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At the funeral of her husband, grandma Xiu-ying looks not sad and even hangs out with her childhood sweetheart Chi happily like a girl. Astonished by her behavior, her grandson Yu-chen and his pregnant wife Jie-ru worry about her and brings her back to Taipei. After living together, they find Xiu-ying’s memory and behavior even more strange and diagnosed with Dementia. The doctor explains Xiu-ying may fall into memory at any time, so if they want to understand how to comfort Xiu-ying’s fear and aggression, they need to know more about her relationship with her husband or other close males. However, just when Yu-chen and Jie-ru are still busy building their new life and trying to understand more about grandma, Xiu-ying not only attacks her caretaker and insists accompany Chi only.

This film is Taiwan’s first protest music documentary, examining Jiao Gong Band 交工樂隊. Jiao Gong Band initially received attention from their efforts opposing the Meinong Dam project. After a brief pause in the Dam issue, Jiao Gong began following farm and farming issues, with their musical style quickly gaining increased popularity. This film discusses the uneasy situation faced by Taiwan’s farm youth. The youth that sets out to the city seeking to develop themselves carry feelings of homesickness from leaving their farm and land; on returning to their hometown after the bubble economy, they continue to push the elder generation to leave the village. Aside from this, because of their difficult social status, farm youth can often only search for Southeast Asian “foreign brides” when seeking marriage. Within the film, new residents (新住民) discuss their feelings and mindset in moving to Taiwan and collaborate with Jiao Gong throughout the album’s recording process.

For a few years, Tshan-tsui and his wife enjoyed a loving marriage. However, Tshan-tsui’s recent long hours at work have left his wife feeling neglected. Suspecting he might be having trouble in the bedroom, she embarks on a series of strategies to boost his virility. But when all her efforts fail, her thoughts turn to the possibility of another woman. Her neighbor, Mrs.Iap, offers one last piece of advice—a surefire plan to make Tshan-tsui pay attention to his gorgeous wife!

Soft, an escaped undocumented worker, clutches a woman's ID card in his hand. This woman is the goddess of his best friend, Chai, who yearns to meet her. To fulfill Chai's desire, Soft embarks on a journey, heading toward the location indicated on the ID card.

Introduction：“Xià hǎi” (go to the sea) is often used to describe women who are involved in hospitality industry, falling into a socially unrespectable profession, namely, be drawn into the dangerous sea, which is defined by society for these mistresses. In the social frame, these mistresses are seen as aphasiac. The Hostess recorded the authentic faces of the three mistresses while working, and how they provoke destigmatization and organize a union, in terms of communicating with society. However, the denial and derecognition from the family and society turn out to be the biggest challenge. How are they going to face it?

In 2002, Cheng's father murdered his mother. He is both the son of the perpetrator and the beloved son of the victim. That afternoon, he met the children of two other death row inmates. The three of them talked about life, about marriage, and about their greatest fear: their fathers, and the death penalty.

Taiwanese movie

A feature film that reveals the love and lust between two women, the conflicts between gay family and traditional stereotypes. It finds back the forgotten love with a romantic touch.

Li, a former soldier who's family broke apart during wartime, was born in Hebei Province in China. He joined the army since youth, never about any political beliefs, but to survive by fighting for those who fed him. The war brought him to Taipei Taiwan, a place where he spent six decades to fit in. Li never had a chance to return to his hometown Hebei, but has revisited it countless times in his dreams. whenever he dreams of it, he sees blood flowing all over the place. At the age of sixty, he decided to separate from his wife and children and lived alone for 20 years. He missed all those years wasted in wartime when he was young, at the same time, he had no idea how his eventful life would come to an end...

Taiwan is overrun by zombies. A-Huo along with his wife, Gui-Chun, runs to a fishing harbor but misses the ferry they want to take. They decide to hide in an office of Fishermen's Association and get some rest. Gui-Chun is so exhausted. It is not until the moment when she asks him, 'what will you do if I am bitten by a zombie?' that A-Huo notices a bleeding bite on her arm.

This short documentary portrays Chang Yingwu (1921–1984), a man whose extraordinary body became a site where medicine, spectacle, and state power intersected. Born in Beijing and later relocated to Taiwan, Chang lived with acromegaly, reaching a height far beyond ordinary human scale. Once exhibited, later enlisted, and eventually turned into a public figure through sport and media, his life traces how an anomalous body is disciplined, displayed, and normalized by social institutions. Filmed with restraint rather than sensationalism, the work observes Chang’s daily gestures and silences, allowing his presence to expose the fragile boundary between individuality and social gaze.

