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“The title came to me from Samuel Beckett’s book on Proust, in which he recalls that a new form of advertising appeared post-war, one that not only imposes a product, but also the time of day it has to be consumed: “Midday, seven o’clock: time for a Berger.” I knew this advert but it was on rereading this passage that I realised how similar it was to the shot where I’m alone drinking a [glass of] Berger, with the label clearly visible, and where the church bells are striking seven o’clock. Berger pastis is, of course, completely associated with Jean [Lambert], with our get-togethers, our weekly aperitifs. L’Heure du Berger is the recreation of Maniquerville. They were both made at the same time. In addition to Jean’s insistent “return” to his house, as his ghost inviting me to make this film, it is perhaps the heaviness of shooting Maniquerville that led me to make this film using such a light and intuitive touch.”

Sarah takes her two sons Théo and Daniel to IKEA to choose a bed, choose a table, choose meatballs or salmon, choose a lamp, choose.

Little is necessary for everything to appear differently. The date, the hour, the weather, the space's layout, one's glance or presence of mind . . . can make everything change. The boats sail out of the Vieux port in Marseille to be amongst the poppy fields.

Gurmen, a Sherpa widely respected for his high-altitude expertise, lives at 13,000 feet in the Himalayan valleys of Nepal. Every day he faces the dangers of the mountain and its treacherous climate. With dreams of a better future, he has a bold idea: to buy a trained horse and rent it to tourists. First he has to travel across the country, buy a horse and bring it back to his village.

The year thousand. The famine and the war of duchies ravage Brittany. An albino prophet, Godevin, crosses the Finistère to announce the end of the world. With his followers, he walks towards the end of the world, the Finished Terrae, where the safety is.

The history of the execution of Odell Barnes in Texas, on March 1, 2000. The movie, based on testimonies of family, friends and lawyers, aims at demonstrating that O. Barnes did not receive a fair trial and was executed because of his past and background.

During the music fest, men or women are having fun.

Friedl vom Gröller invites a stranger to his small apartment in Paris and records his reactions to an unexpected striptease.

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.

French documentary of the life and work of pioneering animation director Tex Avery.

Interview with the bemed lesbian filmmaker.

An ode to the life, thought and cinema of Pasolini, brought to life in a video overlay and embodied by two young men.

Valvert is a psychiatric hospital in Marseille, founded in the mid-seventies in a spirit of freedom and openness. The film observes daily life there, painting a portrait of the place through interviews with employees and scenes from the patients’ lives. In an atmosphere resolutely opposed to the standard institutional system, the liberty at Valvert reveals various facets of ordinary madness.

Agathe is turning 30 and has finished her thesis on secret societies in France. A young woman is found dead in the Seine, murdered for a specific ritual. She is an image of Agathe, has the same first name and is similarly dressed. The traces lead to one of the secret societies this included in Agathe's study.

A documentary exploring shipwrecks and a massive volcano that erupted over a century ago.

It all started with a dream: "It's time for you to try to explain the mysteries! Find the griot who'll bring you to me, and when you recognize me, circle around me three times, rub me with buttermilk, and let me know what you want. But be careful: don't forget the buttermilk!" That's how I was drawn into the boabab's spirit. It was in the year 2000. The year of the "Sopi". If the boabab was Senegal's emblem, through the tree, I should understand the country.

The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.

"Inspector Paolo Zappa has 6 minutes to join his team at La Planque, without the money he is carrying the exchange will not take place..." Awards and selections • Grand Prix du 5eme festival de Saint-Maur- Des-Fossés 2007. • Cannes Film Festival 2007 / Short Film Corner, official selection. • 2007 Mons International Film Festival, official selection.

Three collegues decide to go for a break to a sea spa hotel because they are overwhelmed with stress at work. There, they come to the realization that all their problems actually stem from one man. This man, who is making a fool of them works in the same company.. Now it's time for revenge!

A series of 3 shortfilms, shot for Canal+ and broadcasted during Cannes Film Festival 2005, starring Eva Herzigova.

8 short films made in different years by Philippe Vallois, related to the theme of bodybuilding, in a totally offbeat, playful or poetic tone.

After he won over the public at home, it was time to use his unique musical style to entertain the international public, who await his concerts with excitement. In 2005, in the Parisian concert hall Olympia, Oliver started making all the dreams he dreamt as a boy come true.

In order to meditate upon the transience of all being, the monks, in a widespread exercise, imagined a naked woman. This so-called analytic meditation began with a perfect and beautiful body, and transformed this step by step into an old, diseased, and dying one, to end the exercise by picturing a rotting and stinking corpse. The female body, as the absolute Other, was meditatively murdered and dismembered as a symbol of the despised world of the senses. – The Shadow of the Dalai Lama by Victor & Victoria Trimondi

The story is about a woman who is going to Trieste (a city in Italy) to search for informations about a writer who has never written.

