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Five young men live in a community on the outskirts of Milan, sent here by courts and social services. None of them know what comes next.

An unfortunate man loses the little he has, but in that freed up space he finds a greater treasure. A brief tale of catharsis, achieving through subtraction ("more" through "less"), weight of Having and lightness of Being.

After the Movieland adventure, the new group decides to go big. Thus begins an adventure filled with magic, laughter, and excitement, set in one of the most magical places on earth: Disneyland Paris.

This documentary film recounts the return of the Filarmonica della Scala to Asia after a seventeen-year absence, following a fifteen-day tour of South Korea and Japan.

‘Yellow’ is a project by Filippo Cinotti Shot entirely with: Canon C500MKII Nikkor AI-S lenses Evaluated in Davinci Resolve 20 Extra tools: LensNode

On March 28, 2026, at the Cinema La Compagnia in Florence, his music will come to life in concert thanks to a collaboration with the Florence Pops Orchestra: a musical journey spanning over twenty years of his career, featuring iconic film scores and melodies that have moved audiences around the world.

In a hidden place, beyond a door no one dares to open, a dark plan is about to unfold. When the Great Wizard unleashes his power, you will be swept into a vortex of pure madness and begin a journey you will never forget. You will soar over dizzying mountains, face colossal dragons ready to unleash their fury, dive into digital worlds where gigantic fruits rain down like meteors, rush through torrential forests, unstoppable rapids, and deep space ruled by an insatiable black hole. But there is one thing the Great Wizard did not foresee. A force greater than any spell; a force that knows no fear; an energy no magic can extinguish: the fun of Prezzemolo!!!

Lily looks inside, then leaps. A dive into the consciousness of an industrial database. The film reconstructs the fictional memories of an industrial computer plant. Blending the present with the past, an artificial consciousness grapples with three ways of looking at reality. Photographs, archives, and fiction, hybridized with rotoscoping and digital reconstructions using photogrammetry, help Lily, the industrial software, increasingly approach human perception.

A young author investigates the event that changed his family forever: the sudden death of his grandfather Nino. Returning to his hometown in Campania with Luisa, his grandmother and imaginary companion, he is guided in his search for the causes of this untimely demise by the footage Nino himself shot before his death and the fragmented memories of the five children he left behind.

In Il mio pallone / la mia vita is the veil that hides the desire to leave posterity a time capsule with a message of brotherhood and existence.

With irony and lightness, the pair of authors intertwines their story with that of the Roman neighborhood of Torpignattara, between intimacy and collective memory, with a meta-narrative approach that layers different narrative dimensions around the themes of the nursery.

John Cabot University

An enigmatic renegade young man, a melancholic stalked young woman, a mysterious missing young girl and an eminent ruthless old cardinal: They live in a faithful relationship but their reciprocal dependence will soon become a pain to be freed from. Fighting desperately. Who will survive?

N. undergoes Compulsory Medical Treatment that kills him: it is the epilogue of a violent encounter with psychiatry, which fails to provide him with support and pathologizes his pain until he becomes yet another victim of the system. To say goodbye to life and accept his death, N. embarks on a journey through his memories, accompanied by the voice in his mind.

Ancient myth keeps Diana and Minerva apart, until this film brings them together in the unlikely setting of a pink kitchen in an '80s Mexican villa. Reimagined as two contemporary women, they speak through fragmentary voice mails that blur personal pain, natural-world anxieties and the erosion of civility. With its hybrid language of observation, visual collage and dream logic, the film invents a myth inside an intimate, hyper-feminine domestic space charged with quiet, growing tension.

Some put glitter on their nails, others breathe it in. In the Emy Nails beauty salon, the world is split between the two sides of the table, in two languages—until an XXL manicure throws everything off balance.

It's summer and Silvia confides her intimate secrets to her diary. On the beach, under the hot sun, her body is exposed, vulnerable, and at the same time the object of a desire that is still unknown. Sweat, skin, and glances mingle in a game of curiosity and fear, where every little gesture seems to carry weight. Silvia feels she is completely abandoning her childhood and is afraid of growing up. How does one give their first kiss?

The journalist investigates, against the wishes of her friend the commissioner, the murder of Gabriel, twin brother of fashion designer Lorenzo Santoro. It will be the journalist who will solve the case...

In a crescendo of visual hints and sonic traces, Objet d’énigme plays with thriller tropes to depict homes as a dense space in which the memory of murder can be surmised in every frame. Using lo-fi scans of domestic spaces, Objet d’enigme lies bare a pattern in which the female body is the ever-returning protagonist.

In a not-too-distant future in Naples, a young man illegally crosses the deserted city on a personal mission.

An intimate project with Elif Bayindir, set between Turkey and Italy, exploring bureaucracy, salvation, and an imaginary poetic residence permit.

