Discover Movies

12,945 Matches Found

Ixe

“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skilful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem

Ixe

5.4 1980
Pierino, the SAUB Doctor

Alvaro Gasperoni, alias Peter returned to Rome with their families from Addis Ababa, where he received his bachelor's degree in medicine. Helped by his father through a recommendation from the P2 Lodge, he manages to get in a hospital in Rome as assistant to the primary. Here begins the struggle with other colleagues to buy up the post of deputy prime. As any good doctor is measured by the number of patients who, the whole family and all his friends are hospitalized; He, in this way, comes from the league winner. The fatal destiny wants its affair is discovered by an inspector of the Ministry of Health, and Peter will be dismissed from the hospital. This will not deter the protagonist by the medical profession; who continue to indulge in a private clinic run "family".

Pierino, the SAUB Doctor

5.6 1981
Rückfahrt in den Tod

Paul Kranz, the manager of a TEE that had just arrived from Hamburg, received terrible news in Paris. His wife Ruth is in a coma after a serious traffic accident. Mr. Kranz will return immediately. He finds an unknown key in his wife's purse. It belongs to an apartment where Ruth, obviously with someone else, has led a strange double life as a call girl. In his shame and disappointment, Kranz allows himself to be carried away into a knee-jerk action. This is how a crime happens without intention.

Rückfahrt in den Tod

10.0 1986
Present Laughter

Often regarded as semi-autobiographical, Present Laughter follows a few days in the life of successful and self-obsessed actor Garry Essendine as he prepares to travel for a touring commitment. Amid a series of events bordering on farce, Garry must deal with interruptions including the numerous women who want to seduce him, placating his long-suffering secretary Monica Reed, avoiding his estranged wife Liz Essendine, being confronted by a crazed young playwright, and overcoming his fear of his own approacing fortieth birthday and impending mid-life crisis.

Present Laughter

NR 1981
Horror Heaven

Jörg Buttgereit himself plays a TV horror show presenter, introducing the audience to a variety of "Horror classics”. These are of course all short Super 8 films and he shows here his versatility as a filmmaker. The short pieces are all made in 1984 and range from a spoof on the Mummy to a Frankenstein parody, to an amazingly well-crafted stop-motion animated Godzilla-like monster pic called GAZORRA (starring Daktari Lorenz from NEKROMANTIK) to a down and dirty girl-fights-off-violent-rapist segment named CANNIBAL GIRL. Hilarious horror comedy!

Horror Heaven

5.0 1984
Die Scooterfahrer

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.

Die Scooterfahrer

NR 1988
Verzeiht, daß ich ein Mensch bin

At the end of the 1980s, a film team is about to visit Lukas Wolf, Friedrich Wolf's eldest son, who lives in the state of New York, USA. They carry with them a letter from his half-brother Markus Wolf the Stasi chief from GDR. The brothers have not seen each other since 1933; on the other hand, Lukas met his other half-brother Konrad Wolf once in New York City, where they got along very well, after many years of separation. Johanna and Lukas come from Friedrich Wolf's first marriage with Käthe Gumpold, Markus and Konrad, from the second wife Else Dreibholz.

Verzeiht, daß ich ein Mensch bin

10.0 1988
Ich war ja auch wer - Chefkoch Hermann Reußner, Jahrgang 1891, erzählt aus seinem Leben

A life story from a bygone era. In a retirement home, the 90-year-old Hermann Reußner tells his story. He was born in 1891 in Dessau, back when a duke still reigned there. As a soldier under the German emperor, he participated in World War I. Reußner talks about his beginnings as a cook in the famous hotel Adlon at the Pariser Platz in Berlin. Later, he was head chef there for 30 years. This private life story gets impressively illustrated with photos and film footage.

Ich war ja auch wer - Chefkoch Hermann Reußner, Jahrgang 1891, erzählt aus seinem Leben

8.0 1983
The Nonentity

Each evening, four men – a doctor, a journalist, a professor and a merchant – meet up in a deserted bar to play cards. As they play, the bar’s owner, her downtrodden barman (nicknamed “le paltoquet”) and a strange woman in white watch from a distance. One night, the card game is disturbed when a police inspector suddenly appears and declares that a dead body has been found nearby. Certain that one of the four men is the murderer, the inspector starts his investigation. All the evidence suggests that the doctor did the deed, but we soon learn that nothing is quite what it seems…

The Nonentity

6.1 1986