suona, and falls in love with a sales girl working in a record store. Old Man Shu tries to help Jeui without letting him know. Through Jeui and her do not turn out to be a couple, they share a good friendship since then. However, there are some misunderstandings between Old Man Shu and his children. One day he disappears after a quarrel with them, causing everyone to worry. While looking for Old Man Shu everywhere, Jeui realizes how important he is to him. When Jeui finally finds him, he is sitting alone by the river bank Jeui's care and comfort cheer up Old Man Shu. This is a story of friendship between the young and the old in the small town of Tamshui.

Due to his rebellious personality, Hao gets fired from his work. He takes all his belongings to stay at Tod's place. Unsatisfied with the current situation but remaining hopeful to the future, they try to do something to get back against the world and get what they deserve, even they have to go separate ways.

In the Wulu village of the indigenous Bunun people deep in the mountains of southeastern Taiwan, a visiting Han Chinese director poses a question: "Even this unique culture will disappear sooner or later, don't you think?" The village used to be isolated by the mountains, but since a new road opened to traffic and exposed them to the outside world, the villagers have become concerned about passing on the Bunun language, music and weaving in order to protect their traditional culture.

Combine animal rights, vegetarianism, feminism, lesbian, gay, male sex, Mozi, Hu Shi, Liang Qichao, Zhang Xiuya, Zhang Ailing.. with their own parrots, quails, little white birds, swallows, birds, rabbits in many households , cats, dogs... intertwined.

Q is an innocent boy from Taiwan. One day he gets stung by the tip of a Chinese pagoda tower and passes out. When he wakes up, people around him think he is a god coming from heaven.

A Documentary about poet, novelist Leung Ping-kwan (Yesi).

"Ground Me More" focuses the ignored details of main roads, sidewalks, ground objects, and billboards of major cities across Taiwan to seek commonalities, differences, and trends. Thus, the current state of aesthetics of Taiwanese and the politician policies could be revealed.

Taiwan movie

Set in a Tayal community, The Halfway explores the subtle ties between life and death through a tribal funeral. As traditional culture, religion, and modern life collide, the supernatural actions of a "dirty little boy" connect souls, rituals, and family emotions. Produced by an all-Indigenous crew, the film reflects the spirit of mutual support and aims to sincerely convey the cultural and spiritual values of the tribe.