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Amazonie, les civilisations oubliées de la forêt

The Amazonian forest has long been considered as virgin of any ancient culture. However, for several decades, researchers have been able to distinguish traces of past human occupation. They estimate that in 1492, at the time of the arrival of the Europeans on the continent, the Amazon counted between 8 and 10 million individuals, soon decimated by the viruses brought from the Old Continent. Today, archaeologists are discovering and studying pre-Columbian ceramic funerary urns decorated with mysterious and complex designs in human and animal forms. The stylistic analysis of these urns has allowed the identification of hundreds of different cultures that populated the Amazon basin. All of them have in common the personification of the animals that they represent, which suggests that they were animist.

Amazonie, les civilisations oubliées de la forêt

7.5 2022
Tale of The Great Oak

The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.

Tale of The Great Oak

4.0 2022
The Last Life of Otelma the Divine

Marco Belelli, aka Divino Otelma, is a well-known Italian philosopher and television personality. He has 6 degrees and owes his notoriety to his past career as a magician, chansonnier, politician. He is also the founder of the Theurgical Order of Elios and the Church of the Living, a cult with more than 20,000 followers, in which he has the role of a self-proclaimed God. Obstructed in the first stages of its production by the Covid-19 pandemic, the film unfolds over one long year of exchanges at distance between the director and the “Divine”, through Skype conversations in which the manifold topics relating to his multifaceted existence are treated. Significant figures who have been variously connected with his earthly life are also involved in this long journey of knowledge, contributing with their precious testimonies and blurring further our understanding of such a complex and layered figure.

The Last Life of Otelma the Divine

8.5 2022
Ramstein - The Pierced Heart

The accident during an air show in Ramstein in the summer of 1988 is one of the greatest tragedies in German post-war history. Against the backdrop of the momentous collision of two aerobatic planes on "Open Day" at the American air base, this film tells the story of four families in fictionalized form - they are visitors to the air show who lost their loved ones in the horrific inferno, and an emergency doctor who cannot forget the sight of the dead and injured. They all suffer from post-traumatic stress syndrome. Years after the disaster, they finally have the opportunity to share their experiences and come to terms with the trauma in a specially founded aftercare group. Meanwhile, a duo of investigators commissioned by the German Federal Ministry investigates the background to the air accident and uncovers massive failures in safety precautions and rescue measures. Beyond political responsibility on both the German and American sides, both come up against a wall of silence.

Ramstein - The Pierced Heart

7.2 2022
Framing the Self

"Framing the Self" is a multimedia platform for developing an aporetic dialogue between the two basic figures of a movie: the director and his character. They engage in a real conversation between the cinematic language and the animation, questioning the essence of individuality through a non-linear narration. The rules of language slowly lose their validity, being substituted by the principle of doubt. The character will see her individuality breaking apart, progressively exploding into an infinite multiplicity.

Framing the Self

NR 2022
Und ihr schaut zu

After her daughter's fatal accident at a busy intersection, Jenni is confronted with videos on the web of Mia dying. Instead of helping, passersby were filming with their cell phones. The horrific images won't let Jenni go. Horror and rage at the gawkers' pitiless curiosity take her completely captive. There is hardly any room for her grief; instead, she obsessively searches for the accident spectators in order to confront them with the consequences of their sensationalism. She finds what she's looking for – but her first encounters don't help her. No one seems aware of any wrongdoing, or capable of admitting it. Supported by a tough lawyer, Jenni decides to take action against the sensationalists.

Und ihr schaut zu

6.0 2022
Spanton vs The French Police

On February 1, 2019, after three weeks of trial before the french criminal trial court, two police officers of the French Research and Intervention Brigade (BRI), Antoine Q and Nicolas R, were sentenced to seven years in prison for the rape of Émily S in the premises of the police station 36 Quai des Orfèvres. Neither her dress nor her blood alcohol level, or even her supposedly «sexual» attitude mentioned by the defense managed to minimize the seriousness of the facts: she did not consent to sexual intercourse. This conviction comes in a particular context of collective awareness on sexual violence. It is symptomatic of a change of mentalities. A symbolic, but equally universal story in the post #MeToo era.

Spanton vs The French Police

6.8 2022
Evil Seaweed

A scientist in yellow overalls is taking samples of green algae on a beach in Brittany. Lifting his mask, he suddenly drops down dead. There’s panic in the village – he’s not the first person to disappear, and the municipality suspects that toxic algae are the cause. Nevertheless, it’s out of the question to endanger the tourism industry or accuse intensive farming for this maleficent bloom. The mayor prefers to suspect the Parisian “bobos” who rent the Airbnb on the beach. But all it takes is one high tide for the dead to re-emerge from the seaweed carpet as zombies.

Evil Seaweed

8.0 2022
Dicks That I Like

Visual artist Daniela Torres creates colorful ceramic dick sculptures inspired by the men who have been dicks to her. In this intimate artist portrait, Daniela shares her struggles, anger and catharsis as she creates a sculpture modelled after a series of unsolicited dick pics. She also shares her process with a diverse group of women who come together in one of her popular Berlin-based dick sculpting workshops. It's a hands-on approach to healing trauma that yields beautiful results.

Dicks That I Like

NR 2022