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Shiro's Story Part 2

Following Shiro's Story (Pt.1), Kyle has gone ghost with Kira and Kyla and has not been seen or heard from in the past year, leaving Shiro no choice but to give up hope in reuniting his family. But with a price on Kyle's head, Shiro repays The Plug before getting back to work on his own weight after leaving his day job. One day Shiro's ex-girlfriend rings Shiro and says she misses him and begs to be taken back. Shiro subsequently agrees but with one demand, she sets Kyle up to die. She then agrees, and the plan is hatched for Shiro's young G's to take the hit on Kyle allowing Shiro to take Kira and Kyla away and rebuild the family that was once torn apart. But with the planned hit on Kyle unsuccessful, and Shiro still hung up and angry with Kira setting him up and taking everything he had away in the first instance, the move away isn't so straight forward.

Shiro's Story Part 2

NR 2018
El Ouafi Boughera, The marathon runner of history

On August 5, 1928, after 2 hours and 32 minutes of racing, the 71st rooster wearing the bib entered the Olympic stadium in Amsterdam. Ahmed El Ouafi Bouguéra wins the gold medal and becomes the first Olympic champion from the African continent. He achieved his feat under the tricolor flag. The start of his real marathon is underway. The history of sport extends to the history of Algeria and France. This documentary retraces the different stages of the life of this great champion, not only the history of sport but also the great story. Archival photographs and interviews mingle with the painted paintings. The series thus once again gives voice to this forgotten hero, one of the great heroes of immigration who defended France for more than a century.

El Ouafi Boughera, The marathon runner of history

10.0 2018
Audrey Hepburn, the choice of elegance

Born in 1929 in Brussels, Audrey Hepburn was abandoned by her father at 6. Sent in an english boarding school, she immersed herself into classical dance, a school of grace and discipline which will leave a mark on her whole existence. Just after World War II, her career rose underneath Colette's support : in 1951, the french author chose this « treasure found on the beach » of Monte Carlo to incarnate her Gigi in Broadway. Since then, offers came tumbling out.

Audrey Hepburn, the choice of elegance

8.0 2018
Rufmord

Luisa loves her teaching profession and is popular with her students because of her fresh teaching methods. But shortly after she refused to give a student a high school recommendation, a nude photo of her appears on her school's website. Her life becomes a gauntlet. Nowhere is she safe from sexual reprisals, her elementary school leaves her on leave and the police investigation leads nowhere. Then the young woman disappears. Traces in her house indicate a violent crime. Was Luisa the murder victim after the infamous slander?

Rufmord

6.8 2018
Satyricon: Live Summer Breeze 2018

The concert took place on August 11, 2018 during the Summer Breeze Festival in Dinkelsbühl. Originally a black metal band, they were then considered traitors to their own genre. Nowadays Norwegians are mainly one thing: cult. Satyricon has been around since 1990, this veteran of Black Metal, which was originally supposed to be a quartet. But since their band members left for various reasons, Sigurd "Satyr" Wongraven (vocals/guitar) and Kjetil "Frost" Haraldstad (drums) have been rocking out on their own, bringing guest musicians into the happily rotating lineup.

Satyricon: Live Summer Breeze 2018

NR 2018
Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Opéra National de Paris: Verdi's La Traviata

NR 2018