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After years of ruling an offline world, the Disconnected Empire decides to take revenge. The Emperor plans to kidnap Marco Túlio, creator of Authentic Games, to bring joy to his dark kingdom. Upon entering this universe, Marco Túlio transforms into Authentic, a friendly character, and embarks on a great adventure to rescue the Craft Family and face the Empire. When all seems lost, unexpected help appears in the final confrontation.
Tormented by a mysterious malaise, a woman tries to go on with her daily tasks. Meanwhile, her son becomes involved with another young man as all the spaces around them seem to point towards the end.
Sol falls in love with Lola, a young deaf actress, and they begin a romance. Everything gets complicated when Lola starts living under the same roof as Sol's ex-husband, Miguel. In this curious triangle, they will discover that the death of one love can be the birth of another.
Marcela decides to hit the road after an encounter with a fortune teller. Along the way, she meets Lia, and the journey takes on new meaning. Amid changing landscapes and encounters, they embark on a path that changes their lives.
Between bars and shows, Dodô Pankada divides his time between his work as a barber and the stages of São Paulo's independent music scene, where he sings forró and other genres that are part of his Northeastern roots. Alongside him is Ericoness, a curious and eccentric outsider, who enters Dodô's world with the goal of documenting his routine and trying to understand what makes him continue pursuing his dream.
Two Brazilians meet by chance and embark on a peculiar journey.
Film based on five short stories by Clarice Lispector (“A Bela e a Fera”, “Amor”, “Feliz Aniversário”, “Preciosidade” e “Mal-estar de um Anjo”).
In a therapy session, secrets emerge, turning the encounter between Ágatha and her psychiatrist into a dangerous psychological game.
Having to deal with a terrible boss, librarian Bia receives some unexpected help to put everything back in its place.
A touching portrait of Regi, an 85-year-old engineer from Rio de Janeiro, as he deals with the recent loss of his wife. The narrative guides us through his solitary routine, showing the support of his children and his determination to move forward by writing a book and falling in love with a talented actress. The film celebrates life, resilience, and the power of love amid the complexities of aging.
Zeca prepares the pasta while Ana smokes a cigarette. As they sit down to eat, Zeca asks: What are the best songs to listen to while cooking... or eating? Meanwhile, Ana just wants some peace and quiet so she can eat.
In an atmosphere of shadows and entrails, two marginalized women find in the grotesque a path toward absolute love, rebuilding themselves through blood and desire.
Suddenly, the earth stars spinning faster.
In a city exploited by mining, Josué can’t sleep. Surrounded by mountains, fears, and frustrations, he reflects incessantly on the challenges of early adulthood.
In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.
Home alone at night, Rita awaits the medicine which will finally get a pimple off her face...
The film tells the story of how a team challenged boundaries and traditions to transform the "Land of Grapes" into a stage for horror, proving that independent cinema thrives through community collaboration and perseverance.
Dive into the inventive universe of Tom Zé. Through intimate interviews with artists, family members and longtime collaborators, the film retraces the singular trajectory of one of Brazil's most original musical minds. The documentary brings together voices that reflect on his boundless creative unpredictability, highlight the technical mastery behind his sonic experiments and portray his music as the result of an expansive creative process, where ideas unfold like "pills of sound".
In 1968, Tom Zé moved from Bahia to São Paulo, went to the movies, had lunch with Caetano Veloso, and one morning composed the song that would go on to win the main music festival on Brazilian television that year. In "História de Música", the most São Paulo–minded of Bahian artists tells how filmmaker Luiz Sérgio Person introduced him to the paulista capital at one of the city's most famous intersections.
We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.
Baby, a rising rock star, is tormented by a fever that prevents him from creating new music. When he receives a call from Pepeu, his former musical partner and ex-lover, they decide to compose one last song together — a melody of healing and resurrection to be performed on a night of a blood moon.
The documentary portrays the collective traumas of the militarization of Rio de Janeiro’s favelas occupied by the Armed Forces during the mega sporting events. Through voices from within the favelas, the film documents the struggle for justice and reparation for victims of human rights violations.
Workers on the outskirts of Rio de Janeiro are experiencing moments of transformation in their routines. An instant of dreams, fantasy and escape from reality as a counterpoint to the sameness of everyday life.
The gun pointed at the head is a delirium that expands into disorderly controlled chaos. “He Who Saw the Abyss” by Gregorio Gananian and Negro Leo, is like a car that enters the curve at 300km/h, but slowly. In an experimental whirlwind, moving between a noisy sound and an almost idyllic musicality, the film is structured out of a pile of images that seem as intimate as they are delirious, accelerating into a trance that is fragmented by a montage, signed by João Dumans and Gregorio Gananian, who strive to articulate an intense experience on the big screen.
During a night commute home, a woman finds herself trapped in a dangerous situation at a bus stop. The apparent dead end catches the attention of a mysterious clown, who decides to intervene in her own way.
The attention was not focused on the tourist attractions, but rather on the graffiti.
Filmmaker Paula Gaitán and Richard Peña, a professor at Columbia University and former director of film programming at Lincoln Center, delve into the manifestos of Glauber Rocha, revisiting the Aesthetics of Hunger and the Aesthetics of Dreams to reflect on the revolutionary power of cinema.
In a reality where movement is always necessary, Ytalo, as he heads to work for another day, realizes that his world is different.
The film follows a day's work at the BMW Recycling and Dismantling Center in Munich, documenting step-by-step the final stage of a car's dismantling process.
A fantastic biopic based on the life of actress and producer Regina Vogue, one of the leading figures in Brazilian theater. Today, at 81, she recounts her story. In a playful way, the film delves into various theatrical forms, such as shadow theater, puppet theater, and the use of masks. Thus, Regina reveals the resilient spirit of an artist in a delicate blend of reality and fiction, where everything is true.
TGIF! There is forro all over the city. Tiao, a professional dancer, works in ballrooms around the city. While Reginaldo and Cida hit the dance floor waiting for the night to bring a little something extra.