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The Last Witness

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

The Last Witness

6.4 1960
The Brute

This drama about a boorish non-conformist takes place in Hungary after the war and is dulled a little by political overtones but is still an engaging story. The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing "beast" of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager's wife, the woman he dropped not that long ago. The results are disastrous.

The Brute

6.4 1961
Los atracadores

The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.

Los atracadores

5.0 1962
Night Out

Saturday evening. We have a date with friends and Pierrot has finally obtained his mother's slightly worried authorization. He runs down the indefinite staircase of the immaculate H.L.M., planted firmly in the mud of the suburbs, to meet up with the others. The others are older than him on the whole, but what they have in common is the desire for something to change, this weekend, and for things to get moving. This is especially true for those with scooters who, in close ranks, can scare pedestrians, hug cars and taunt the marshals. Pierrot will be taken in rump like the girls, Thérèse behind Jacquy, Monette behind Christian.

Night Out

10.0 1961
Die Gejagten

In the forest of Hablikon, the administrator Reichle is found shot dead. He had gone hunting with three other respected citizens of the community. Detective Sergeant Müller takes charge of the investigation. The first suspect is the nephew of one of the hunters, who was also at the scene at the time of the shooting and was on parole from prison. With no clear motive, Müller focuses his attention on the honorable and irreproachable fellow hunters. Their clean facade begins to crumble during his investigations. Village doctor Amsler, banker Meier, and architect Häuptl all had something to hide. Reichle knew about their private and business misdeeds. Müller also learns from Alvine Dünki, the dead man's lover, that money from the community coffers was used for the four men's entertainment. The murderer is convicted after the crime is reconstructed.

Die Gejagten

8.5 1961
A Houseful of Bliss

A comedy about the dwellers of a newly handed-over building. The sullen doctor Birkás is concerned that his wife also has a job so there is nobody to keep the apartment tidy. What is more, it happens that the doctor must cook the dumplings stuffed with plums himself. The lady hairdresser, Albert, is rather jealous of his wife. His jealousy is not entirely ungrounded, and Mancika runs away with a motorcyclist. The Korbusz family live a little crowded, because in addition to Öcsi, even an energetic grandmother lives with them. But the peacefully troublesome time spent together does not disturb the family's happiness.

A Houseful of Bliss

7.5 1960
Anniversary

Here you will see Marie Dressler, Mary Pickford, Norma Shearer, Walter Huston and a host of other Canadians who achieved world renown on the silver screen. Slapstick, romance, tragedy, comedy--it's all here in an entertaining sampling of what audiences have applauded down the years. You see the audiences too, and the theatres where early movies first drew in the fans. As guide you could hardly find a more knowledgeable or familiar figure than Walter Pidgeon, a Canadian with eighty or more films to his credit. He recalls the personalities of the great stars he has known and explains how the technology developed that shows the stars on the screen.

Anniversary

9.0 1963
I Am Curious (Yellow)

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

I Am Curious (Yellow)

5.7 1967
Arabian Nights: The Adventures of Sinbad

Two young aspiring adventurers, Sindbad and Ali, find an old sailor who has washed up on the shore. With his final breath, the sailor tells them a tale of a hidden treasure and hands over the map he had held on to through his trials. And so, the two would-be heroes are off for adventure. But the road to riches is paved with hardships: their travels lead from stowing away on a ship to the sultan's dungeons -- only to escape with the sultan's daughter in tow!

Arabian Nights: The Adventures of Sinbad

5.3 1962