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The Last Days of Lehman Brothers

The heads of Wall Street's biggest investment banks were summoned to an evening meeting by the US Treasury Secretary, Hank Paulson, to discuss the plight of another - Lehman Brothers. After six months' turmoil in the world's financial markets, Lehman Brothers was on life support and the government was about to pull the plug. Lehman CEO, Dick Fuld, recently sidelined in a boardroom coup, spends the weekend desperately trying to resuscitate his beloved company through a merger with Bank of America or UK-based Barclays. But without the financial support of Paulson and Lehman's fiercest competitors, Fuld's empire - and with it, the stability of the world economy - teeters on the verge of extinction.

The Last Days of Lehman Brothers

5.5 2009
St. Peter

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

St. Peter

6.4 2005
Cindy

The plot incorporates many elements from the Cinderella story, transposed into a modern context. Cindy is a young mixed-race girl, the daughter of an Irish pilot who recently disappeared and a “Sun Girl” whom she never knew. She lives in the suburbs with her stepmother La Palma and her two stepsisters Pétula and Tamara who mistreat her. Her consolations are her favorite dance, the jig, which her father taught her, and a few outings, which cannot last long, however, because her stepmother threatens to kick her out if she does not return home before midnight.

Cindy

6.0 2002
Roue de secours

In order to prove to the boss of Aventurier Magazine, who employs her, that she has what it takes to be an editor-in-chief, Camille signs up for an all-female rally in the Moroccan desert. When her teammate cancels at the last minute, she urgently needs to find a new co-pilot. That's when Laurence Bibouche, aka Laurent, an unemployed actor, divorced father of a young boy named Tom, and, incidentally, Camille's ex, shows up. He desperately needs to find a large sum of money to keep custody of his son and is counting on the check that will go to the winners of the rally. Will this duo come in first or be exposed and eliminated?

Roue de secours

NR 2008
1 Giant Leap

1 Giant Leap is a concept band and media project consisting of the two principal artists, Jamie Catto and Duncan Bridgeman. This is the film part of their first project. The result is a flowing, loose-knit tapestry of imagery, interviews, and diverse performances. Gathering material from 25 countries and dozens of famous and not-so-famous musicians, authors, celebrities, spiritualists, philosophers, and unique individuals from nearly every cultural background, this enveloping DVD is best enjoyed as a soothing audiovisual odyssey (select "loop mode" for continuous play!). Assembling this cornucopia by theme (Time, Inspiration, Sex, God, Death, etc.), Bridgeman and Catto function as co-composers with an astonishing array of collaborators, giving 1 Giant Leap its richly international (and some might say inter-spiritual) identity. The result is a far-reaching glimpse of our world through the eyes of those who improve it by their musical presence. --Jeff Shannon

1 Giant Leap

5.3 2002
Madre amadísima

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.

Madre amadísima

3.5 2009
The Illusion

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

The Illusion

8.0 2009
Porn Theatre

A tale set in a decaying Parisian porn theatre, where within its dark confines, male patrons -- soldiers, transvestites, married men -- regularly engage in anonymous sex acts. In the ticket booth of the theatre, a wise Italian woman serves as benevolent gatekeeper, observing -- but never judging -- the proceedings occurring under her watchful eyes. One day, one of her regulars engages her in a conversation that leads to an unusual friendship, as these two worldly souls share their common experiences.

Porn Theatre

6.0 2002
Tod in der Lochmatt

Police investigator Bettina Käser is investigating the murder of Gottfried Rösli in Langenthal. His daughter Käthi Güdel found the old farmer dead at the Lochmatthof farm, shot with a pellet gun. Everything points to Käthi's husband Sämi having lost his temper: he had been in a nasty argument with his father-in-law. But Bettina Käser has her doubts about Sämi's guilt. Together with her Zurich-based assistant Roberto Egger, the investigator sets out to find the perpetrator. However, the revelation of the truth holds a surprise in store for Bettina Käser herself.

Tod in der Lochmatt

NR 2007
Pollyanna

Pollyanna Whittier goes to live with her wealthy but bitter aunt after the tragic death of her father. Pollyanna shares a game her father taught her -- the 'Glad Game' -- in which everyone can find a silver lining in even the darkest cloud, and her sunny nature, good humor and determination to look on the bright side of life prove to have an astonishing effect on those around her. With the help of her orphaned friend, Jimmy Bean, she casts her spell on the grumpiest townsfolk of Beldingsville -- including the cynical shut-in Mrs. Snow, the morose millionaire Mr. Pendleton and the enigmatic Dr. Chilton. And Pollyanna masterminds the romance between her Aunt's maid, Nancy, and the handyman, Tim. It is only Aunt Polly, who cannot bring herself to embrace Pollyanna's innocence and joy. But all is not straightforward in Pollyanna's war against pessimism, since she must overcome a personal tragedy that threatens to banish "glad" from her vocabulary forever.

Pollyanna

8.4 2003
The Prince and the Pauper

An adaptation of the classic, "The Prince and the Pauper" is the retelling of Edward Tudor and young Thomas Canty, two amazing look-alikes caught up in imperial intrigue and scandal. In fleeing from his violent father, Tom stumbles into the palace courtyard, and is seen by young Prince Edward, who takes him in. Each desiring to see what the other's life is like, the boys impulsively switch identities... little knowing what disaster lies ahead at this fault of thought. And soon Thomas becomes a pawn in the hands of Edward's malicious and greedy uncle, who would have the kingdom for himself.

The Prince and the Pauper

6.4 2000
Arruso

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.

Arruso

4.0 2000
They Chose Algeria

Many of them participated in the struggle for Algerian independence. There are "those who believed in heaven", priests, Christians committed against torture, friends of the "natives", there are "those who did not believe in it", communist activists, students, progressive intellectuals, others remained in this country because they could not imagine living anywhere other than in this land of all passions. They are European and chose to stay in Algeria after independence, most of them opted for Algerian nationality. The film is another vision of the history of Algeria from the end of the fifties to the present day, told by these Europeans filmed at home, or in the context of their activities, illustrated by unpublished archive documents.

They Chose Algeria

10.0 2007
Generation Yamakasi

For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?

Generation Yamakasi

6.7 2006
Les derniers jours d'une icône : Daniel Balavoine

In 1986, during the Paris-Dakar rally, singer Daniel Balavoine, who was leading a humanitarian operation, was killed in a helicopter crash alongside Thierry Sabine. Nicolas Mathieu, his assistant, Léo Missir, his artistic director, HSH Albert of Monaco, and Charles Belvèze discuss the artist's career and his political and humanitarian commitments. Pierre Fauque and Anne Amado retrace the last moments of his life, from his arrival in Tamanrasset on January 6 to the day of his death in the desert, in the midst of a storm.

Les derniers jours d'une icône : Daniel Balavoine

NR 2006