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Rodson ou (Onde o Sol Não Tem Dó)

These are the pre 3000 years. Art is a crime. Reflecting is prohibited. Reading is no more. Only mass production and consumption are allowed. RODSON®. A boy with his animalistic artistic instinct repressed by the society around him, just one of many… The anarcocrenty government makes the mistake of thinking that the beast has been under control, but its mind conceives CALEB® the RODSON @ alterego that launches it off the road, abandoning air conditioners in search of the perfect hallucination under the merciless sun of 2000°C that the last layer of exosphere provides the current society.

Rodson ou (Onde o Sol Não Tem Dó)

5.0 2020
No Kings

Not too far from Rio de Janeiro's rumbling motorways and electric lights there is a place, where carving canoes and building houses with clay are still an essential part of life. 'No Kings' has been made in the same free spirit that defines the lives of the inhabitants of the small community between the sea and the rain forest. Out here, nature itself is the supreme authority. The rest of society with its gods and kings is a distant echo. The vital, saturated universe enshrouds us as we are out catching crabs with the children or hear the rain patter on the roof in the middle of the night. The Caiçara people maintain and cultivate the last remnants of the Atlantic rain forest, and their traditions are based on sustainable values from Brazil, Japan, Africa and Europe. But Brazil's new government has other plans for the rain forest and for the country's many minorities.

No Kings

3.0 2020
No Rastro das Cargueiras

bibi crosses the city balancing piles of metal and plastic on top of his load. these cargo bikes adapted by him and other scavengers from ceará turn brasília’s “rich garbage” into an opportunity for popular, autonomous and clean recycling, trying to pave the way for a better life in the brazilian capital. “no rastro das cargueiras” presents the techniques, landscapes and stories of a group of waste pickers-cyclists in the counterflow of urban consumption and in the struggle for the right to the city.

No Rastro das Cargueiras

NR 2020
Silent Movie

The “Cinema Mudo” project is the realization of a short film and at the same time helping and integrating residents of a community living in a high-risk area. All children (actors and actresses) who work in the movie are residents in the community Vila Torres, an at-risk area in Curitiba. They were chosen after a theater classes for children held in that community as part as the film project. Most of the residents of this community live from the collection and recycling of garbage in the city of Curitiba. The story shows three children (two boys and a girl), in the mid-thirties, setting up a movie frame projection room. They build a projector with an empty shoe box with two holes with the size of a film frame. Inside the box they put a burnt-out bulb without its filament and filled with water. This bulb is used as a lens. Children had to wait until the bulb burned out. Those electrical bulbs were rare in those days.

Silent Movie

NR 2020