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A documentary on Brazilian musician Mario Gennari and the bond between his music's sonority and the public space of the streets of São Paulo.

The picture retraces the professional, social and family life of Zeca, a cow-boy from the northeast of Brazil. From the most perfect calm he can fly into a state of the wildest excitement. From his lazy hammock he leaps into the hard saddle, which carries him at breakneck speed along tortuous paths in search of his cattle.

A wealthy French promoter living in Rio tries to seduce Alexandra, a young woman of high society, but a prisoner of her strict education. He then shared his project with a journalist friend, who decided to make it the theme of a novel he imagined in 18th century Brazil...

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

The film addresses the problem of occupational accidents in Brazil, based on the lack of safety in quarries where workers are constantly victimized by the explosions.

A young woman, a teacher in a countryside school, has affairs with boys and girls.

A small town in Brazil is the background for this thriller about a murder, disclosing corruption among the leaders of the region.

In order to earn a warrior name, the son of Araguaia chief wanders the forest, falls in love with a girl from the Tocantins tribe, and defeats their bravest warrior. When his true identity is discovered, he makes a deal: promises to fight the Tapuias, another tribe which threatens the Tocantins, marries the Indian girl, and establishes the Ubirajara nation.

An interview about education and working conditions among Brazilian peasants in the 70s.

A man leads a double life: during the day, he's the manager of a car shop but, when the sun goes down, he becomes a crook, pretending to be a playboy (the target being old women), a sultan who is gathering money for his cause, helped by a fake baron and his beautiful daughter.

Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be. In the third, a rich husband tries to find the tattooed man he saw escaping through his wife's bedroom window.

Orphaned young man turns into a werewolf on full moon nights, causing panic in a small country town.

A free-spirited surfer who masters the hang-five — walking to the tip of the board and balancing on his toes — finds himself haunted by the characters from his girlfriend’s poems.

Simeão is a good and simple man but a little too lively for a small city in the middle of Brazil. The most respectable citizens of this town start to think about how they are going to kick him out.

Gerson Tavares interviews fishermen and observes the traditional fishing activity in danger of extinction.

A poor and beautiful young woman living in the backwoods of the State of Minas Gerais, Brazil is protected by a peasant.

Documentary about race car driver Emerson Fittipaldi

Artistic experimental documentary short that explores the universe of Brazilian artist Lygia Clark. Sensorial experiences, the perception of the body, forms and tactile sensations are mixed and reflect the human race as part of the cosmos, getting lost to find itself. Art, stripped of its virtuous image, as an action of the common human being, the expression of living things, runs from the mechanical repetition of movements and attitudes.

A dysfunctional family, composed of a prostitute and two gay men, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

Naked human beings.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

Echoes from the Cinema Novo, stylized in photographic compositional experiments and montage, in the encounter of a migrant woman with a man carrying a rifle in the streets of the big city.

A$$untina of the Amerikas is a musical comedy of a prostitute that, in 24 hours, wakes up, fights her mother, puts her son in anarchy, has a date with Santa Claus, a blue bear and two girlfriends. Then she finally meets her old millionaire lover. They spend their time to talk about everyday life and make love. Based on the novels of Fernando Henrique Cardoso and Wilhelm Reich.

A film about Maurice Legeard who run a cineclub in Santos.

Ecology - the eco system, a nature reserve in the south of the country - RS (between the Mirim lagoons) shows the harmony between nature and animals.

Coming from outer space, Prince Flick asks the Trapalhões to help him free his planet from the domain of evil Zuco and free Princess Myrna, who has been taken prisoner. He offers a reward, the four friends accept the mission and embark in a spaceship driven by a hairy monster called Bonzo. Once on the planet, they they defeat Zuco, but they fail to save Princess Myrna's life. Her place on the throne is then taken by Loya, the girlfriend Didi met on that planet. Back on Earth, os Trapalhões think their adventure was but a dream, but they are convinced otherwise when they find their reward.

Famous gunman Judas is hired to avenge the death of the city mayor, but his plans take an unexpected turn when he falls in love with the daughter of the colonel he is supposed to assassinate. Amidst the unfolding drama, the police attempt to broker a deal with those involved, but the arrival of the colonel’s nephew, an engineer with plans to build a dam in Degredo, disrupts the delicate balance.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

Recorded in 1973, this TV show brings Elis Regina in an 'ensaio' (improvisation). The programme aired by TV Cultura rescues the living memory of the greatest MPB star through her testimonials on composers and performers. The images are black and white and with camera close-ups, it denounces the restless, strong-willed hands of Elis.

This adaptation of a classic Brazilian novel focuses on the relations of charismatic characters within a tenement.

Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at São Paulo, and with him the frivolity of tea-parties and comfort. Her wild inner-soul will develop into the wild forest surroundings of a landlord's farmhouse. To the extent she will defend her land like a 19th century owner - of lands and men alike.

Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.

Recently turned into a widow, Alice goes to the country to think about her life. There, she's courted by Luis Carlos but falls in love with Marta. However, Jumbo, a horse, also arouses strange and erotic feelings in her mind.

Carlos and Suely are a normal couple. He has some extramarital adventures and she's a standard housewife. During a Carnival, when he goes out wearing a vampire costume, Suely decides to follow a friend's advice and go for it. On Ash Wednesday, he finds her with an odalisk costume on and happier than usual.

The story of a fakir who works in a decadent circus. He and his colleagues do weirder numbers each day to attract audience, and warrant their survival. The numbers resemble a horror-show and they get marginalized. Through fable and allegory, reality turns stronger and stronger, and more absurd.

This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.