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Lucy is in a great relationship with Hank. The only problem is... his passed-away ex-girlfriend just won't leave her alone. She stalks Lucy everywhere to remind her how perfect of a girlfriend she was and tries to help her become one. Hank, on the other end, never believes in spirits nor can he sees one. Knowing that he won't buy it, Lucy never share this secret until she finally falls sick for it and Hank is forced to deal with it...

It tells the story of a woman who recalls her childhood at night.

A documentary about Taiwanese legislator.

Wenya's parents separated when she was two, and after that she lived with her father and stepmother. Her stepmother couldn't stand her and was always arguing with her father. He had little choice-he had to send Wenya to her mother's house, but her mother was fully focused on running her business and didn't have any time to take care of Wenya, so she was often shuttled off to her relatives' and friends' homes to be fostered. After so many years of a life of foster care, young Wenya felt lonely and helpless, and longed for the warmth of a home.

In the future, people can generate any image through AI art programs. Simply by inputting keywords, one can produce intricate pictures. Impressed by the finished works of others, Jieliang entered keywords related to his current project and was pleased with the generated image. He suddenly had a spark of curiosity and entered... 'What would my death scene look like?'

In 2016, Cheng Hsing-tse walked out of the prison as the first death-row inmate pending a retrial requested by prosecutors. Cheng was acquitted at last. Yet he cannot forget the kid he met on the day he was led in shackles by the police to pay respects to the kid's father at the mortuary. The kid must have grown up by now. Cheng wants to meet him again to forget about each other.

A college student unexpectedly inherits a car left by his father—along with a huge debt. To pay it off, he's forced to put his studies on hold. Driving this car that links two generations, long-avoided family issues quietly start to surface.

Lai-Fu, is 80 years old. She lives alone with Chichi her dog. One day, she decides to leave the old apartment, but she seems to have no specific destination. The taxi driver takes her to meet her friends. However, with the taxi nearing the suburb, Lai-Fu seems more and more lonely.

Romance and office politics collide in this steamy thriller.

Jia-ling got notified of her father’s passing due to the COVID, and she returns to Taipei from abroad to take care of the funeral matters. Chen Hsiung is an old man living alone with mild dementia, who mistakes Jia-ling as his married daughter. In the congregate housing shrouded by the pandemic, they found the long lost feeling of accompanying, even just for some brief moment.

Through the real stories of teachers and students in remote rural areas, we can see the profound influence of teachers on students.

The director reminisces wistfully on the homosexual relationships he formed during his military service. Like pages torn from a diary, his cinematic voiceover monologue touches on themes of childhood and family, and is imbued with a soft and sunny melancholy revealing his intimate childhood memories and pessimistic fatalism.

失業二年多的吳發達謀職四處碰壁，開計程車突槌，連當小偷都失敗的被困在冰櫃裡讓警察救出來。還被房東趕出去，落得以車為家。阿達妻受不了，終於在一次夫妻衝突後拋家棄子而去。受到妻子的刺激，阿達挺而走險，戴著米老鼠面具去搶銀行，卻晚了一步碰到另二名搶匪在搶銀行，二名搶匪得手逃逸而去，阿達卻因為面具被搶匪打落而被銀行監視器拍到。 阿達逃出銀行時在門口迎面撞上因經濟風暴被資遣的電子公司高級主管余樂天。這一撞把阿達的皮匣撞落在樂天身上，樂天為了將皮匣還給阿達，跟在阿達後面追跑，而被誤會是搶匪集團的一夥。阿達因為在警局有案底，又不忍兒子阿吉啦無所依靠拒絕為樂天到警局澄清。而樂天也因潛藏回家時聽到妻兒間的對話，知道女兒對他的不諒解與怨恨而覺得心灰意冷。二人於是決定逃避通緝，帶著阿吉啦展開一場逃亡之旅。 三人一行來到南部，樂天到夜市的一家牛排攤問路，卻被老闆牛排王誤以為是朋友介紹來工作的幫工阿慶。樂天在百口莫辯的情況下被指使去作他一向拉不下面子做"粗鄙"的工作，當牛排王知道認錯人時，樂天覺得繼續逃亡下去也不是辦法，而且"粗鄙"的工作也不是想像中那麼不堪，因此拜託牛排王留用他，隱姓埋名留在牛排攤繼續跑桌。 這兩老一小的落跑三人組，租了一間老式公寓展開了它們的同居生涯。阿達在樂天的「以身作則」下了解責任的意義，也開始思考他為人父的責任，開始認真找工作。在一連串的碰壁後，阿達來到萬祥開的機車行，吳發達也就成了機車達。 牛排攤的工作讓樂天改變他的價值觀，放下他的虛榮心，讓他更加謙卑地重新認識生命的價值也更能體會快樂幸福的真諦。另一方面，因為在牛排攤工作常接觸到年輕人，樂天似乎比較能了解年輕人的生活與心態，這對因為過度投入工作而不知道如何與孩子溝通互動的樂天不啻是個意外收穫。 日子一天一天過去，這落跑三人組最終將會面對什麼樣的命運呢？他們的人生還有再次重來的機會嗎？

A documentary on King Hu.

