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Der Unbesiegbare

Hámos' fascination with the cultural mythology of the hero culminates in this witty, elaborately crafted drama, which was produced for European television. Hámos intercuts two parallel narratives to tell his story: a cartoonish, campy science fiction adventure, shot on video; and an elegant, cinematic political thriller, shot on film. Hámos blends the two genres into a tragicomic tale of the role of heroes, their immortality, and the catharsis of a heroic death. The science fiction melodrama features a comic book superhero, Hurry Cane, who saves the earth from the evil Emperor Argon; in the film noir, hired killers have a contract out on the hero Cane. Hámos' analysis of the myth of the hero is articulated in his collusion of the two stylized dramas and their contrasting representational modes..

Der Unbesiegbare

10.0 1985
Die Leidenschaftlichen

A remarkable approach to Goethe's novel "The Sorrows of Young Werther": on the one hand, a film adaptation that strives to remain faithful to the work and its words; on the other hand, an examination of Goethe's authentic story, his experiences that inspired his writing, and his retrospective comments as an old man. The dialectical connection between these two models brings to life experiences of love, loneliness, and deadly despair, leading in one case to desperate suicide and in the other to poetic processing.

Die Leidenschaftlichen

8.0 1981
The Future of Emily

Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?

The Future of Emily

6.4 1985
Man Without Memory

The norms of hospital practices are turned upside-down in this complex drama about how many rights are denied patients who do not conform. At the beginning of the story, a man is found lying on the side of the road and is brought in to the police station as a probable vagrant, but he has no memory and seems to have lost his powers of speech. Perplexed and defeated by their unsuccessful attempts to make him talk, the police send the man over to the hospital for examination by psychiatrists. After some time, it becomes apparent that he understands everything going on around him and is simply refusing to talk. This sets off a series of antagonistic actions on the part of the hospital staff, suspicious about his "purpose" in remaining silent. Although some explanation is discovered as to why he is this way, the supposedly sane doctors and staff come off looking like they may need treatment themselves.

Man Without Memory

7.5 1984
Stella

During the Napoleonic Wars, German writer Ferdinand von Rauch, who had enthusiastically joined the French revolutionary troops years earlier, is sent to scout the terrain of a small Thuringian village. Unexpectedly, he encounters not only his lover Stella, whom he left years ago but still loves, but also his wife Cäcilie. Stella has taken a position as a companion to Cäcilie with her sixteen-year-old daughter Lucie. Both women, who have been unable to fulfill their longing for love for years, now lay claim to Ferdinand. And the man reciprocates both their love, not wanting to give up either of them.

Stella

7.0 1982
Liebeskonzil

Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive

Liebeskonzil

9.0 1982
Bei Anruf Liebe

At the moment, love via newspaper ads or telephone is in full bloom. Thousands of offers of pleasure can be found in the daily newspapers and advertising journals, sometimes with coded instructions. Many clients - especially businessmen or salesmen - shy away from going to a brothel or club. They prefer to do it in the lady's apartment or in the back room. The very latest variant of "love" by phone: You transfer a certain amount to a "lady" and then she calls you. With more or less vulgar love whispering, the man may then bring himself to climax..

Bei Anruf Liebe

6.0 1984
Der Drücker

Tommy, 22 years old, is broke and in debt, still lives with his parents and is constantly arguing with his father. The young man wants to break out of this life and believes he has finally found the opportunity to do so. A job advertisement promising 400 marks a week seems tailor-made for him. He quickly makes the acquaintance of a pusher column run by Kalle. But Tommy's ideas of a free life are soon nipped in the bud: He works more than 12 hours a day, goes from door to door to sell magazine subscriptions, lives in a filthy shared room, experiences psychological violence. He leads a life like a slave. How can he get out of this hopeless situation?

Der Drücker

8.2 1986
Doppelt gebacken

Master baker Oskar Lorenz is plagued by a number of worries, because almost every day one of his employees is affected by a different "ailment", making it difficult for the bakery to meet the plan. After all, Lorenz and his team have to ensure that fresh bread rolls and, above all, Berlin country bread can be sold to customers on time every day. And Oskar alone cannot fill all the gaps in the staff. To remedy this situation, Oskar's sister Ilse has come up with something for her brother: a "disease" that is difficult to diagnose. He is now confined to his bed and can no longer fulfill his duties. Ziegler, his deputy, is deeply impressed by the pitiful sight that his otherwise strong master now presents. This seems to be the first ray of hope for Ilse to cure Oskar's coworker and her brother of their "ailments" at the same time.

Doppelt gebacken

NR 1981
Deutschland privat

"Deutschland privat" is a special project by Robert van Ackeren, who in 1979 asked people to send him their 8mm home movies by placing ads in several magazines in Berlin, Germany. In the ads he announced that he was planning to blow up and mount the best of those movies into a feature documentary to be released in German cinemas. He was surprised how many home movies he received and how generously people allowed him to use them for his feature. Part 1 of "Deutschland privat" gives us typical German home movies of the 1970s, i.e. private holidays, family parties, etc. Part 2 consists of what is now called "amateur porn"; home made 8mm movies featuring real porn action.

Deutschland privat

4.9 1980