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A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.

England, mid-1980s: Bill embarks on a dream-like odyssey around rural England, breaking into country houses, taking photos of anything that interests him, until he meets a mysterious woman in a van, who seems to be on the run from the authorities.

Biography of Julian Gayarre (1844-1890), one of the best tenors of all times. At 19, a professor at the Conservatory of Music in Madrid heard him singing for the first time and offered him a scholarship to continue his studies. His artistic life runs between continued success, becoming the world's greatest tenor. But in 1890, while singing at the Teatro Real in Madrid, a failure in his voice is like a cruel reminder of what would happen a few days later: his death at a young age. The doctors gave a diagnosis, but his friends know that Julian Gayarre died because he could not sing anymore.

The film revolves around a writer with creative problems. His good ideas always seem to slip away from him, so he wastes his days.

In an unnamed village there is a barracks where improbable soldiers have been recruited, who are up to all sorts of things. From a completely wrong flag-raising to a kidnapping, we certainly won't get bored: the two kidnappers ask for an escape route to the Caribbean, where they can move with the blackmail money, but things don't go as planned.

Rodrigo Díaz de Vivar, “Mio Cid”, is in love with Jimena, but the Count of Oviedo, his father, challenges him to a duel and is killed. He before him curses Rodrigo, that if he marries Jimena, he will lose his manly faculties. And, in fact, when he gets married, Rodrigo becomes effeminate.

A young woman and a television.

The 12 year old Ina struggle to become a great pianist. Success depends on the music competition "Ein Herz für Mozart". Ina is sent by her mother's command to piano lessons. The piano teacher Holger produces in his free time experimental music from sound collages, but can not prevail with his works in the professional music business. Ina takes a liking to the sound collages of Holger and flees from her domineering mother to him.

Alexander sits in the pub and wants to be left alone. The fake sailor Konstantin sits in the pub because he can't leave his fellow men alone. That evening, however, he has his sights set on Alexander and won't let up until he reluctantly tells him about his accident at work. After the accident, he is only good for desk jobs, which leaves the once perfectly healthy construction worker struggling with his fate. Unasked and uninvited, Konstantin provides the embittered Alexander with more than enough work by declaring him responsible for a long overdue road construction project in the municipality. The old man takes not only Alexander by surprise, but also the mayor. He had put off planning the project for far too long. Understandably, neither of them are thrilled, but now that things have got rolling, they have to act...

While working on "Deutschlandbilder" (1983), Hartmut Bitomsky was examining film material produced by the Nazi regime when he came across an abundance of footage documenting the planning and construction of motorways. In this found footage documentary he investigates what this material actually says: the motorway is stylized within it as a promise of progress and modernity, a "lifeline of the nation", less a straightforward piece of infrastructure than a prestige object, a work of art.

The title Dal polo all'equatore was first used by the pioneering documentary maker, Luca Comerio, for a compilation film of 1925; it was used again by Yervant Gianikian and Angela Ricci Lucchi for their film of 1985. Much of the original has been re-worked: the 'found footage' has been re-shot, slowed down, tinted, and re-edited with a sound track of minimalist composition. As a result, the exotica of colonial travel and sport take on new and sinister meanings. The acts of violence, especially those of hunting, recur in patterns that suggest visually that war is a logical development. A close examination of the work, starting with the opening sequence of a railway journey, explores the centrality of questions of memory and history to this remarkable and influential film.

This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear.

In this film, Dammbeck explores his own decision to relocate to Hamburg, West Germany, and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling, and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm scene and organized or planned multimedia and crossover exhibitions, including Tangents I in 1976-77 and the First Leipzig Autumn Salon in 1984. Each left for West Germany in the mid-1980s. What has become of their former artistic strategies and positions? How do they deal with their past? What is the force behind their art now? And how do they cope with the western art market?