It's the story of a little girl who decides to leave childhood behind the evening that the Christmas tree is decorated. After all, her childhood has been stolen from her.

This movie is a docudrama relating the early history of the Eiffel Tower: From the planning to its first military use.

A young mother must protect her daughter from a rogue scientist on a murderous rampage to steal the girl's psychic powers for herself.

Rooms must be vacated before noon on the day of departure. An extra night will be charged for all late departures." Jean-Claude Rousseau has used this banal, well-known notice as a synopsis for his film. Taken out of context, thereby rendering it mysterious, it is an ideal introduction to this letter, which consists of two shots – the front and behind of a window in a hotel in Turin – and an insert. Here, Rousseau continues to explore "basic film techniques" but in this case, he abandons super eight to film in DV, a new technique and a new quest for harmony between visuals and sounds. Jean-Pierre Rehm.

Spatial and temporal development of forms through birth, growth and extinction. Elementary figures adding to each other in order to create a complex figure. Geometry as a metaphor. Frame as a territory.

In the form of a posthumous letter to Storck, using clippings from the original 'Borinage' film, the director paints a personal picture about a corner of Western Europe, where shocking living conditions of those trapped within

Portrait of the "battle phenomenon" in the Hip-Hop scene in France. In recent years, these artistic confrontations have been multiplying across France, encompassing dance, DJing, and even graffiti. However, what has been drawing crowds recently is the "MC Clash."

Christopher Columbus discovered America while looking for India. Columbus' journeys are subjective and undefined. Illusions take over objective observation. When one leaves, it is always his/ her own dreams that take off first. The edge of the world is definitely more narrow than the idea of it.

Documentary on Xavier Magnée, defense lawyer of Marc Dutroux, the Belgian who was sentenced to life imprisonment for rape of minors, murdering several girls as well as his alleged accomplice. The film concentrates on how a man can represent the "devil".

In 2007, the French filmmaker and my dear friend Agnès Varda called me before coming to L.A. with a question: would I agree to let her film my L.A. story? The video you are about to watch is the story of our first encounter in Paris in 1996 and in the years since, how our shared reverence for cinema formed the bonds of an everlasting friendship, and how the Cinematheque became like home.

On the coal road linking the Shanxi mines with the large port of Tianjin, in northern China, the drivers of 100-ton trucks shuttle endlessly to and from, day and night. On the roadside: prostitutes, cops, petty racketeers, garage owners, mechanics.

Diane of Meridor, aged 23 years, lives a happy country life with her father. For the first time, Diana has her coming out ball, organized by the count of Monsoreau, who, in spite of being much older than her, wants to make her his wife, having a possessive and jealous love for the young woman. The duke of Anjou takes Diana in the ball, and tries to abuse of her exercising his prerogatives of being the brother of the king. Monsoreau will take advantage of this fact in his favor, and kidnaps de lady. He explains her father that Duke of Anjou, a known seducer, has kidnapped her. In order to safe her honor, he offers to marry her. Her father consents to it, with his heart broken by his sorrow. Diana of Meridor is forced to marry the damnable count of Monsoreau. Since then, she will know the Court and will live closely the various plots to betray the king, and discovers all around her the awful taste of deceit...

Wolves in the Snow begins with the news that Antoine has been cuckolding Lucie for years. A violent marital argument ensues resulting in Antoine's death. After lying about Antoine's whereabouts, Lucie discovers his secret life of gangsters, money laundering and violence. Followed, threatened and badgered by the gangsters, Lucie becomes trapped by her deceit. The body of Antoine disappears, other corpses appear, and the money, very quickly, becomes only the pretext of an alarming turn of events, in which Lucie learns how to lie, to live, and perhaps also to like. Wolves in the Snow is an intense drama set against the backdrop of Montreal.

Kamel is an adolescent who has always lived in the streets.After the theft of a scooter Kamel has to chose between the prison or a social work.Kamel chooses the social work.His duty is to take care of Adèle, a retired old lady with Alzheimer condition.A very difficult duty because Adèle escapes from her apartment every time and walks alone through the town.The first days of social work are a true challenge for Kamel.Besides Adèle's son, who is very occupied doesn't have any time for his mother and wants to put her in a special retirement home.Little by little Adèle and Kamel will know and appreciate each other.

A three-part film.

Set during the Iraq-Iran war in the 80s, the film tells of a tragicomic road trip set in Iraq's Kurdistan.

Ambroise is an illustrator at the end of his rope. He lives a pittance with his paralyzed wife. One day, he discovers that he has a work of art that could earn him a lot of money. He soon loses his mind and disappears. His wife leads the investigation: is Ambroise dead?

Pierre's wife, Madeleine, is dead, but he still sees her in his dreams. One day, his younger brother, Baptiste, comes back to live with him. A new life is possible, but Eva, Baptiste's wife, comes back and divides the two brothers.

Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.