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Abîmes

Mountaineers Roberto Sorgato and Ignazio Piussi relive their 1961 adventure: the first winter ascent of the north face of Cima Ovest di Lavaredo, a formidable Dolomite wall reaching 2,973 meters. During this expedition, Sorgato accidentally fell 60 meters while the climbers were preparing their third bivouac and found himself suspended in mid-air by a rope. Through sheer perseverance, ingenuity, and courage, he managed to pull himself back to his partner. The film, shot eleven years later, is a reenactment with the protagonists playing themselves. The difficulties this climb presents, even for the most experienced climbers, are irrefutably highlighted. The film received the Genziana d'Oro award at the Trento Film Festival in 1973.

Abîmes

10.0 1972
Colt 38 Special Squad

The city of Turin is in the grip of a brutal crime boss known as "Il Marsigliese" and plenty of cops have good cause to want him dead — none more than Inspector Vanni, whose wife was murdered by the ruthless gangster. Having exhausted every other avenue, Vanni forms a crack squad of motorcycle-riding, Colt .38-toting elite officers, tasked with meting out justice on the margins of the law. But when "Il Marsigliese" launches a bombing campaign designed to extort a vast ransom from the city's authorities, Vanni finds himself in a race against time to exact his revenge and avert disaster.

Colt 38 Special Squad

7.0 1976
Dracula, Prisoner of Frankenstein

Dracula kills another innocent victim and Dr. Seward decides it's time to wipe him off the face of the earth. Armed with a hammer and a wooden stake, he arrives at Castle Dracula and duly dispatches the vampire Count. Next day, however, Dr. Frankenstein arrives with his assistant, Morpho, and a large crate containing the monster. Using the blood of a pub singer who has been abducted by his creation, the doctor brings Dracula back to life and uses him for his own ends. The Count and a female vampire continue to terrorise the town, so Dr Seward once again sets out for Castle Dracula. Unfortunately, he is attacked by the Frankenstein monster and left for dead. Amira, a gypsy, rescues him and summons up a werewolf to do battle with the forces of evil...

Dracula, Prisoner of Frankenstein

4.7 1972
Tally Brown, New York

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Tally Brown, New York

7.5 1979
Two Revue Girls

A Madrid theater is looking for girls for a new company of revue shows. One of the girls presented is Catalina, very sawy and restless, daughter of a seamstress of the theater. Another candidate is an innocent girl who studies ballet abroad and is the daughter of a famous star, Cecilia Alcaraz. Soon the two girls become good friends and Catalina intends to succeed Alice. Alicia's success also benefits her friend making them the most famous theatrical couple times. But with success comes love, which is also a major impediment to their careers.

Two Revue Girls

5.4 1972
Lebanon in a Whirlwind

A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.

Lebanon in a Whirlwind

6.0 1975
Semaphore

Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

Semaphore

NR 1976
Pane, burro e marmellata

Bruno De Santis, successful TV presenter, was left by his wife Sofia. One day he decides to call her to convince her to come back but her device is broken. By a strange twist of fate, it happens in the house of three women, Vera, Simona and Betty, who, tired of their respective husbands and boyfriends, live together and manage a boutique. By them he is pitied, pampered and even hosted in their apartment. And so Bruno, little by little, becomes the sultan of the little harem.

Pane, burro e marmellata

4.2 1977