A high-impact dynamic film for the Ferrari F80, designed to push beyond conventional performance storytelling. A journey through diverse and striking natural landscapes, where speed, precision and design come together to create a visceral, cinematic experience. This project redefines how the F80 is seen in motion: not confined to the track, but unleashed into the world, transforming every environment it crosses and leaving a lasting impression on the viewer.

Why and how do we look at animals? Is it possible to use archive materials as if they were the involuntary testimony of a gaze? Archiving is, in some ways, the act of collecting gestures. Through the editing of fragments of documentaries, newsreels, and promotional videos, the film aims to make visible the complexity and stratification of a relationship that the more we consider natural and given, the more it reveals itself to be the product of economic and political—and therefore cultural—processes analogous to the human world.

Partisans, couriers, and survivors tell personal stories as fragments of a collective history. The sites of the Gothic Line become the real and emotional space of this journey toward freedom.

Postcards—and the forgotten act of sending and receiving them—belong to a bygone era. A Venetian gentleman has been collecting them for years, preserving especially the old ones from his city. Some messages written on the back struck him so deeply that they sparked his imagination. From there, two stories take shape: two children playing among the squares and the water; a Venice immersed in emptiness, silent and stripped of presences. With their head in the clouds and their gaze lost among the faded lines of ink, the viewer is drawn into a small journey between memory and disappearance, childhood and desolation, presence and absence.

Two days in the life of the director and his two friends -filled of art, nature, boredom and joviality- in their birthplace: Sicily.

A filmmaker travels with her mother across the Sahara in search of Tin Hinan, the queen of the Tuareg, and encounters a nomadic way of life that is disappearing. The documentary is presented in Italian, Algerian Arabic, and Tarnasheq, a linguistic choice that becomes an integral part of the narrative and the dialogue between cultures.

Started as a filmdiary, “Ogni cosa nella luce si ritrae” is an attempt at assembling all the footage shot over the course of thirteen months through a logic capable of showing both its intimacy and distance. A hendiadys turned towards its incompleteness, towards the margin itself (here, each time: the film leader, the cut that links and separates the images), always and yet never entirely continuous/discontinuous, at the same time.

The film uses dance as its central metaphor, portraying how imperfect relationships maintain rhythm until imbalance can no longer be sustained.

Emilio lives alone with his grandmother Milé, who suffers from Parkinson's. His daily life is suspended between caring for her and trying to preserve fragments of his youth, silently harboring feelings for Irene, his neighbor and classmate. On the night of the end-of-year party, he leaves Milé alone for the first time. Amidst alcohol, drugs, and a desperate declaration of love, he discovers that growing up means learning to live with guilt, fragility, and contradictions he never asked to face.

“Spirit of the Valley” is a medium-length film composed entirely of fragments from an anonymous Super8 collection shot in the '80s. No new footage has been added. The protagonists of this bio-photochemical impromptu jam session are the faces and places captured by the filmmaker’s lens during those years: scattered fragments that I selected and altered through various interventions on the emulsion, alongside the assistance of time. Images shot almost half a century ago survive in an eroded state, resurfacing at times untouched in this ghost home movie, an elegy to 8mm film, an ode to Moviechrome, and a requiem for Kodachrome.

The salt deserts of the Argentine Andes are being disrupted by profound changes that impact the environment, entire communities, and individual lives. As corporations extract lithium from the soil, two young political leaders, activist Vanesa and miner Elbio, run for president in their respective indigenous communities. In Buenos Aires, teenager Milagros protests outside the parliament as it holds uncertain national elections.

A family story of three generations (Grandma Gianna, her daughter Daniela and the young Flavio) that unfolds through old photographs, confessions left hanging and a past shrouded in mystery. Luigi, husband and father who passed away too soon, is a shadow that continues to live in the daily gestures and silences of his family. An intimate and delicate story that explores the weight of family silence and the power of hidden memories.

8mm film by Elisa Caccioni and Dan Basasanto.

Experimental short

From the director’s digital archive of sleepless nights emerges a creature-film: nocturnal fragments in her room are observed, replicated, and altered by artificial intelligence. In a flow of oxidized images and suspended visions, a rarefied dialogue unfolds between woman and machine. A confrontation at the threshold between presence and absence, human and artificial, where reality shatters and identity dissolves. A hypnagogic journey into the depths of a thought shared between one who was programmed to exist and one who is no longer certain of doing so.

John Cabot University

A colony of children seek liberation from the tyranny of the adult world's gaze.

Patrizia and Marie left everything behind and embarked on a five-month, 20,000 km off-road journey from France to Guinea-Bissau—with nothing but an old car, four surfboards, and a mission: to capture the stories of inspiring women redefining their place in society across Northwest Africa. What happened on that long and dusty road was pure magic. From the first female mountain guide of Morocco to the women’s rights activist in Nouakchott, or the young surf collective in Dakar, they all showed that when women dare to break free from conventions and listen to their own voice, a revolution begins—not just for them, but for their communities, their countries, and the world.