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The Penalty Phase

Things looked pretty simple: the confessed murderer had all the evidence against him. The Prosecutor Jansen could not have been more relentless, conservative and incisive. Furthermore, the jury already had a verdict: guilty of the more than 30 charges against him. But suddenly Judge Kenneth Hoffman finds out that the evidence was not obtained legally, so the procedure is void. Judge Hoffman is in the middle of this legal storm, although he wants to apply the law strictly, he will find everybody against him.

The Penalty Phase

5.3 1986
Fugitive Family

To the world Brian Roberts looks like a successful businessman, with a lovely wife and two children all living in a dream home. Nevertheless, he has really been working undercover for the Justice Department to snare a mob boss. When his cover is blown, he has to break the news to his family about the nature of his real job and, worse, that they are now in real danger! Consequently, they are forced into the federal government's Witness Relocation Program. However, the trauma to the family does not stop there, as the gangsters he double-crossed are determined he and his family shall not escape 'mob justice.'

Fugitive Family

8.0 1980
Jimi Plays Monterey

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

Jimi Plays Monterey

7.5 1987
Dim Sum Take-Out

Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born, a naturalized citizen, and a recent immigrant—try to balance their personal goals and the expectations of the Chinese American community in which they live. The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back."

Dim Sum Take-Out

6.8 1988
The Displaced View

The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.

The Displaced View

8.0 1988
Comic Relief III

The third event from Comic Relief USA. Hosted, as with the first two specials, by Billy Crystal, Whoopi Goldberg and Robin Williams. The event debuted the song "Mr. President"—written by Joe Sterling, Ray Reach and Mike Loveless, and sung by Al Jarreau and Natalie Cole. Featured Jim Varney as Ernest P. Worrell; Catherine O'Hara smoking between bites of food and drink; Arsenio Hall on women with plastic surgery; Woody Harrelson talking to an "audience member" (Shelley Long) who, when asked if she watched Cheers, said, "Not that much."

Comic Relief III

8.0 1989
The Funny Farm

The laughs are nonstop as a gang of ambitious young comics strives to make it in the exciting world of stand-up comedy at the famous comedy club in L.A., The Funny Farm. These budding comedy stars are as crazy offstage as they are on: Miguel, America s funniest illegal alien ; Miles, who can t decide if he s a black comic or a comic who happens to be black; Bruce, whose manic act borders on insanity; and Peter, the intense political satirist. The Funny Farm is a hilarious and insightful look into those who live the lives of comedians.

The Funny Farm

6.0 1983