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Celluloid Memory

The village, the street, the house you spent your childhood in and where memories always mean flowers, nature and movement in a dark surrounding while the sun is shining outside. You can smell the sea, hear the waves and your shoes will always be dirty from the long way you walked. The father tries to breathe, close to death and pieces of pain are captured in that little camera. But what better can happen to a human being than dying surrounded by your family? The tender hands on your knee and the fresh water. The preparations are taken for the funeral. And outside the light goes on shining, the waves continue their way and it is dark during the night. And the next morning there will be white clouds in the sky again.

Celluloid Memory

NR 1993
家族ケチャップ

A hard-hitting documentary that can only be described as unique. The protagonist is a friend of the director Kudo. His parents divorced when he was a child and he has grown up in an environment that is too miserable to be described in one word: gloomy. The film exposes all the privacy of his family. His father abandoned him and his mother and evaporated. A mother who brought her lover into the house. What were they thinking at the time when I felt so alone? To find out, he goes to his father's home, where he has remarried and has a child, and to his mother, who works hard to send him money. The camera follows the process closely and captures the naked truth on film. The director Kudo and the protagonist, in collusion to break the taboo, are on the edge of their seats in front of and behind the camera. The energy that surges through them is a truth that can only be expressed through the documentary method.

家族ケチャップ

NR 1992
KATATSUMURI

Give it your all, give it your best, give it your courage. Akane is withdrawn and unable to communicate well with others. She is looking for a job, but can't find one, and her younger brother, who lives with her, lectures her about it. Her hobby is to go for walks in the morning when the town is deserted. One snowy morning, Akane sees a man carrying a red TV and follows him to the rubbish dump. Akane is fascinated by the man's unique atmosphere, and takes the TV home with her. She dismantles the TV and makes a snail object from its parts. The next day, Akane is trying to return the TV with the snail hidden in it, when she is spotted by the man. She rushes to turn back, but decides to hand over the TV to the man. The town is covered with snow and is very quiet, and the protagonist never speaks. This is the director's way of reading the beauty in things that are often overlooked, and it leads effectively to the ending, in which the protagonist steps forward to communicate.

KATATSUMURI

NR 1997
Tamako's Tale

Elusive memories flash in the back of his head. Visualising the people and landscapes as they are there, as casually as they are there, should be a difficult task, just as the protagonist struggled with the writing process. However, the film succeeds in vividly depicting the subtle atmosphere felt only in primary schools and only in junior high school, thanks in part to the fine performances of Watanabe Sayaka and her friends, who brilliantly play everyone from primary schools students to preparatory school students. There are no particularly dramatic episodes, but after watching the film, you will feel nostalgic for all the people in the film.

Tamako's Tale

NR 1996
The Phantom Lady

A confrontation unfolds in Asakusa between the detective Shimozuke Tokageya Kumo and Dr. Caligari, the Monster Man. Suspect and shady characters, the severed head of a laughing woman, a battle with a ten-armed giant, chases in the fish market, and much more to see! Actors from the "Crazy Jap" theatre troupe participated in large numbers, providing support. Furthermore, the powerful drumming that backs the heavy voice of the star Kōji Nakase is played by Koichi Kitazawa of the "Machida Eizō + Kitazawa Gumi."

The Phantom Lady

NR 1995
ウワバミの絵

The title of the film, is a symbol of "something easily understood by children but completely forgotten by adults" in Saint-Exupéry's famous novel, The Prince of the Stars. Due to their child-like small vocabulary, today's young people seem to have poor communication from an adult's perspective. However, they know how to feel happiness in their ordinary daily lives and how to share it. The film depicts the theme that happiness is not something to be searched for, but something to be felt, in a soft narrative like a girls' manga, within the three days of four women.

ウワバミの絵

NR 1998
Diary of Our Daughter's Birth

“I wanted to document a normal life that you would see anywhere; and I realized that this was my own family. I half-jokingly submitted a proposal to a television station, and it was accepted. I began filming a diary of my family’s life using 8mm video that same day.” And so begins the hysterically tumultuous weeklong experience of this helpless father left behind at home with his unsuspecting two year-old daughter Mio, while his wife Niji is hospitalized to give birth to their next daughter.

Diary of Our Daughter's Birth

NR 1994