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Lost Continent

Three directors collaborated on the Italian documentary Continente Perduto. The "lost continent" of the title is Asia, specifically Indonesia, here lovingly photographed in Ferraniacolor by Mario Craveri, Giannni Rafaldi and Franco Bernetti. Highlights include a Cantonese wedding aboard a floating junk, the annual wheat and rice harvest, the animal-sacrifice rites at the rim of a volcano, a ceremonial chariot race, and a bevy of Balinese dancers. Though there's no story to speak of, the film has the rhythm and pace of a "continuity" picture. Continente Perduto was the winner of a Special Jury Prize at the Cannes Film Festival.

Lost Continent

9.0 1955
Oss Oss Wee Oss

Padstow, a fishing village on the coast of Cornwall, celebrates May Day with an ancient custom: two osses (hobby-horses) dance through the town streets accompanied by drums and accordions. All Padstownians participate in the event, which has now become a tourist attraction drawing over tens of thousands of annual visitors. Folklorists Alan Lomax and Peter Kennedy and filmmaker George Pickow collected footage at the festival in 1951, producing a pioneering work in the use of sound, low-light photography, and conversational presentation of narrative. A favorite of Margaret Mead, who used it in her classes, the film circulated widely and continues to have influence today, especially in the neo-Pagan community.

Oss Oss Wee Oss

NR 1953
Captain Bay-Bay

The story centers on the charismatic sea captain Käpt'n Bay-Bay, portrayed by Hans Albers, who on his wedding day shares tales of his seafaring exploits with his wedding guests after an unexpected delay in the ceremony. The narrative employs a framing device where the captain, waiting at a tavern near the church, recounts through flashbacks his previous romantic misadventures and adventurous encounters at sea, blending humor, music, and exotic locales. These retrospective stories highlight his roguish charm and the obstacles that have shaped his life, all while the present-day celebration unfolds.

Captain Bay-Bay

6.7 1953
Bridge of Song

The latest developments in British Transport - whether it be in London buses or in railway sidings at Margam steelworks, in the construction of a canal lock between Nottingham and the Humber ports or in the use of modern equipment at BTC laundries or continuous foundries - all such new things bring an echo from the past. The work-songs and popular ballads of yesterday serve to bridge time and remind us that the history of transport is continuous - that history is being made today just as certainly as it was made a century ago.

Bridge of Song

NR 1955
Smaragden - Geschichte

A cunning jewel thief has been giving Scotland Yard Inspector Grey a hard time for a long time. Nobody suspects that the man keeping the police on their toes is the likeable Roger Edgeston, the son of the Duke of the same name. When the shrewd crook meets the enchanting Jennifer Lindsey on a cozy summer night, fate takes its course, as the charming young lady also engages in criminal activities in her spare time and acts as a blackmailer. In the course of the evening, the duke's son is forced to realize that love is not only blind, but also careless when it comes to his illegal activities.

Smaragden - Geschichte

8.0 1956
52 Weeks Make A Year

Krestan Serbin, a 64-year-old Sorbian farm-worker, considers himself non-political. He owns a few acres, a few pigs and a cow, and intends to pass all this on to his daughter Lena. Lena, however, shows only little interest. Krestan’s situation becomes more difficult when he is meant to become integrated into the agricultural production cooperative. He even gets offered a position as Training Supervisor. Although Krestan does not oppose the new policy, he is unwilling to surrender his properties. When the political die-hards who intend to hinder the progressive movement try to win him over, Krestan realizes that it is time to show colours.

52 Weeks Make A Year

8.0 1955
Faces

The screening of the short film 'Faces' at the 1961 Edinburgh and London Film Festivals kick started the film career of young McConnell, then studying at Glasgow School of Art. 'Faces', a comment on the personas we adopt, was inspired by a visit to the Brussels Experimental Film Festival of 1958 where McConnell saw the work of many European film makers, films of a genre unseen at that time in Britain. Many were without words, telling their stories in a variety of genres, live action, animation, puppetry, and making social comments on their times.

Faces

NR 1957
On the Bench

La Hurlette and Carmen are a pair of philosophical tramps who enjoy simple pleasures in the company of the cheerful Sosthène. As in the fairy tales, La Hurlette learns that he has just inherited a tidy fortune, provided he can find a job. By dint of hard work, he manages to do so, and a banquet brings together his disinherited friends. Determined to live the high life, La Hurlette and Carmen lose all their inheritance at the Cabourg casino, and end up as philosophical as ever on their favorite bench.

On the Bench

5.8 1954