One for the Road is a live concert video by the rock band "The Kinks". It was released in conjunction with a live album of the same name. Many of the bands classic songs are featured, including "You really got me", "Lola" and "Celluloid Heroes"

An essay on Friedrich Wilhelm Murnau produced on the occasion of his 100th birthday.

A documentary about the economic plan of the last dictatorship that investigates the role of the IMF and international banking in the policies implemented by José Alfredo Martínez de Hoz, Minister of Economy under the Military Junta, and the multi-million-dollar debt and devastating impact it had on local industry. Filmed during the first months of Raúl Alfonsín's administration, the film exposes the involvement of the business community in the persecution of workers and how illegal repression was a necessary instrument for the implementation of a neoliberal economic model that would generate significant increases in unemployment and poverty.

Roberto is an insurance salesman who dreams of writing his own novel. When he meets Estela, a young woman about to commit suicide, it serves him as material to make this work.

Edith Clever recites the complete text of The Marquise of O. by Heinrich von Kleist.

This documentary is about the life of a Venetian psychiatric hospital. The relationships between the doctors, the patients and their families are followed.

Spend some time in the company of the guests at 'Wentworth' - all taking the waters except for the Colonel and Miss Howard, who has some leisure for the beginnings of a late romance. Gossip, bicycle rides, rounds of golf, bridge in the evenings and preparations for the charity concert all make time pass most pleasantly - don't they?

In a final battle for the control of Thebes, Oedipus's two sons kill each other. Creon issues an order that no one is to bury Polynices upon pain of death. But Antigone is determined that her brother's body will have the proper rites of burial.

In her work, Monika Funke Stern operates at the intersection between experimental film and video art. She relies both on a variety of filmic techniques and effects and a powerful dramaturgy of filmic devices. She develops her own visual signature and a great interest in her subjects, which often play with elements of science fiction to develop a critical take on reality. In her comical Zum Glück gibt’s kein Patent she portrays Norma DIN working at the patent office, played by Hella von Sinnen. Norma’s ordinary life and workaday world is shaped by the endless meaninglessness of the neutral abstraction of inventions. The story reaches a climax when Norma is presented with a robot that is intended to replace employees like herself one day. Norma can apply a whole series of bureaucratic policy provisions and classify the robot as not worthy of a patent.

Novelist Quim Monzó is going to create new characters. Pinxa, Riqui and Txordi are black series heroes who had the misfortune of being born in Girona, instead of the Chicago of the thirties.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

Ugo Maria Volpone is a very rich shipowner. He dissimulates to be close to die in order to have the attention of three of his friends: Corvino, Voltore and Corbaccio. The three accepts every kind of humiliation and money loss in order to inherit all Volpone's fortune. Volpone hires a new servant, Mosca. Together the two start to realize new jokes and extortions to the three greedy fake friends. Who will win the inheritance?

Because her husband, crime novel author Bert, prefers to spend the evenings with milieu and girl studies in the pubs, Conny files for divorce and moves with the two children from Berlin to Munich. There, she mistakes the new teacher of her daughter with the renovating carpenter, which is quite alright with the teacher as this gives him plenty of opportunity to enjoy Conny’s company. Meanwhile, however, Bert as well has started to understand how good it is to have a cosy home. He comes to Munich in order to win Conny back.

Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.

Black and white silent film starring The Clash. A gangster tale that follows Earl, a musician and small-time hood played by Paul Simonon, who falls foul of the local crime boss called Socrates, ‘The Lord of Ladbroke Grove’, played with some relish by Mick Jones.

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”

The spectacular amorous adventures of Lady Gloria in the famous Orient Express.

A showdown is staged between a U.S. deputy marshal and the outlaw gang that raised him in the New Mexico Territory of 1887.

One of the key factors in Italian unification was the overthrow in 1860 of Francesco, the King of Naples and the two Sicilies, who went into elegant but impoverished exile in Rome with his Queen, Maria Sofia. This seriocomic drama follows the deposed royals as they adapt to their new lives. The former king has recognized the political finality of his deposition, but his queen has taken to traveling in men's clothing all over Italy trying to foment an uprising to restore them to the throne. She is also frantic to have a baby, an heir, but the king has become celibate as a kind of homage to his beloved mother; he spends all his time lobbying the Vatican to get her declared a saint.

