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Bottoms Up!

An incompetent boarding school headmaster, Professor Jim Edwards, devises a bizarre plot to raise the profile of his boarding school, and thus save his job, by passing off his bookie's son as a Middle Eastern prince. The headmaster's madcap scheme is further complicated when an official from the Foreign Office arrives and announces that a real prince is to be placed under Edwards supervision, not due to the schools lofty reputation, but that a gang of kidnappers are unlikely to look for the regal child there.

Bottoms Up!

6.7 1960
Love's Presentation

'Love's Presentation' may be a time capsule of a rising art-world star, but it also pokes fun at the perspective of a celebrity profile. In its opening sequence, an antsy-looking Hockney squirms as a narrator reads aloud critic Jasia Reichardt’s introduction to his star persona. Scott’s portrait of Hockney is more expansive, spurning the growing popular image of the artist in favor of following him at work; He’s described the film as a “how-to” documentary. Filmed in April '66 in Hockney’s ground-floor apartment and studio, Hockney himself improvised the narration while watching the film. We watch the artist carve delicate lines into the plates, submerge them in an acid bath outside his window, then wipe his hands on the window curtains... A rare, relaxed close-up on Hockney’s creative process.

Love's Presentation

6.5 1968
Volcans endormis

Discovery of an unknown region, little known or unknown: the Auvergne, whose lunar landscapes make at first sight as strange as a distant planet. It is then the search for different landscape signs, natural signs, human signs or the same unusual signs, which allow us to know in depth the country we discover, and thus to better love and understand it. Castles having passed through the centuries with more or less happiness, Romanesque art, frescoes, churches, thermal baths from which mysterious patients arise, figures petrified under the moon, and Vichy, the most exotic of the cities, constitute some-one of the stages of this journey where the strange is born from the simple vision of beings and things.

Volcans endormis

NR 1962
Torture Me But Kill Me with Kisses

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.

Torture Me But Kill Me with Kisses

6.7 1968