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Circle

Rapidly flickering circles flash and flutter across the screen, accompanied by various sound effects produced by Yamamoto Satoshi. The movement of the circles was produced as a result of Imai’s action of directly punching a hole in each frame of the film strip and projecting it at the spend of twenty-four frames a second. As each hole was punched randomly without exact measurement, the circles appear and disappear in different parts of the screen, which creates the sensation of a flicker film. This work was screened at the first Sōgetsu Experimental Film Festival in 1967 held at the Sōgetsu Art Center in Tokyo. En demonstrates Imai’s interest in foregrounding the materiality of the film celluloid as the source for moving image, as well as the impact of various sounds on the viewer’s perception of the images.

Circle

NR 1967
Frameless 35

Accumulated in cardboard, a pile of unused negative film, snapshots, student ID photos, etc. These were all shot for purposes completely unrelated to film. When I decided to "get rid of it," I had an idea. A discontinuous sequence, film that does not have the frames of a normal movie. What happens if you film it? I couldn't sit still any longer. Then, I diligently pieced together these short negatives, it was compiled into a film. In other words, it is a work that uses waste materials. To add some flavor, additional photography was done with a half-size camera.

Frameless 35

NR 1968
The Goat and the Wolf

A little goat was drinking water by the river, and the big bad wolf appeared, insisting that the river water belonged to him, and that he would come to eat the little goat at night as punishment for stealing the water. The little goat was very scared. On the way home, the little goat met kittens, little hedgehogs, little monkeys and other small animals. After they heard about it, they all decided to help the little goat. At night, the big bad wolf arrived as scheduled, and with the help of the little animals, the lamb successfully drove away the big bad wolf.

The Goat and the Wolf

NR 1960
Anti-Vietnam War

Shot by Naoya Kuroki and produced by Tamio Suenaga (as KOKUIN). On October 10, 1969, various factions, including Beheiren (Citizens' Alliance for Peace in Vietnam), Zenkyoto, and the Anti-War Youth Committee, joined forces and held rallies in parks in Yoyogi, Hibiya, and Shimizudani. The factions, which had rallied in multiple parks, gathered in Meiji Park in Tokyo. The demonstrators headed from Gaienmae to Aoyama-dori, where they were joined by ordinary citizens. It became a French demonstration, with people running hand in hand.In the film, a flag flutters for a moment, and the words "KOKUIN, Joint Struggle to Destroy the Expo" can be read. Two months earlier, members of the KOKUIN group had been arrested in connection with the "Joint Struggle to Destroy the Expo," but after their release they took part in this anti-war rally. The commentary at the beginning of the film was written by Tamio Suenaga.

Anti-Vietnam War

NR 1969
The Mid-nightmare: The Sequel

Li Xiaoxia thought her lover Song Danping had died, and asked her father if she could become a nun. Her father, the warlord Li Xianchen, was outrageous and beat her with a cane. Soon the Japanese invaders were approaching, thus the warlord sent his daughter to Shanghai for shelter. Song jumped into the running river but did not die. After some time he came to Shanghai where he joined the anti-Japanese guerilla headed by Sun Xiaogou. Song killed a number of Chinese traitors and earned himself a name "the midnight man".

The Mid-nightmare: The Sequel

NR 1963