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My Real Life

Montréal-Nord is one of those areas we euphemistically call “disadvantaged.” A place where drugs, poverty, delinquency, suicide and all kinds of dysfunction are depressingly commonplace. This is where the late Magnus Isacsson decided to film 18 months in the lives of four young men aged 17 to 22: Danny, Alex, Mickerson and Michael. Music is central to all of their lives. More than just a pastime, hip-hop is their outlet for coping with their demons. With the help of their teacher, mentor and friend Don Karnage, and driven by a fierce desire to overcome hardship, they learn to be adults. Winner of the award for Best Canadian Feature Film at the most recent Montreal International Documentary Festival, Ma vie réelle is an exceptionally astute document in which listening and generosity gain the power to defeat misery.

My Real Life

NR 2012
Norie

Yuki lost his mother after a long illness, when he and his sister were still children. For loved ones, she is now only a distant voice, a foreign face on photos, a ghost who visits them in their dreams, an increasingly blurred memory. Munemitsu, his father, has done all he could to fill this unfathomable emptiness, even forgetting. But to no avail, given that Norie is still there, like a latent and sprawling presence, entwining the invisible bonds of the family. But who really was Norie?

Norie

5.0 2019
Khamsin

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

Khamsin

NR 2019
Metropole

Having arrived in Paris in 1985, Hector did everything to be like “them”. In a notebook he finds in his flat, he crosses out a list of things he should do or pay attention to if he wants to become part of the French elite. In a painful dialogue with Martin, his alleged son, Hector notices himself in Martin; a young man full of dreams and ideals that turn out not to be matched by reality. Metropole is a film about migration, about assimilation, about the haunting of one’s past. It is a film about identity; lost, assumed, false. Metropole tells the story of millions of people out there who leave their homes behind in order to find a new one.

Metropole

NR 2017
Lola and Her Brothers

Lola has two brothers: Benoit, who is getting married for the third time, and Pierre, who shows up late for the wedding. Excuses, reproaches, arguments, misunderstandings... beneath it all, they're just doing their best to live their own lives. Benoit is about to become a father, but he's not ready yet. Lola meets Zoher while she's still going through her divorce. Pierre's professional problems take a turn for the worse. Though everything in their lives seems to be pulling them apart, the three of them stick together - an inseparable trio.

Lola and Her Brothers

6.5 2018
I Feel Good

He’s lived for too long off his parents. It’s time for 40-year-old slacker Jacques to get by on his own. One-time gigolo and a borderline bum, he knows what he wants – to become rich and famous. He even has a business plan: tourism combined with cheap plastic surgery. Jacques moves in with his older sister, Monique, who manages an Emmaus village in the south west of France. And before long, the smooth-talking chancer has convinced a group of workers to pool their meagre funds and set out on a trip to a clinic in Bulgaria, where all their dreams of a brighter and more beautiful future will all come true. If only…

I Feel Good

5.6 2018
Miss Impossible

They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.

Miss Impossible

5.4 2017