Discover Movies

713 Matches Found

Donizetti: L'Elisir d'amore

A village somewhere in the Italian countryside, a wayside inn on a road crossed by the occasional dog. Nothing more. Laurent Pelly’s production presents a deserted landscape in which the turbulent arrival of Doctor Dulcamara causes a sensation. And with good reason! He is said to be the inventor of a mysterious love potion… In opera, love philtres often provoke terrible tragedies. They also provide the pretext for this gentle comedy in which Sergeant Belcore and the timid Nemorino vie with each other for beautiful Adina’s heart. The stage is set! Bring on the music, which, if we are to believe Donizetti, was composed in a fortnight!

Donizetti: L'Elisir d'amore

6.0 2018
It can't always be summer

It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.

It can't always be summer

NR 2018
A Home On the Clouds

A couple receives a letter of eviction: they must leave their home in Trento within 60 days. They are two political refugees: he is Afghan and she is of Iranian origin. They have a 10-year-old son, Sepanta, who grew up in Italy, and has no memory of his grandparents, either paternal or maternal. They decide to dedicate these 60 days to their son, to offer him a different idea of home, and thus undertake a journey to his mother's native country. But an unexpected event upsets the plans.

A Home On the Clouds

NR 2018
La Fuitina Sbagliata

The story of Romeo and Juliet is exactly the opposite: two families, the Casisa and the Vitrano, who adore each other, and their two children, Anna and Claudio, students away from home and longtime lovers, who hate each other and want nothing to do with each other. When they return home, the two find an idyllic situation: the friendship between their families is so strong that they've even joined forces in business. The Casisa, ricotta producers, and the Vitrano, producers of cannoli shells, will sell "the lovers' cannoli," for which Claudio and Anna will be the unwitting ambassadors. It's so difficult to tarnish that picture that the two not only lack the courage to admit they've broken up, but, gripped by an increasingly childish fear, they complicate matters by telling outright lies: not only do they announce their wedding, but also the imminent birth of a child. From here, a hilarious game of misunderstandings begins, which will lead them to commit the wrong elopement.

La Fuitina Sbagliata

6.3 2018
E il naufragar m'è dolce in questo mare

An ancestral and magical ritual is performed every year in a village lapped by the sea and the sun, on a late summer night that smells of salt and wild flowers. A memory for one night. A memory that tastes like home. What if there was someone who didn't just want to remember but relive? It should seek answers in that sea which is memory, heart, tears and vortex. This is Roberta's journey, a return home, to nostalgia, to loss. A return that is at the same time a new beginning...

E il naufragar m'è dolce in questo mare

NR 2018
Angela's Diaries. Two Filmmakers.

Every day of her life, Angela kept a diary, filled with words and drawings, in which she recorded public and private matters, meetings, things she had read, everything. Including the account of two trips to Russia (1989-90). The period of the collapse of the USSR. A diary that she had been keeping in small Chinese notebooks, since before Dal Polo all’Equatore (1986), on our uninterrupted work on the violence of the 20th century. From our tours in the United States with the “scented films” of the late seventies to the Anthology Film Archive of New York and the Berkeley Pacific Film Archive...

Angela's Diaries. Two Filmmakers.

8.0 2018
Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Opéra National de Paris: Verdi's La Traviata

NR 2018
Teatro alla Scala: Joan of Arc

"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.

Teatro alla Scala: Joan of Arc

NR 2018
My Home, in Libya

Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.

My Home, in Libya

6.3 2018
Don Pasquale - Palais Garnier

“Foolish indeed is he who marries in old age.” Thus ends Don Pasquale: with a wise dictum not lacking in irony that sums up the disappointments of its hero, a rich bachelor keen to marry who is deceived by his nephew Ernesto and his young bride-to-be Norina. First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

Don Pasquale - Palais Garnier

8.0 2018