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Movie-Drome

Influenced by Buckminster Fuller’s spheres, VanDerBeek had the idea for a spherical theater where people would lie down and experience movies all around them. Floating multi-images would replace straight one-dimensional film projection. From 1957 on, VanDerBeek produced film sequences for the Movie-Drome, which he started building in 1963. His intention went far beyond the building itself and moved into the surrounding biosphere, the cosmos, the brain and even extraterrestrial intelligence.

Movie-Drome

NR 1966
Hamfat Asar

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema

Hamfat Asar

5.6 1965
Meeting on 69th Street

After three young women—Sylvia, Dawn, and Lana—are released from a Florida detention home, they head to New York City with plans to open a small brothel near a Staten Island naval base. On their chaotic opening night, they welcome three sailors whose personalities couldn’t be more different. As the evening unfolds, Dawn pairs off with the boisterous Spots, while Lana entertains the awkward Wendell. Meanwhile, Sylvia, the group’s unofficial leader, attempts to coax shy Big Bill out of his shell. But when Bill unexpectedly develops deep feelings for her and proposes, Sylvia is confronted with a life-changing choice: continue running the house with her friends or leave it all behind for the possibility of love.

Meeting on 69th Street

4.0 1969
Yippie

The Youth International Party, whose members were commonly called Yippies, was a radically youth-oriented and countercultural revolutionary group opposed to war and the status quo of American culture. Known for using theatrics and humor to advocate social change, several Yippies were notably on trial as the Chicago 7. Primarily consisting of footage from the 1968 Democratic National Convention in Chicago which sparked massive demonstrations that were met by violence and hysteria caused by the police. This film also includes found newsreel footage as well as Pigasus - the pig the Yippies advanced as a candidate for President of the United States.

Yippie

5.4 1968
Quick Dream

QUICK DREAM, subtitled "A Series of Exorcisms," is the result of this first assignment. As Mouris describes it, “This film is a series of visual experiments with magazine photograph cutouts that make moving collages; coloraid paper; Avery labels; whatever I could think of that might animate. It became the seedbed for everything that followed,” most notably FRANK FILM. As part of the project, the students’ films were subject to a round of guest criticism from artists and filmmakers Robert Breer and Red Grooms, who, as Mouris describes it, “praised our work and encouraged us to continue.” (Yale Film Archive)

Quick Dream

NR 1967
Foot Brawl

A nostalgic Charlie is searching through his college trunk when he comes across an old photo of his football team which catches Junior's interest. Charlie passes himself off as the team's star but Bessie insists he was only good at being their "water boy". Charlie, determined to prove Bessie wrong, attempts to show Junior a thing or two about the game. But Bessie was right; Charlie isn't the most experienced athlete. He dresses as a tackling dummy which leads to disaster. He also gets the football caught in his mouth several times. Finally, he attempts to kick a field goal but the football has been set up a little too close to a water spigot and Charlie kicks the latter instead!

Foot Brawl

5.0 1966