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Zhou Lan-Ping, who wrote the renowned Mandarin pop song ‘Green Island Serenade’ and the score of the acclaimed Chinese musical film The Love Eterne, is one of the most celebrated Chinese composers in modern times. Through old friends and colleagues’ recollection, commentaries from experts in the fields and academic researches, together with historical photos and audio-visual materials, this documentary explores this musician’s life and music and pays tribute to his contribution to the Chinese film and pop industries.

A strict father and his two boys share a calm life in a creaky old home. One summer moment changes everything for the brothers.

Taiwan Unsung "Hero" is not a hero with superpowers, but one who bravely transcends themselves and faces difficulties in life. They are not famous idol and maybe their life stories are different than you, but you might find some sparkling moment through the film and encourage you facing the difficulties.

Taiwanese movie

Taiwanese comedy.

The artist Mucun’s interest is to collect antiques and old objects. He likes to hang out in flea markets and second-hand junk stalls to hunt for treasure. To him, the tens of thousands of old things piled up at home are just the epitome of people's life history and life memory. The film "Dream is not a residual image" reflects Mu Can's inner artistic ideal, a strong surreal style, and a high standard pointing out the "incomplete" aesthetics.

The film documents the harrowing experiences of 16 survivors of Taiwan's White Terror period. Using a minimalist aesthetic, the documentary features the victims speaking directly to the camera against a stark black background, interspersed with rare historical photographs and archival documents.Without any added narration, the film allows the survivors to piece together a collective memory of state oppression. They recount their personal nightmares of being arrested on fabricated charges, undergoing brutal interrogations and torture, facing unjust military trials, and enduring years of forced labor and ideological re-education on Green Island. It serves as a powerful oral history, capturing not only their past suffering but also their resilience, solidarity, and the difficult journey of returning home.

Due to his rebellious personality, Hao gets fired from his work. He takes all his belongings to stay at Tod's place. Unsatisfied with the current situation but remaining hopeful to the future, they try to do something to get back against the world and get what they deserve, even they have to go separate ways.

A feature film that reveals the love and lust between two women, the conflicts between gay family and traditional stereotypes. It finds back the forgotten love with a romantic touch.

Meilian and her husband Jianhe are the most loved-up couple, but three years ago, Jianhe became a vegetative state due to an accident. To cover the substantial medical expenses needed for their son’s long-term care, the Xu family has had to rely on various government subsidies to survive. One day, they were about to undergo an assessment to apply for a new subsidy, but unexpectedly, their son Jianhe passed away! Jianhe’s mother Yinggui and father Fuqiang, desperate to receive the subsidy, coerced Meilian into creating the illusion that Jianhe was still alive, leading to a series of absurd and comical events.

27-years-old Da Guang works the night shift every other week, and on this particular night, he encounters something out of the norm. While driving to work in the second-hand car he just purchased, he meets a mysterious man in the tunnel. The mysterious man tells Da Guang a story, which includes a secret that may cost his life.

In this short documentary, actress Hsu Feng discusses her iconic role as Yang Hui-zhen in King Hu's A Touch of Zen.

Don, in his adolescence, feels low-esteem due to his awkward walking posture. The problem now is his father, who is coming home after years of far-sea fishing. His father always makes him feel uncomfortable. However, he’s not aware that his father is facing the same dilemma.

Joanna's son has been missing for years. Before forgetting him due to dementia, she decides to embark on a final journey to find her son. Taxi driver Peng, who immigrated to Taiwan from Hong Kong in his early years, still cares about his hometown. In the process of assisting Joanna, Peng also got redemption from the melancholy of leaving home.

The G.O.D. Organization, a new syndicate even greater than Satan Organization and Desmoron, plan to drain Hong Kong's freshwater supply to show the world that they can destroy the human race. At the same time, they plan to attack Dr. Guo Dong and his son, Qian Da-Long, who is killed by them. In an effort to revive him, Guo Dong transfers his energy and life to his son to transform him into Super Rider X. Qian meets the other Super Riders and they begin a last fight to destroy the leader and minions of G.O.D.

