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La limace et l'escargot

Two limping souls in their sixties collide – literally – on a street corner. What begins as a clumsy accident becomes a quiet spark. Over coffee, they linger. They talk. And just like that, an unlikely intimacy begins to bloom. The Slug and the Snail traces the gentle unfurling of a connection born not of urgency, but of presence of two bodies long ignored by the tempo of the world, finding rhythm in each other. Anne Benhaïem’s film is a tender ode to queer aging, to liminality, to love that doesn't need to shout to be heard. With stripped-down direction and performances that pulse with lived-in truth, the film crafts a space of radical softness. It speaks to loneliness without pity, to affection without spectacle. It reminds us that desire doesn’t fade, it just changes shape. Benhaïem herself plays one half of the duo, bringing a raw, honest magnetism that makes the story feel lived rather than performed. This is cinema as whisper, as mirror, as gentle rebellion.

La limace et l'escargot

7.0 2024
Sie sagt. Er sagt. Die Dokumentation.

The Code of Criminal Procedure is actually intended to help judges get to the truth. To do this, they interview witnesses, listen to experts, and have evidence presented. But what if the evidence does not provide a clear picture when statement is against statement? The judge is free to assess the evidence. All that counts is the judicial conviction, which ideally also corresponds to the “objective truth”. But how often is this really the case? How easily do we believe our own prejudices when in doubt? How quickly can we be manipulated? And how do we know when someone is lying? Knowledge of these soft factors also makes it difficult for people at the head of a court to decide whether guilt or innocence. In the end, the judges also have to live with a verdict that has serious consequences for those involved. The accompanying documentary to the TV movie attempts to explore this dilemma with the help of various interview partners and cases.

Sie sagt. Er sagt. Die Dokumentation.

NR 2024
Die Passion

Jesus comes to the city with his friends. He inspires people with his ideas and not only stands up for minorities, but also rejects the existing elites. As a result, he is a thorn in the side of the religious and political leaders. The Passion is a story that could not be more topical. It is about murder and betrayal, but also about love and about Jesus, who has changed our world forever. On March 27, 2024, this exciting live event will return! The whole thing will take place in Kassel this year. The story of the last days of Jesus of Nazareth is brought up to date with pop songs.

Die Passion

1.0 2024
Viol, défi de justice

Since the #Metoo movement in 2017, rape complaints have doubled. Challenged, how does the justice system deal with this word? Thanks to exceptional authorization, director Marie Bonhommet was able to follow a trial at the criminal court in Nantes. Four years earlier, on a summer evening, two young men aged 18 and 22 had a sexual relationship. A rape, according to the plaintiff. Consensual intercourse, pleads the accused. In the absence of evidence and witnesses, it's word against word. How will the magistrates form their own convictions? Over the course of two days, five judges will listen to parents, relatives, investigators, experts and lawyers as they chart the course of two ordinary lives whose trajectories were turned upside down during an ordinary party.

Viol, défi de justice

9.0 2024
Buying Time

It is the year 2028 and antibiotics are no longer effective. A corporation called Lifeline has invented a health chip which everyone can get for free via the NHS. You can buy an upgrade which is effective against more infections and diseases. In 2028 computing and processing power is restricted however for someone to have an upgrade some one has to die for the power to be transferred. People are dieing randomly. Lifeline are launching their 2nd upgrade which is expected to earn them billions along with their ministerial backer. Daniel Avery has lost his wife and daughter in such circumstances and recent nightmares and flashbacks have instigated him to investigate. He slowly uncovers the truth with the help of a rebel group of the pull for power and greed that goes right to the top.

Buying Time

4.0 2024
If I May - Chapter II

Over the course of a day, Fausto, invincible in his inertia, watches a paradoxical procession of visitors pass by: the mellifluous parish priest of the town; a mysterious man with his absurd ghost-themed business idea; the captain of the Carabinieri who proposes a shotgun wedding to his daughter, who has become pregnant by a stranger. Finally, late at night, a couple of thieves enter the house with Barbara's complicity. Fausto surprises them, impassive and bored as always, and reassures them: there is nothing left, neither gold nor paintings, everything has been sold. The three do nothing but chat until the sun rises, when the thieves leave and Barbara puts the coffee on the fire.

If I May - Chapter II

7.0 2024