A story, between father and son, happened round dinner table in the kitchen. "Bland lunch, day after day. the father who lives in the fridge. Discontented son. Inside the kitchen. Repast. Communication. Genes. On the verge of breaking out." Father and son came into a conflict because of a decision made by the son. To indicate the relationship between them through their reaction on that circumstances. We are all have some dissatisfaction with our parent’s personality,but meanwhile,we will gradually find them in yourself when you are growing up. The trepidation and the contradictory state.

A mermaid receives the legs she longed for, but the gender is not quite what she expected. How will she navigate this unexpected transformation?

The Household Diary reveals the unspoken secret in the filmmaker’s family by recording the intimacy among family members. Through the process of filming and editing, the filmmaker reconstructed what a family should be like reflected on the meaning of family.

Bullied by Bí-tin, who also fancies Tshiu-sing, Lē-hun is saved from an assault by Bí-tin’s father, Guân-hìng, revealing a buried past—Guân-hìng once shared a tragic romance with Lē-hun’s mother, Xiumei, which was sabotaged by his wife, Yuejiao. Years later, these intertwined love stories resurface, altering the fates of all involved. Directed by HSIN Chi in his final Taiyupian, with a theme song by Judy ONGG, it poignantly captures the era’s social issues.

Taiwanese movie

The story of frivolous and lecherous emperor Qianlong's search for a morally upstanding person is told in a fashion that smartly fuses the puppet proscenium with the conventions of cinematic language. While everything is obviously arranged on a stage, the camera moves freely around in this environment, getting close to the puppets or setting them up in deep focus shots. The result is deeply enchanting, with the puppets soon feeling like living creatures of a very special kind, whose presence and company one cheerfully enjoys.

Two mixed-race children of the US military in Taiwan, one speaking Hakka, the other Taiwanese. In the ruins of a former military dormitory, they speak slowly, uncovering a history their faces and languages could never fully inhabit, their memories moving like ghosts along the edges of history.

A political superstar finds himself falling from grace and plummeting to the depths. After the Sunflower Movement, Chen Wei-ting, whose reputation now preceded him, returned to Miaoli County to run for the legislature, but he soon withdrew due to some sexual harassment scandals. From public sweet heart to someone scorned and deemed a “criminal”, what does Chen think of what he calls his “perfect crash”?

Uptown girl Michelle arrives in a seaside city in southern Taiwan with her mother's divorce agreement in order to look for her father. Due to her father's injury, Michelle ends up staying there longer than she expected. During her time there, she encounters outgoing lifeguard Ah Yu, who helps her discover another side of her that she didn't even know had existed.

A man who has died from burning himself comes to a paper house, where Golden Boy and Jade Lady await to take him to the Western Paradise. He climbs up to the Hua-Shan-Qiang, and his soul goes through a fable of national identity.

Since his release from prison, Sweet Potato has been content to run a little business with a meager income by the sea, disregarding the advice of others to the contrary.

Haruo, a director, auditions for a film already partially shot in Taiwan. Thus he meets Ma, a young Taiwanese skater just as disoriented as he is.

Hao-Yang is a young man that loves the sea and loves to surf, but just as his life was about to begin, he was diagnosed with a motor neuron disease that was from his father. After some time, his body will begin to paralyze part by part, not able to move or speak and eventually he will die. His brother refused to take the test and their single-parent mother still tries to find a cure for her boys. One day, Hao-Yang told his brother he wanted to see the ocean and begged his brother to take him surfing again. When Hao-Yang had finally fulfilled his wish and got on the surfboard, he disappeared in the ocean after a big wave.

Taiwan movie

Also known as 'The Story of Xing Daji'.

Gin, a little girl, wakes up in an abandoned temple which is filled with wretched divine statues. Out of the blue, a dark shadow slides into one of the statues, and the holy goddess, Mazu, starts speaking from above.Following the blockbusters “The Tag-Along 1&2”, Golden Horse Award winning director Wei-Hao CHENG creates a whole new piece in virtual reality. This time, the mysterious creature will go beyond the screen, whispering, fleeting and digging into the horror secret of Gin with you.

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

After surviving a Ponzi scheme resulted from an information gap in Myanmar, a Taiwanese shrimp farmer, Du, collaborates with a local Chinese-Burmese, Su, to keep his shrimp business going. It is a story about how they work from the beginning to the end.

