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The Secret Panel

The film is set in the early 18th Century and involves smugglers and preventative officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited with the father.

The Secret Panel

NR 1962
Murder Case in Chinatown

Chan Sipui sought refuge with relatives who owned a restaurant in New York. He later entered a relationship with his colleague, A-Heung. Sipui met Wong Yukfan, the laundry shop owner, and was captivated by her business. He devised a plan to marry Yukfan to obtain control of the laundry shop. Furthermore, Sipui aimed to deceive A-Hueng and take her money. He set up a scheme to kill Yukfan and dismember her body. However, Yukfan's daughter discovered the bloodstains and reported the incident to the police, leading to Sipui's arrest and subsequent trial.. Based on a real murder case in 1930s New York Chinatown.

Murder Case in Chinatown

NR 1961
Motherhood

The sins of the patriarch filter down to the next generation in Tso’s adaptation of Henrik Ibsen’s play, Ghosts. Eighteen years after he was sent overseas by his suffering mother (Wong), the son (Cheung) of an affluent household returns as a shadow of himself – both physically and spiritually – before unwittingly falling for his philandering father’s illegitimate daughter (Ha), conceived through the rape of a housemaid. No doubt ironically titled, Motherhood presents a restrained subversion of the Cantonese family melodrama tradition.

Motherhood

9.0 1960
I, a Man

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

I, a Man

5.0 1967
Corpi

Janusz is not a man easily impressed. As Prosecutor, he engages in specific research, analyzing the crime scene in detail. Despite the extreme conditions in which clashes, he works hard. Maybe too much. Yet, in the face of her daughter Olga, anorexic, still mourning the death of his mother, he feels helpless. It 'a story, tinged with irony, where the dif fi culty to overcome the grief they collide / meet real bodies (that of a father who fails to help her daughter, anorexic after her mother's death) and invisible, such as those with which plan to be in contact the psychologist who is treating the daughter of the Prosecutor, Olga ...

Corpi

7.0 1969
Opus One

Color/Black and White UCLA Student, Film Preserved by the UCLA Film and Television Archive. A humorous play on Hollywood romance conventions and the process of student film critique. Higgins introduces a meta soundtrack of voices critiquing the film overlaying on the footage, with a filmmaker responding to the questions. Bookending the film is the same footage of a couple running into each others' arms on the beach, contrasted with a story of a couple's attempts to get an abortion in the middle of the film. Directed by Colin Higgins, the writer of Harold and Maude, 9 to 5, and The Best Little Whorehouse in Texas.

Opus One

NR 1968
Black and White Film

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila Raj) lowers a covering of some kind, slowly revealing her naked body. She reaches outside the circle of light, which illuminates only her silvery form, scoops up dark paint, and, beginning with her feet, gradually paints her entire body. When she has become invisible except for the faint sheen of the paint, she drops her arms, looks straight ahead, and the film fades to total darkness. The serenity of the film, which is structurally reflected by Huot’s presentation of the action from a single position in a single take, its sensuality, and the aura of ritual it creates (Raj always moves in a formal way and, except when she needs to look for the paint, looks modestly down) make Black and White Film a quietly haunting work.”—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.

Black and White Film

NR 1969
Disneyland 10th Anniversary

Walt Disney introduces Julie Reems,Miss Disneyland Tencennial,who is to travel as Disneyland's official ambassador,and he shows Julie the imagineering department at Disneyland,and shows her the initial project of the IT'S A SMALL WORLD building that will be built,and the new restaurant that will be built. Then he shows her the haunted mansion that will be built,and miniatures of the Pirates of the Carribean ride that will be built.Next,Tinkerbell uses her "magic" to take viewers to Disneyland for the big 10 year celebration with Mickey and the gang.

Disneyland 10th Anniversary

NR 1965