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Color Cry

In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive

Color Cry

6.0 1952
Don't Knock The Rock

Rock-and-roller Arnie Haynes returns to his hometown as a hero to the teenagers. However, the mayor and other concerned adults have banned him from performing in his hometown because they consider him and his music a negative influence on the youth. But with the help of disc jockey/publicist Alan Freed and fellow artists (including Bill Haley and the Comets and Little Richard), they hope to convince everyone that rock and roll is not as dangerous as the adults think.

Don't Knock The Rock

5.8 1956
Running Target

In the Colorado Rockies, Sheriff Scott, heads a posse that is after four escaped convicts, and thought it is his sworn duty to return the men dead or alive, he is, as always, reluctant to kill his fellow man. He is accompanied by Jaynes, a tavern owner, who takes much delight in his telescopic rifle, and by "Smitty," a gas station held up the escapees and more than ready to show she can be as tough as any man, although she seems to have some other motive for getting to the leader of the convicts, Kaygo.

Running Target

6.3 1956