In the Wulu village of the indigenous Bunun people deep in the mountains of southeastern Taiwan, a visiting Han Chinese director poses a question: "Even this unique culture will disappear sooner or later, don't you think?" The village used to be isolated by the mountains, but since a new road opened to traffic and exposed them to the outside world, the villagers have become concerned about passing on the Bunun language, music and weaving in order to protect their traditional culture.

A TV movie and part of groundbreaking Taiwan TV series “Eleven Women”

Chang Yun-kuang, a driver supporting his family, runs a claw machine business on the side to make ends meet. When his estranged father reappears, Yun-kuang avoids confrontation, instead finding solace in observing the lively interactions of players and machine owners. As he learns from their stories, his life starts to transform, pushing him to finally reach for what truly matters and reclaim the "prize" he has been missing all along.

At the beginning of the film, Master Chang is killed by a man dressed in a golden suit (Golden Bird) wearing a mask. The weapon used was called the Poison Phoenix (a stuffed blackbird with poison on its beak) only known to be used by Golden Bird, and the only item missing from the scene is the "Rainbow Sword" - the only weapon that can combat the Zu Ling Knife (sword).

The movie revolves around the female leads insecurity regarding her flat chest, as she suspects her boyfriend will be lured away by another woman's curves.

The story of "Monsters" begins with an expert surgeon seeking help from a psychologist. To solve the nightmare that has haunted him for 20 years, Liu Hao comes to the private house of the secret doctor Lee for assistance. But, with Lee getting closer to Liu's darkest soul, he is getting a diagnosis that he can't even control.

Huang Ming-chuan interviews female poets from Taiwan, India, Sri Lanka and the Philippines, inviting them to speak about feminism, their social context and the role of poetry today.

West Island lies south of Penghu, under a square kilometre in size. At its peak, around 200 people lived here, but by 1999, only few remained. It's uncertain if their departure was coincidental. Both the island and its inhabitants have faded into obscurity.

Jing-Zi is a social recluse. Because of an accident three years ago, she’s been blaming herself deeply. Xian-Xian always hates it when people call her “cutie.” She doesn’t reveal her true emotions and seems to have no real “friend.” A-Jie, a master in the realm of online games yet a loser in real life. Due to an anime figure, the three get to know one another.

Kai wants to become a pastor, following his father's footsteps, which causes a misunderstanding between Kai and his closeted boyfriend Jay. On the other hand, Jay is thinking about going abroad for his training in the soccer team. They find themselves struggling with each other's choice.

Bong-tshio is your ordinary countryside grandma, raising four kids in an impoverished environment; however, the kids that grew up and started their own families do not respect her, fostering her in turns for one month, while bargaining with each other about the number of days in different months. But the optimistic Bong-tshio always just laughed it off. Until one day, she got lost and wandered into a police station, and then accidentally won the top prize of the lottery. Her children began to look for her desperately, rushing back to their old place in the countryside, and kicked off a ridiculous competition of filial piety.

A menopausal woman thought her husband had an affair because she was no longer beautiful. Imagine that a rival competitor is a young and beautiful woman, struggling to maintain a seemingly complete and happy home.

Orphan Ling Po is a Taiwanese-language (taiyu) biopic about the eponymous legendary Hong Kong movie star.

A star of the Taiwanese student movement, a celebrity Chinese student who loves Taiwan, and a Taiwanese documentary filmmaker passionate about politics. Each of them shared dreams of rebellion and building a better country. In the wake of the biggest social movement in Taiwan in recent years, they reflect on how close they came to realising their goals, how they were let down, and whether it is still possible to continue fighting for ideals.

Unable to cope with the accidental loss of his wife, an out of work father struggles to give his daughter the happiest day of her life before executing a plan.

LIU PI-CHIA, a biographical documentary depicting the life of a veteran who joined tens of thousands of others to work on national infrastructure construction projects in the 1960s, is considered Taiwan’s first cinéma vérité film.

