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El Silbido

Laura and Mari are meeting with a medium in the candlelit living room of their new house. The woman asks them about the reason for their call and the girls put her in context. They then begin to explain to her the paranormal events they have experienced since moving into the house: they hear a hissing sound through electrical appliances, a sound they believe to be coming from a hostile and threatening spirit, as they have already suffered attacks from the entity. The woman listens to them attentively before conducting a séance to contact the spirits and find out what is happening in that place.

El Silbido

NR 2024
Dead But Dreaming

A vampire film with "altitude". Winner of 9 awards in 2013 from the Beverly Hills Outlook! The year is 1805, the city of Nuestra Señora de La Paz lives in fear of an invasion from the indigenous population, and - within its walls - a rebellion is brewing against the Spanish crown. If this were not enough, a beautiful vampire is terrorizing the population, leaving a bloodbath in her wake. A young Irish spy, on a mission for the rebels, is found near the body of a victim. She is captured, accused of the murders, publicly flogged and sentenced to die by garrote.

Dead But Dreaming

2.7 2013
MessiCirque

We will see the formative moments, the creative and artistic development, Messi´s participation with the project, training, rehearsals and the "Messi10 Challenge LaLiga". This is the interactive experience that lets you "be Messi for a day", ending with the long-awaited premiere of Messi10 in Barcelona. We will accompany the creators, artists and Messi on a trip from Montreal to Barcelona and discover a story about dreams that come true. MessiCirque combines Cirque du Soleil´s vision to tell, for the first time, the story of a living sports legend with a child´s ambition to play football.

MessiCirque

7.0 2019
El gran Gato

"El Gran Gato" is the title of this "documented musical," as cataloged the same director, which includes the participation of singers like Tonino Carotone, Sisa, Kiko Veneno, Luis Eduardo Aute, Los Manolos, Lucrecia and Martyrdom. This manager and colleagues pay tribute to Jack Perez, singer and composer who popularized the rumba and died in 1990 when he was only 40 years. The film alternates between two parts: a documentary with more conversations with family and people who knew Jack Perez, and a second in which the aforementioned musicians interpret the best known songs of the musician.

El gran Gato

7.2 2003
Mentirosa

Nina, secretary of the lawyer Mr. Mendoza, is an imaginative liar. Because of her work, she has access to the will of an old millionaire who died naming as the sole beneficiary his daughter, the fruit of a love affair of youth. Only the millionaire's sister, the widow of Martiarena, knows who she is and where she lives. Nina decides to impersonate her and, to his astonishment, is recognized as the real daughter by the sister. But the housekeeper and the doctor of Mrs. Martiarena decide to resolve the situation.

Mentirosa

5.5 1962
Madre amadísima

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.

Madre amadísima

3.5 2009
The Illusion

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

The Illusion

8.0 2009