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The Trial

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

The Trial

7.5 2018
Estrangeiro

Elisabete was born in Mexico, but spent her childhood with her parents on the idyllic beach of Tabatinga, in northeastern Brazil. Far from contact with other children, Daniela was her only friend. Due to a mysterious trauma, Elisabete abandons her home and never stays in one place again. A choice with obvious consequences, and at thirty, Elisabete longs for an identity. She does not feel comfortable in her own skin, a stranger in her own world. In search of an answer, Elisabete revisits her memories of that place, but times have changed and the expectation of a reunion with her old confidante may bring with it some disappointments.

Estrangeiro

7.7 2018
For a Researcher of the Nature, it is not Difficult to Simulate a Phenomenon

The artist replicated the experiment proposed by the philosopher in one of his essays about the natural disaster in Lisbon. Ramos used boxes lled with soil built according to the following instructions: ‘It is now time to say something about the causes of earthquakes. It is easy for a natural philosopher to reproduce their manifestations. One takes twenty- ve pounds of iron llings, an equal amount of sulphur, and mixes it with ordinary water, buries this paste one or one-and-a-half feet underground and compresses the earth firmly above it. After several hours, a dense vapour is seen rising; the earth trembles, and ames break forth from the soil.’

For a Researcher of the Nature, it is not Difficult to Simulate a Phenomenon

NR 2018
Beat Is Protest: Funk from a Female Perspective

Who are the chicks that make up the funk movement, and where are they? Funk has always been a form of protest, just as being a woman is. BEAT IS PROTEST: FUNK FROM A FEMALE PERSPECTIVE depicts the last decade underground scene of the funk women protesters in São Paulo. The testimonies come from transgender and cisgender women who navigate this universe in different roles, such as singers, DJs, beat-makers, producers, entrepreneurs, rappers, and dancers, and also from drag queens.

Beat Is Protest: Funk from a Female Perspective

NR 2018
A Noiva do Turvo

A beautiful bride commits suicide in the waters of the Turvo River after having her honor stained with blood. Over the next few years, the small farmers of Linha Baixo Lajeado Azul, in the interior of Rio Grande do Sul, began to encounter fantastic appearances of a Bride in search of lost love. In A Noiva do Turvo, Canibal Filmes portrays the beauty and mystery of this unknown legend that stirs the popular imagination of the simple people who live on the banks of the dark Turvo River, stage of dense romances.

A Noiva do Turvo

NR 2018