A Taiwanese language comedy by Liang Zhefu. On the Barbers' Guild Recreational meeting there were wonderful performances. Xiao Wang and Feng You are enemies off stage, but now they have to perform a magic show together.

Using hand-processing techniques and super 8mm film material, the film produces unexpected effects on texture. Furthermore, with different speeds of controlling the super 8mm projector, it creates a special rhythm in back-and-forth movements.

taiwan films

Two men diligently unload equipment and materials from a truck, put pipes together, and build a stage for a puppet theater. No matter how few people are in the audience, the show starts and ends as it always has. Convincingly, as if to impress it on our minds, the camera registers from a corner the dust-covered projector and film lying idle in a warehouse, and the presence of the men steadily going about their business. Quietly criss-crossing people and places with the camera onboard, giving way to cars on the farm road, the traveling puppet theater carries with it the ambience of a bygone era in Taiwan.

The film peers through the conditions of different social groups and their accusation, compromization, and pondering over their lives from the perspective of a taxi driver Huang and presents different issues in his daily family life; describing the disturbance from his wife’s point of view about the money and the marriage and all the absurd but real situation like how she turned to friend and god when facing difficulties; depicting his daughter’s troubles from the school, her boyfriend, her pregnancy and how she dealt with them in a seemingly mature but actually naive way. The driver, his wife, and his daughter held their own secrets until he came across a robbery, smashing the peaceful illusion of his family and tempting the improper thought inside him.

A true story about a young Siberian White Crane who got lost with it's parents in the seasonal migration and arrived Taiwan.

Jie, a local gangster, wants to leave his hometown to become a singer in the big city therefore he has tackle the problems he tends to ignore in his life. However, one's dream doesn't always come true.

This film is a mix of documentary and drama, featuring interviews, acted scenes, and imaginative elements. It delves into Taiwan’s fashion scene and way of life, combining the perspectives of designers, workers, and consumers. The movie shows how individuals pursue ideals influenced by media and trends. Through its portrayal of fixations on youth, beauty, and consumerism, it raises the question: do we discover ourselves through fashion or lose our sense of self?

Growing up in a large, wealthy family, the three Yuan brothers never wanted for anything. Yuan Jun Cheng, Yuan Jun Dao, and Yuan Jun Ping all have different mothers though and were competitors for the fortune 500 business empire of their father. All started to change when Lin Xun, a poor young man who had previously helped Jun Cheng , was asked to call the father of the three Yuan brothers by his dying mother. Adding to the camaraderie is Jun Dao's room mate Yang Xiang and Jun Ping's best friend Yan Yue.

An unknown world appears in the darkness of a cinema. A love affair emerges as the 35mm celluloid runs frame by frame. Its secret is only known to you and the film.

Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.

An old camera borrowed from a friend. It's enough to be carried in pocket. Since that day, I can forget to take wallet out, but I can't forget it. We get along day and night, work, eat, hang out and meet friends every time. And, there are also every passenger photographed by it.

Hsiao Hui, a lady over 60 years old, always rides an old scooter. Although two-stroke scooters will be forbidden soon, Hsiao-Hui has got used to hers and refuses to replace it. Today, she needs to deal with lots of things, including attending a mediation committee since she had a scooter accident previously. However, she is requested to look after her granddaughter all of a sudden, and thus their adventure on the old scooter begins…

Lan is born and raised in a happy family. She has been a behaved daughter, but she starts to be late for dinner more often. Out of suspicion, her father asked her and realized that she is dating someone. When Lan brought her date home as her parents look forward to, the person shows up is not exactly who they expect.

Following the lifting of martial law in 1987, Taiwan entered democratisation as grassroots movements flourished. Proposed by director Lee Daw-ming and funded by the Public Television Service, the film interviews key figures shaped by the Lukang Anti-DuPont Movement. Intended for broadcast, the film was suppressed by authorities and finally screened at the 2002 Taiwan International Documentary Festival.