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Jérémy Lorca : Viens, on se marre

A bold, personal stand-up show where Lorca shares his life as a gay man with humor, candor, and a touch of provocation. Through anecdotes about dating, sexuality, love, and loneliness, he explores modern relationships, societal norms, and the absurdities of daily life. The show mixes raw honesty, sensuality, and self-deprecating humor, addressing themes like homophobia, desire, and existential doubt. With wit and vulnerability, Lorca invites the audience into his world, balancing laughter with reflection on identity, intimacy, and human connection.

Jérémy Lorca : Viens, on se marre

NR 2025
MIERDA

Mariano Martínez is a screenwriter going through a rough patch who feels that his magnum opus is yet to come. His agent, Maite, gets him the last chance he was waiting for. To focus on his work, he decides to isolate himself in a cabin in the middle of the forest to avoid distractions and finish the script in a week. When he arrives, except for a fake ornithologist who hangs around the area and a rude landlord, everything seems ready for him to get down to work. But the muses do not deign to appear, and Mariano begins to despair. Until, suddenly, a light illuminates his path, but only for a short time...

MIERDA

NR 2025
RAPTURE

RAPTURE tells the story of Marko, an exiled Ukrainian vogue dancer, and his abandoned apartment in war-torn Donbas, Ukraine. In a VR experiment, Marko visits his inaccessible home. The two-channel installation unfolds as a diptych in two parts. In RAPTURE I – VISIT (an 18min video projection), Marko confronts his abandoned apartment, recreated through 3D scans and original photographs from the occupied area. This digital reconquest offers a powerful reflection on displacement, raising questions about recovery and loss in the face of war, as well as the possibilities and limitations of technology and its ultimate emotional impact. RAPTURE II – PORTAL (a 19min VR piece) shifts the viewer into Marko’s place and explores the body as an eternal home. Guided by Marko in a hypnotic session, the viewer moves through a virtual reconstruction of his apartment. Vogue dance elements juxtapose the strength of the human body in dance with its vulnerability in the face of war technology.

RAPTURE

NR 2025
Heysel 1985

On 29 May 1985, the Heysel Stadium in Brussels was the scene of one of the greatest tragedies in the history of sport. The documentary "Heysel 1985" uses never-before-seen eyewitness accounts and archive footage to reconstruct the drama that changed European football forever. What started as a happy day, the European Cup final between Juventus and Liverpool, ended in a dramatic and senseless tragedy that still pains fans and football fans today, exactly forty years after the event.

Heysel 1985

NR 2025
Pheasant Island

In the borderless Europe of the 21st century, one border still separates Spain from France, marked by the Bidasoa River. On this river lies Pheasant Island, a tiny piece of land that alternates between Spain and France every six months. When the body of an illegal immigrant is discovered on the day of the border shift, Nassim, one of the survivors, becomes the target of a violent manhunt by French authorities as he tries to cross the border. This chilling event will change the lives of Laida and Sambou, an interracial couple.

Pheasant Island

5.6 2025
The Zone

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

The Zone

10.0 2025
Laura Citarella for Sicilia Queer 2025

Trenque Lauquen's Ezequiel believes he is keeping on searching for Laura in the Argentine pampas, but the landscape confuses and disorients him, becoming increasingly jagged and disconnected: a radio that cannot definitively tune into a station. Editing cuts swallow up her world, bringing to the surface an archipelago of cinematic universes (from L’avventura to Stromboli and La terra trema), and they generate a fata morgana, capable of shortening distances between pampas and Mediterranean landscapes, between real and fictional vision, between the adult’s disorientation and the childhood’s innate and hilarious wisdom. Cinema as the art of disappearance that always leaves a trace, yet another indelible trace of one of the most important contemporary filmmakers.

Laura Citarella for Sicilia Queer 2025

NR 2025