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3 citas con el destino

The story unfolds through the twists and turns of a strange curse attributed to a jewel that, passed from hand to hand, carries a deadly destiny. Its theme spans the three countries where it was filmed (Spain, Mexico, and Argentina), beginning in Spain and then moving to Mexico. The jewel, which takes on the character of another figure in the narrative as it travels through different parts of the world, arrives in Buenos Aires. The film ultimately presents the jewel's final destination in Mexico, where its owner dies, like others who were also marked by its malevolent influence.

3 citas con el destino

6.2 1954
Un Vintén pa’l Judas

Christmas Eve. The children ask for money for the Judas (Un Vintén pa’l Judas), and the protagonist, a failed tango singer without means or will to live, meets a friend, a public employee, in search of some rummage. This one asks him to buy a lottery. The tango singer, in need of money to buy a guitar to use in a singing contest, collects the winnings for himself, betraying the trust of his friend, in the same way as the Judas that the children burn on the streets.

Un Vintén pa’l Judas

NR 1959
Tres huchas para Oriente

Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime

Tres huchas para Oriente

8.5 1954