Away for years, what is the unit for alienation? The saxophone at the intersection eleven years ago, the Korean music on the street four years ago, the flight broadcasts after the epidemic, the voices of family members, the days and nights when Taipei and Hong Kong were at a standstill, some moments linger.

While the Covid-19 pandemic spread quickly across the globe, a man returned to Taiwan after several years doing business in Hong Kong. However, the reason he came back is his ex-wife became critically ill. According to the rules, he'd have to stay in quarantine for 14 days. But it doesn’t matter. He has already separated from his family for 20 years. The day before the quarantine period ended, he was hesitant to face his family.

A rare pod of futuristic houses lines a semi-abandoned neighbourhood outside Taipei. UFO Houses, featuring oval-shaped contours, manifests a utopian vision of the past: the future is light, colourful, and sentimental.

It’s a single-parent family, but there is always laughter coming through the door. Their house is like an aquarium; the ray surrounding the fluorescent light and the delicate oxygen bubbles from the air pumps are like the mother's arms, shielding them from the outside world.

A do it in collective punk musical movie of sapphic/trans rebellion in which a troubled, young, non-binary Taiwanese named T, is in the grip of a heroin addiction. T meets Shui, a betel nut seller and daughter of a famous Taoist exorcist who wants to perform an exorcism on his daughter. They eventually encounter a character called Big Sister 13, and in a web of desires, neon lights, and songs, together they will fight against the destructive presence of addiction, a sinister creature, and a pro-family terrorist group. They will learn how to care for one another, exorcizing a haunted past and flowing into the immensity of love.

An episode of “Urban Horror”

A documentary on the maker movement and its impact on society, culture and economy in the U.S.

Since creative activity is often associated with "those with surplus time and resources," political prisoners who dedicate their labor to outcomes unrelated to survival might seem to waste their time and strength. Yet, the deprivation of social roles, the coercion of total authority, and the abolition of existing orders all contribute to an intense need to establish an alternative order of one’s own. The semi-artistic practices performed by political prisoners can be seen as an attempt to reclaim or redeem their “normal lives.”

Cheng engages in illegal activities to make a living. Sometimes, he takes his son, Jay, to stage “fake accidents” on the street to earn some extra money. However, Cheng must flee, as he recently committed something serious. He wants to cherish his final moments with his son, but it only makes Jay misunderstand his father…

An industrial film on two kinds of labour: socialist and capitalist. A poetic investigation of human relations with the soil and the Earth. A striking journey from Poland to Taiwan that makes us think, contemplate and dream. Pure film.

“If I could live my whole life on my own will, what would it be like?” Anja, a 22-year-old biracial film school undergraduate, imagines her ideal life from birth to death. The perfection of Anja’s fantasy starkly contrasts with the incompleteness of her reality, highlighting her deep longing and life story.

Rich man Xu Huitang got close to his special nurse Fang Feili, which caused a misunderstanding with his wife and left for the United States with their daughter.

Jessie is going to be 18, a grown-up. After Jessie's father left them, her mom wants to start a new life and ends the gas service store they own. Mom wants to erase anything about her husband. She even wants to throw away the motorcycle which helped them carrying the gas tank. To Jessie, gas service store is not only a gas service but the whole picture of family. Motorcycle carries not only gas tanks but also the memories. Jessie's dad becomes her secret coach, teaching her how to ride motorcycle behind her mom. When Jessie rides the motorcycle with her head down, her dad always encourages her to head up and to look forward. On the runway of the motorcycle test, Jessie tries to keep the balance between parents, motorcycle and herself. Does the 7 seconds mean the starting bell of her life or the final?

A woman discovers a magical sword, which enables her to learn the deepest secrets of the Dragon Kung-Fu school.

Chen Da, born in 1905, learned traditional Taitung-style songs as a boy. Working as a cowherd and fisherman, he travelled from Hengchun to Taitung. He began his career as a wandering minstrel at 20. Homage to Chen Da portrays his life and singing in various settings, including his hometown and the well-known musical venue in Taipei, Scarecrow Restaurant.

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

Gin, a little girl, wakes up in an abandoned temple which is filled with wretched divine statues. Out of the blue, a dark shadow slides into one of the statues, and the holy goddess, Mazu, starts speaking from above.Following the blockbusters “The Tag-Along 1&2”, Golden Horse Award winning director Wei-Hao CHENG creates a whole new piece in virtual reality. This time, the mysterious creature will go beyond the screen, whispering, fleeting and digging into the horror secret of Gin with you.

