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Invisible Adversaries

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Invisible Adversaries

6.7 1977
The Girl with the Moon Skin

Also known as The Sinner on UK VHS, this one could almost be mistaken for a D'Amato Black Emanuelle film (as well as Jess Franco who also had a film with the same video title). The Italian title translates as The Moon-Skinned Girl, a reference to the amazingly attractive Zeudi Araya, who made two other films with the same director. As a film it really typifies the 'eurotika' of the 1970s - the story concerns a couple with marital problems who escape to the Seychelles and the husband meets - and has an affair with - the title character. The wife meanwhile meets an ex-pat living there (Giacomo Rossi-Stuart!) with whom she has a fling. The couple realise their love for each other and return home stronger for it.

The Girl with the Moon Skin

4.3 1972
Who's Who

Slice-of-life look at class divisions among employees of a brokerage house. Alan, with his portrait of the Queen and love of the peerage; his wife April, who raises cats; youthful and pretentious friends Nigel, Giles, and Anthony, who gather for a wine-soaked dinner party with the chatty and risque Samantha and the mousy Caroline; the plummy Lord and Lady Crouchurst, in a spot of bother needing the help of Francis, a senior partner, to assist with the family's cash flow. Alan comes home from work to find Mr. Shakespeare doing a photo shoot of one of April's cats and a wealthy stranger, Miss Hunt, waiting to purchase one. His instincts for sycophantic palaver kick in.

Who's Who

6.3 1979
Lotte in Weimar

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

Lotte in Weimar

5.8 1975
The End of the Rainbow

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

The End of the Rainbow

5.4 1979
Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza

A boorish, snobish toothpaste factory owner, Constantino Nicosia, gives his wife and everyone a hard time having let success and wealth go to his head. But after the superticous Nicosia has an encounter with an elderly gypsy aunt, and a business trip to Romania results in another encounter with a suave vampire, named Count Dragalescu, Nicosia returns with blood-sucking like qualities which makes him re-examine his life and existence.

Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza

6.1 1975
Moto-Cross

Inge, a chemist in a small Bavarian town, has lost her heart to Hub, a car mechanic, without him even suspecting it. For the time being, Inge doesn't want Hub to find out about her. Nothing should distract him from the big goal that he and her brother Wolfgang - a car mechanic like Hub - are pursuing with determination and energy: building a racing machine so that they can take part in a motocross race. Inge wants to love a hero, so she does everything she can to make the boys' dream come true.

Moto-Cross

10.0 1977
John Clare: "I Am"

A film biography by David Jones with Freddie Jones as John Clare "I am - yet what I am, none cares or knows" (John Clare) John Clare (1792-1864), farm labourer, had three obsessions: his youthful love for Mary Joyce, the countryside of his native Northamptonshire, and the need to celebrate both in his poetry. Clare cracked under the increasing strain of poverty and neglect, and spent the last 23 years of his life in Northampton General Lunatic Asylum. He imagined himself to be Lord Byron, a bigamist, and a prize-fighter; but the poems of his madness are perhaps the most remarkable he ever wrote. "Clare's asylum foretells our need for an asylum, his deprivation foretells our deprivation" (Geoffrey Grigson) Commentary spoken by Tony Church (from BBC Midlands) (David Jones and Patrick Stewart are members of the Royal Shakespeare Company; Tony Church appears by permission of the Northcott Theatre, Exeter)

John Clare: "I Am"

NR 1970