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Edouard is patriarch of a large family: his second wife, Jeanne, has just had a baby and finally had enough of his philandering. As the marriage between them unravels, Edouard's daughters experience their own emotional shock waves. Dina, in a relationship with playwright Paul, wants more from her daily life, while Sidone is married to a fellow musician but is terrified of performing in public. Fast-forward seven years: Edouard is gravely ill, and the family shares their issues, hopes and fears.

She is a tactical submarine officer. He is a steward. Before diving for 90 days she chooses to make it her "four-hour". But here he is clinging. Who follows her. Who sticks it. Where do we go if the flight crew of a 747 prides itself on romance? As if we had time to be in love on board a military ship. Still, the Pacific Ocean is not big enough. Neither does the Arctic Ocean. The world is so small when you love each other so much.

A French-American millionaire, his girlfriend and his war buddy try to grant his dying son's every wish.

Once one of the most densely populated neighborhoods in the country, Griffintown (in the heart of Montreal) is now dotted with vacant lots and uninhabited areas. But just around the bend, at the end of a dirt alley, the sun still rises over the Horse Palace. Leo Leonard, its owner, stands alone, fragile, like the place that embodies his whole life. At 83, Leo, the last representative of the Irish community that founded the neighborhood, must resign himself to leaving the premises.

Presents views of a parade in Montreux, including carts and donkeys covered with flowers, horsedrawn floats, bicycles, and people in native dress.

More faithful than ever to the spirit of the cult series that has been inspiring filmmakers for nearly thirty years, STRIP-TEASE INTEGRAL offers us, this time on the big screen, five sensitive, touching, sometimes absurd, often funny, sometimes dark, sometimes bright - but always the vanities of human society in all their marvelous banality.

Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.

In a futuristic France, computers decide the fate of the unemployed and the homeless.

Fifteen-year-old Salomé works in the workshop of her father, a painter celebrated for his blue color. But for some time now her father has not been able to make his famous color, putting the workshop in danger. Salomé begins to hope that he will pass on to her his, up until now, jealously kept secret.

In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.

A girl, Marie, who got engaged to a boy who is leaving for military training (thirteen days) wins two million on the raffle, thanks to an older man, Claude, whom she calls her good luck …

An episode in the life of the tumultuous poet who murdered his rival, in love with Catherine de Vauselles.

Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.

Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé - Isadora Duncan – that precipitated the downfall of this early 20th century icon.

Éléonore Berthier, 34 years old, keeps living as a teenager, collecting odd jobs and one night stands. Following a burnout, her mother and sister decide to take action to help her make a fresh start.

François decides to participate in the Tour de France alone, inspiring a wave of media enthusiasm, much to the chagrin of the Tour's pros.

Ten-year-old Johnny stands out from his family and his tough neighborhood in Eastern France. He's sensitive, intelligent and interested in all kinds of things way beyond his years. With curiosity, he observes the ups and downs of his young single mother's turbulent love life. Things change when a new teacher, fresh from the big city, takes over Johnny's class. Mr. Adamski believes in Johnny and wants to open a new world to him. The sophisticated young teacher also intrigues the boy.

Nathalie is together with Antoine, who really loves her, despite her tendency to get away from him. Eric, the former partner of Nathalie, does not want to be with her anymore, but she can not accept this. In her despair, she tortures herself, Antoine, and Eric.

During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.

When their beloved Polish immigrant mother passes away, the sisters Emma and Rosemonde and their brother Charles, are obliged to deal with the personal and physical aftereffects, which include the cozy, old fashioned flat where she lived on the movie’s titular street (located in the heart of Paris’ chic 2nd arrondissement).

An Indian delegation, headed by Kuldip Badhwar, is going to Cateneau's French power plant to negotiate the purchase of four new generation nuclear reactors. Before signing the contract, the Indian representative requires guarantees on the safety of the installations and requests an emergency shutdown test of the reactor. But a succession of incidents occur and seem to turn to disaster.