The “Sai Jhu Gong” (賽豬公, Sacred Pig Competition) is a major annual ritual associated with the Sansia Ancestor Master Temple (三峽祖師廟), held each year on the sixth day of the first lunar month. This film documents the ceremonial proceedings of the 1973 “Sai Jhu Gong” (賽豬公) observance. Dispensing with narration altogether, the film’s soundscape consists exclusively of Beiguan (北管) music and liturgical recitation (祭儀口白). In terms of audiovisual construction and thematic orientation, the work may be understood as a transitional piece within the folklore-oriented documentary practice of Chang Chao-Tang (張照堂), situated between the more conventionally structured The Homecoming Pilgrimage of Dajia Mazu (大甲媽祖回娘家, 1974) and the more formally experimental The Boat Burning Festival (王船祭典, 1979).

Mei Chi, an amnesiac following a car accident, deserts her family to hook with up Ah-Liang, a taxi-driver by day and pirate CD salesman by night; Fortune-teller Ren appears on the doorstep of a lotto store owner looking for more than just a place to stay; a sexy bar owner mocks the amorous advances of an impotent musician manqué driving him to seek solace in alcohol...

"Wild Cursive" is the third piece of Taiwanese dancer and choreographer Lin Hwai-min's Cursive trilogy, a captivating series translating the development of the fascinating art form of Chinese calligraphy into dance. As Lin says himself, the final part marks the climax of the trilogy, because it corresponds to the completely detached, free and highly abstract forms of “spontaneous” calligraphy. The performance contains elements of Tai Chi and is musically accompanied by compositions by Jim Shum and Liang Chun-mei. The performance was recorded in 2009 at the National Theater in Taipei, Taiwan.

Tzung-Yu works for a private establishment providing some special services. An illegal job as it is, it becomes his daily life. Being stuck in the repetitive routine, Tzung-Yu is longing for change.

A group of Taiwanese who were born before World War II still insist on writing poetry and haiku in Japanese language. Director HUANG Ming-chuan has been documenting them for 22 years since 1994. Unlike Korea, another previous colony of Japan, Taiwan retains emotional and cultural ties with Japan even after the War. Over 40 years, these poets and writers get together discreetly under the ban of speaking and publishing in Japanese. More than half a century later, despite aging, they remain using Japanese in the final years of their lives. This film gathers memories of local Taiwanese who have been ruled by several colonial powers since the Dutch arrived on the island in late 17th century. And the path to obtain their own voice became a long way struggle, and so as the national identity.

A documentary short about a man attending WorldSkills.

A high-school student's fear of tooth extraction and love for the dental intern.

It’s supposed to be an energetic morning, but Zhe, a real estate agent, feels suffocated and oppressed. With nowhere to go, he heads to a house that he can’t sell and calls for an escort, unexpectedly opening up new possibilities for both of them.

The townspeople of Meinung inherited their Hakka ancestors' stamina, diligence and optimism. They continue treasured traditional practices, notably the production of oiled-paper umbrellas.

The sound of billiard balls on a table, a montage series from television shows, steam rising from a bowl of instant noodles, reflections in the window of a public bus, a sun dressed in drab army green, daze caused by intermittent sleep, and the words hidden in a telephone card. The old wait for their coffins, the young wait to leave the island, the recruits wait and count the number of days before discharge, the rocks wait for people to come back, and I wait for the end of the film.

A sweet potato, on the way back...

A star of the Taiwanese student movement, a celebrity Chinese student who loves Taiwan, and a Taiwanese documentary filmmaker passionate about politics. Each of them shared dreams of rebellion and building a better country. In the wake of the biggest social movement in Taiwan in recent years, they reflect on how close they came to realising their goals, how they were let down, and whether it is still possible to continue fighting for ideals.

Mr. Lai, an extra in a film, wakes up coughing on the set and gets notified he is going to play a dead body lying in a coffin. Teased by other background actors and mistreated by the film crew, he finds a perfect way to lie in the coffin.

Welcome to our room! It's a monodrama about someone with depression. Let us enter this eerie and mysterious world together. Finally uncover the deep secrets of the room in the sound of heavy footsteps.

Taiwanese movie

A documentary about Nogami Teruyo, who for nearly half a century stood by Akira Kurosawa as a screenwriting collaborator, a script supervisor, and a companion.

Struggling to adapt to her role as a new mother, a perfectionist plastic surgeon’s alcohol addiction has revealed the extraordinary and unspoken truth about modern motherhood.

The story unfolds in "the realm of bears" that is the heart of the Yushan National Park. It is a place brimming with wildlife ecosystems and aboriginal culture. Fascinated by the area, one female ecologist started her journey searching for bears in 1998 while subsequently developing a close companionship with a Bunun hunter in the midst of this wilderness. Together with copious research, the secret of the Taiwan Black Bear is thus revealed.