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Jesse Owens Returns to Berlin

The rise of National Socialism in Germany and Hitler’s anti-semitic policies and advocation of the superiority of the Aryan race resulted in several calls for a boycott of the games. Against this political backdrop, Jesse Owens’ haul of four gold medals is all the more significant. For a black athlete to demonstrate clearly his superior athleticism and so convincingly outperform his white counterparts was a massive slap in the face for Hitler and made a mockery of his racist theories during his Nazi showpiece games. Standing in the box at the Olympiastadion where Hitler sat to watch the games, Jesse Owens tells with pride that the flag of the US team was the only one not to be dipped as the athletes passed the Führer. (andberlin.com)

Jesse Owens Returns to Berlin

7.1 1966
Saint-Jérôme

This socially-driven film explores the impact of technological changes on the city of Saint-Jérôme, which faced a severe socio-economic crisis in the 1960s, mirroring issues in other Quebec cities. Citizens from all social classes come together in a monumental effort to address the crisis. The film serves as both a reflection of this situation and a catalyst for action, acting as a mediation tool between technology and those affected, and facilitating participation in the reorganization of society.

Saint-Jérôme

9.0 1968
Canada Is My Piano

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.

Canada Is My Piano

NR 1967
I Am a Country

Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.

I Am a Country

NR 1967
Little Burgundy

"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives

Little Burgundy

10.0 1968
The Mills of the Gods: Viet Nam

An award winning CBC documentary on the war in South Vietnam shot entirely on location. The participants speak for themselves. The filmmakers spend time with units from many services: army, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack. There are many scenes of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. There are scenes of dead Viet Cong, and one showing a VC suspect being waterboarded.

The Mills of the Gods: Viet Nam

8.7 1965