Alice returns home after her mother's death to find the house unchanged-and haunted by a dark presence. As fear builds, buried trauma resurfaces, and a terrifying truth is revealed.

A walk through the park between a mum and her grown up daughter. A brief exchange that highlights their complex relationship and everything that unites them but also pulls them apart.

Herr Pierre Van Groot owns two barges. Van Groot, his wife, and his sister-in-law navigate along the north channels between Belgium and France. Herr Pierre transports construction material in his barges but he earns extra francs trafficking in diamonds, which he hides in the boat’s rudder. Pierre engages a new first mate, Michel, who gets wise to the diamond smuggling. The film was shot in 1920, but only shown once in its 80 minute entirety at a private screening in 1924.

Philippe Jordan is a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord who is essentially inaccessible -- but not immortal.

Presents views of a parade in Montreux, including carts and donkeys covered with flowers, horsedrawn floats, bicycles, and people in native dress.

Wealthy American industrialist Philip Doom attempts to reconnect with his daughter Madeleine during a luxurious trip to Paris. Unfortunately, French cuisine, a 1950s horror film, and an intrusive hotel employee disrupt their stay.

Across the world, from Paris to Los Angeles via the steps of the Cannes festival, actress and director Aïssa Maïga questions the way black women are represented on-screen and how diversity is promoted.

A local hobo carries a strange attraction for the women of a village, including the train conductor's wife Agafia.

In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.

Roland is forty years old. Solitary and a bit lunar, he thinks he will discover one morning that he is the hidden son of Arielle Dombasle. He decides to go to meet his mother who will reject him, run away from him, then little by little get attached to him.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Isabelle Huppert's first one-character project — out of the blue, an electrifying, form-smashing tour de force, capturing (for those with ears to hear) our current moment.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

Fishermen at the port of La Ciotat load their nets onto a boat, preparing to head out to sea. This early Lumière actuality captures a glimpse of everyday labor along the French coast.

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

An international crook hunted by the police comes to Paris to save his daughter from the clutches of a blackmailer friend of a cabaret singer with eccentric outfits.

A precious work of art from the Italian Renaissance is stolen and passes through many hands before ending up in the shed of the farmhouse of Mr. and Mrs. Dujardin, fishmongers, who are inaugurating their luxury fish shop that very day. But the antique dealers, the free-riders and the bargain-hunters are there. They are jealously careful not to pass on the fruit of their clever investigations to their rivals, for all of them, after a picturesque treasure hunt, know that the Dujardin family own the famous Duranti altarpiece. But where have they hidden it themselves?

A man puts on several different faces.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

The film concerns the famed 19th century French writer, proto feminist George Sand, in discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

After a picador tries in vain to bite the bull, several cape passes are performed. Then, the bull gores several horses.

A young man has to return in Morocco to bury his father.

When Paul, an officer, discovers Denise, a young orphan escaped from her orphanage, he takes advantage of his naivete to seduce her before changing her mind and sending her to live with her mother while sailing.

When a Parisian filmmaker begins work on a new movie about polyamory, she gets lost between fiction and reality, risking both her art and her relationships. As a combination of fiction and documentary, the film could be classified as a ‘UMO’: Unidentified Movie Object! On the one hand: a comedy about a female director who plays with fire by testing out polyamory on her own relationship. On the other hand: a serious, poised, and thought-through documentary with speakers who have reflected on the topic or who live it everyday. Between the two, a grey area in which fiction gets entangled with reality. Will her sweetheart rise up to the challenge of polyamory? Will she finish her film?

Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.

A comedy of manners set in a funeral home.

The second part of the Seventh Company adventures.

The premise of four young men out to celebrate the end of their school exams has great promise as comedy material, a promise that is far from realized in this banal, unevenly paced, run-of-the-mill attempt at a supposedly funny story.

Albert Spaggiari is arrested in Nice and brought to a judge's office for interrogation, but he escapes to South America where he meets a journalist who is investigating the event.