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Enchanted Interlude

Summer 1969 on the Mediterranean coast. Paul and Vincent are childhood buddies. On a beach one day, they meet Alice and her friend Eve. After a series of memorable adventures, couples fall into place but not quite in the right order. Alice blossoms elsewhere, Paul marries Eve and Vincent weds Marie. The 70s are in full swing. Thanks to the pill, women's lives change radically, sexology is in, feminists's voices can be heard loud and clear but unrestricted and free access to abortion has yet to be attained. Against the backtop of a decade marked by sexual liberation, these three girls and two boys will cross each other's paths, love one another, split up and reunite.

Enchanted Interlude

5.3 2000
Bécassine, le trésor viking

Known and loved by generations of children, Pinchon's classic Bécassine is now a feature-length movie. A cross between Mary Poppins and Mr Bean, Bécassine is the nanny every child dreams of having ! Her mismatched green dress, white apron and red-and-white striped socks might look a little strange, but the gawky Bécassine is a truly lovable character. Her adventures begin when Bécassine arrives in Paris to take care of Charlotte, the daughter of one of her former charges. Bécassine and Charlotte get caught up in a fanatic and comical adventure filled with song and dance. They race from Paris to Marseilles to Ibiza and Lapland trying to unravel the mystery of what happened to Charlotte's father, Edmond. What is he running from ? What secret is he trying to protect ? Will Charlotte's family escape the evil clutches of Gaspard, a so-called family friend ?

Bécassine, le trésor viking

6.3 2001
Passage

TGV Paris-Bordeaux, tuesday january 6th 2009 : dawn... And airs grown calm when white the dawn appeareth And white snow falling where no wind is bent . . . Guido Cavalcanti (1255, 1300) Film (numérique) de 6', HD 720p, juin 2009 rom black to brown and then white, red and yellow, the light of this snowy dawn was astonishing. I had this phrase from Guido Cavalcanti in my head. I wanted to put it into colors. I wanted to film a landscape in movement, a landscape unfolding, a landscape that would go to our hearts through the play of fragile materialety and of pictural poetry.

Passage

10.0 2009