In the lovers’ relationship, it seems like that we’re going on a vacation to each other’s heart from our own individuals’ lives. We cannot control the duration of the vacation, and we need us to keep the mountains green, the ocean blue, and the sunshine hot. The vacation seems to end after all, and we need to pack the scattered baggages.

As the proverb goes: two boys are half a boy, and three boys are no boy at all. In a secluded, sea-eroded cave, three monks faced a constant water shortage. The thin monk suggested using "Abhijñā (supernormal powers in Buddhism)" to solve the issue. To gain Abhijñā, one must meditate undistractedly, granting powers to create anything, including water. The young monk practiced diligently, but the lake they relied on for water suddenly dried up. He realized that the legend may be a fabrication…

Second Degree, Part 1

Showcases the balance between desire and happiness, fantasy and the familiar, encouraging the audience to engage the sensations of the moment and embrace the uncertainty of the unknown.

A fascinating documentary, shot in the mountainous north of Burma. No filmmaker is welcome there, because, against the background of a civil war, the jade miners enter the deserted mines illegally. With the aid of filming locals, however, Midi Z was able to compile this portrait. Getting rich quick turns out to be hard and risky work Jade has always been a valuable commodity in Asia. In the mountains in the north of Burma there are valuable deposits of jade. The area forms part of Kachin State, inhabited by many ethnic groups which found themselves embroiled in the Civil War in 2010 with the Burmese government. Jade mining was halted because of the conflict. Thousands of workers, however, went to the war zone in order to dig for illegal jade. It turned the region into a no-go area and the filmmaker Midi Z, who had so far made feature films in Burma, saw no opportunity to go and film there. It was far too dangerous. © iffr.com

The scholar Ning caichen, who was poor and short in life, inadvertently lived in lanruo temple, but led to the seduction of female ghost Xiaoqian. Xiaoqian is controlled by the tree demon. She is looking for a man to absorb Yang Qi. Fortunately, caichen is saved by the Taoist Zhang Dezhi. After being rescued, Ning caichen died suddenly due to food poisoning. He started as a thousand people. Ning caichen became a ghost. Under the control of the mother of the tree demon, he followed Xiao Qian to find a man to absorb Yang Qi.

A French director who lives in Taipei tries to make a a film.

Ocean, a boy who was born and raised on a small island, has a taboo relationship with Tide, a sailor whose ship regularly docks at the harbor.

A hand-drawn animation of the Chinese folktale “Houyi Shoots Down the Suns.”

Great independent Kung Fu movie with James Nam, of 5 finger of death playing the good guy. Much like some of the better American Westerns of the 50's and 60's. Some very poignant scenes in this film, highly recommended!

Taiwanese documentary about the life of Tao, a Lanyu tribesman and how the director's life and relationship has grown and changed.

In this documentary by the writer Lin Shuangbu, the passionate and busy sports spirit is expressed in many short cuts. The free entry and exit of time and space is close to the expression style of the stream of consciousness, and he expresses his life background, social movement, literary philosophy and growth background concisely and neatly. Of course, the technique of screen transition and fade-in is also extremely smooth and vivid. There is a sense of reality of video reporting, and the revolutionary character of social movement in pursuit of truth is also hidden in the editing features.

At the funeral of her husband, grandma Xiu-ying looks not sad and even hangs out with her childhood sweetheart Chi happily like a girl. Astonished by her behavior, her grandson Yu-chen and his pregnant wife Jie-ru worry about her and brings her back to Taipei. After living together, they find Xiu-ying’s memory and behavior even more strange and diagnosed with Dementia. The doctor explains Xiu-ying may fall into memory at any time, so if they want to understand how to comfort Xiu-ying’s fear and aggression, they need to know more about her relationship with her husband or other close males. However, just when Yu-chen and Jie-ru are still busy building their new life and trying to understand more about grandma, Xiu-ying not only attacks her caretaker and insists accompany Chi only.

In 1968, Taitung Hongye Little League defeated Japan's Wakayama Little League 7-0, which was a legendary story of that era. The barefooted children of the Bunun tribe used stones as balls and sticks as sticks to win Taiwan the glory of defeating Japan. But what's the truth behind the legend? Where is the legendary young player now? This film goes into the fog of the premature death of more than half of the players, not only the stigma of impostor, but also the lament of underappreciated talent, and the baseball dream of the next generation of children.

A tie-dye fabric animation that narrates the beginning of life from a microscopic perspective.

After the 921 earthquake, seven faculty members and students from Tainan National University of the Arts took cameras and went to six disaster-stricken areas to document and interview. They captured 13 hours of footage, which was structured into ten segments reflecting the grief, resilience, and lessons inspired by the earthquake.