Discover Movies

16,133 Matches Found

Stowaway to the Moon

E.J. Mackernutt, Jr., an 11-year-old boy who has always been fascinated by space and astronauts, sneaks into Cape Kennedy and becomes a stowaway on a spaceship scheduled for a lunar landing. After he is discovered, NASA at first cancels the landing, but E.J. and the astronauts convince them to go forward with it. Problems arise when one of the astronauts is incapacitated by illness and the other two are stranded on the moon's surface, but E.J. is able to command the space capsule and save the day.

Stowaway to the Moon

6.0 1975
Baton Lounge

Footage documenting a toy drive – “Toys for Tots” – held at a leather bar / motorcycle club in Chicago, called the Baton Lounge. The club was originally located at 436 N. Clark St., but moved to 4713 N. Broadway in 2019. The owner is Illinois native Jim Flint, who along with Irv Kupcinet helped to inaugurate the club’s most well-known tradition, “The Top of the Nation Revue,” which popularized the art of female impersonation and lip syncing – some of which can be seen in this film.

Baton Lounge

NR 1974
Xenia: Priestess of Night

A presently lost underground feature movie, filmed entirely in San Francisco in 1976. Originally shot on beautiful Double X Negative black and white motion picture film (used extensively in studio films of the 1940s), this sequence derives from a digital transfer of a vintage (1990) 1" analog telecine, and shows some scan line artifacting and strobing with fast movement, general image degradation, and cropping at the sides (the latter due to incompetent digital transfer). The present whereabouts of the original film print and negatives is uncertain, though it is still hoped that the entire film can be digitally restored from the original elements. The visual aesthetic was an attempt to re-create the look of Poverty Row horror features of the 1940s, like those produced by Monogram and PRC studios. There was no budget, and everyone worked for free.

Xenia: Priestess of Night

7.0 1976
Dragon Country

Producer-director Glenn Jordan brought together two Tennessee Williams plays, written twenty years apart, that examine the theme of isolation with searching clarity. The joint presentation, entitled "Dragon Country," features the world premiere of "I Can't Imagine Tomorrow," starring Kim Stanley and William Redfield, and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith and Alan Mixon. Together, the dramas delve into "a land of endured but unendurable pain, where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

Dragon Country

6.5 1970
Don't Go Near the Park

In the prehistory of man, 12,000 years ago, two members of a superhuman tribe abuse the treasured secret of eternal youth. They use the methods of ritual cannibalism on the children of their own tribe and when discovered by the 'Queen' of the tribe, they are cursed to an eternity of old age with no chance to ever die. Now, in present day Los Angeles, their only hope to recapture eternal youth is the ritualistic sacrifice of a 16-year-old female virgin. Their existence is discovered by an investigative reporter and a young runaway child and this leads to an unexplained and terrifying confrontation

Don't Go Near the Park

4.2 1979
Mouches Volantes

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.

Mouches Volantes

7.0 1976