After a nuclear holocaust, as the rest of society regresses to primitivism, a small, "elite" group that has managed to escape radioactive contamination takes it upon itself to exterminate those it sees as "unfit", including certain members of its own group.

Pippo Caciotta is an actor looking for a role. His manager wants to renew his repertoire. Caciotta then, with the help of the brother Poldo and a camera, go around the city to find new ideas.

After her parents are killed, a young girl is sent to London to live with her uncle and his family. Her uncle, who is a toymaker, secretly has the power to make his toys come to life, but he also maintains dictatorial control over his family and intends to exercise the same control over the new arrival.

An Italian laborer foils anyone who tries to stop him from selling espresso on the Milan-to-Naples night train.

Venice will always be the city of romantic conquests.

A Government Department with data on us all in its computers is not functioning quite as its ex-Head intended. Frank Strange sets out to clear his own name and finds he is investigating a murder.

Can I Help You? is a 28-minute British short film released in 1981, directed by Claude Whatham and written by the celebrated author and playwright John Bowen. The film primarily stars veteran British actors Freddie Jones and Miriam Karlin. It is an obscure but well-regarded piece of British television drama from that era, exploring character-driven stories in a conversational, theatrical format typical of John Bowen's work

The first portion of this film is a documentary on the adults-only entertainment industry prevelent in London's Soho District. The second details the trials and tribulations of a struggling photographer, his unsatisfied wife, and their friend Emmanuelle, as they try to make it big in Soho. They decide their ticket to success will come by blackmailing a wealthy adult film tycoon.

A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.

Filmed in his studio in 1988, in front of Benoît Jacquot's camera, the painter Robert Motherwell, then aged 73, retraces the main creative stages of his work and describes very precisely his way of working: the importance of the choice of brush , of the support, of the paint used, the accidents which occur and which determine the work... He engages in a discourse on art in the serene atmosphere of his studio in Greenwich. He describes the principles of psychic automatism and comments on the different periods of his work to which dozens of retrospectives, including one in Paris in 1977, have been devoted throughout the world. A rigorous portrait that reveals the painter with his doubts and convictions.

A historical adaptation of John Gay's 18th Century ballad opera, exuberantly performed for BBC television.

British comedy legend Victoria Wood entertains a star-studded audience including Julie Walters, Judi Dench and Dawn French in this 1988 special. Watch her crack jokes, play the piano and answer light-hearted questions.

A family of farmers wage war against a group of unscrupulous, corrupt speculators who are trying to get their hands on their land.

James Carlisle is a successful architect who sees his children every weekend following his divorce from Lyn. When Lyn falls in love with the unstable Bernard, James is forced to take drastic action.

Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.

In the film, Antonio Skármeta, who had to flee Chile in 1973 due to the military dictatorship, interviews various Chilean artists who are also living in exile in Europe. How are work opportunities changing for artists far away from their homeland? What problems do they face? What do they gain from their special situation?

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Three portraits of young people today who are confronted with an indifferent and uninspiring society, whether at school, at home, or in the workplace.

Ehreshoven Castle - half an hour from Cologne - is home to 16 countesses, baronesses and baronesses aged between 76 and 88. The moated castle with its old park was bequeathed as a foundation by the last heiress in 1920. Impecunious, unmarried, noble ladies of the Catholic faith are given the opportunity to spend a quiet, dignified retirement there, provided their families are listed in the Gotha.

A great child group adventure music movie -no words spoken - le petite bande - small band - scape from their music class... excellent for every age, a film that you can watch happily with your children.

Roberto Razzi, skeptical and convinced atheist, is the conductor of the Futuro program, in which he unmasks the most common tricks and deceptions that make the miracle cry out to everyone.