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Hunger for Truth

In an age when disinformation muddles the truth, a newly discovered voice cuts through the historical haze. She is Rhea Clyman, a young Canadian reporter who traversed the starving Soviet heartland when Stalin’s man made famine was just beginning in Ukraine. Clyman’s newly discovered newspaper articles for Toronto and London newspapers in 1932 show her remarkable resourcefulness and courage. After she was banished from the USSR for writing about the Holodomor and the Gulag, this brave woman went on to cover Hitler’s early lethal years in power.

Hunger for Truth

8.0 2017
Losing Our Religion

Brendan is a pastor in a small, evangelical church, and he has a secret. He doesn't believe in God anymore. His wife is still a true believer - and she just told the wrong person. Losing Our Religion is a feature length documentary about preachers who are not believers, and what atheists do when they miss church. Allowed access to the 600 members of The Clergy Project - a safe haven for preachers from all faiths who no longer believe - the documentary follows ex-members and clergy who are still undercover. They are not just losing their religion, for many they are losing their friends, community and even family. As well as their job. As events unfold that change lives forever, their stories also connect with secular communities that are growing in surprising places. New groups are experimenting in ways to have church without god, and asking the same question as unbelieving clergy - "what's next?"

Losing Our Religion

NR 2017
Taming the Horse

Tao and Dong promised each other they’d return to the village where the latter grew up, in Inner Mongolia, before following his family, who left to find better fortune in a large city in Southern China. This voyage is a mere pretext meant to reconnect the two childhood friends, who were separated for ten years. With a rare sensitivity, Tao Gu films this companion, who was lost not only “from view”, approaching him stealthily to capture all of his tragic intensity, his disillusioned generosity. Dong has remained a dreamer besotted with rock, an incensed body struggling to find money (he comes up with a jade business which does not work out), love, sex and, above all, to live following his own conceptions of liberty, under the ambiguous gaze of his parents and his “successful” brother.

Taming the Horse

6.0 2017
Did You Wonder Who Fired the Gun?

“In 1946, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary, DID YOU WONDER WHO FIRED THE GUN?, which takes us on a journey through the American South to uncover the truth behind a horrific incident and the societal mores that allowed it to happen. Acting as narrator and guide, Wilkerson spins a strange, frightening tale, incorporating scenes from TO KILL A MOCKINGBIRD, the music of Janelle Monáe and Phil Ochs, and the story of Rosa Parks’ investigation into the Recy Taylor case, as well as his own family history, for a gripping investigation into our collective past and its echoes into the present day.

Did You Wonder Who Fired the Gun?

6.2 2017
Vancouver: No Fixed Address

There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives. A chorus of voices chime in — everyone from David Suzuki, to Vancouver Mayor Gregor Robertson, Seth Klein, Condo King Bob Rennie, Senator Yuen Pau Woo, and lots of regular Vancouver citizens.

Vancouver: No Fixed Address

NR 2017
Tomorrow's Power

Tomorrow’s Power is a feature length documentary that showcases three communities around the world and their responses to economic and environmental emergencies they are facing. In the war-torn, oil-rich Arauca province in Colombia, communities have been building a peace process from the bottom up. In Germany activists are pushing the country to fully divest from fossil-fuel extraction and complete its transition to renewable energy. In Gaza health practitioners are harnessing solar power to battle daily life-threatening energy blackouts in hospitals.

Tomorrow's Power

NR 2017
Nos hommes dans l'Ouest

A different perspective on the exile and social impact of major projects such as oil sands mining in Alberta, Canada. These large-scale projects, based on economic growth, also have human costs that change the cultural face of the regions on a small or large scale. Over a six-month period, three families from the Acadian Peninsula in New Brunswick opened their doors and hearts to director Renée Blanchar and her team. A film about exile, choice of life, values, but especially absence; absence being probably the highest price to pay for each member of these families.

Nos hommes dans l'Ouest

NR 2017
Electro-Pythagorus: A Portrait of Martin Bartlett

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

Electro-Pythagorus: A Portrait of Martin Bartlett

8.0 2017
Free Love

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.

Free Love

6.0 2017