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The Shift

Anna, an agency worker, takes her dog for a morning walk before doing her shopping. Searching through the discounted items, Anna wanders through the supermarket trying to find the most affordable necessities. As her groceries edge towards the checkout, her agency calls; she has lost her shift. What will she do? The Shift aims to capture the vulnerable condition of a temporary worker and to reveal the immediate consequences of the dangerously short and ever-present distance separating employment and poverty, security and tumult.

The Shift

5.0 2020
The Ghosts

Koki makes a living in Guatemala City by winning the trust of people while arranging the theft of their possessions. By day he is a guide to tourists who get mugged at gunpoint, by night he seduces men only to lead them back to Carlos’s hotel, where they will be robbed. Koki and Carlos function as two sides of the same coin, justifying these violent activities through the need to survive. When Koki becomes the target of one of his victims and, as a result, is swiftly replaced by Carlos with another young good looking boy, he can observe what had up to then been his life in what feels like a disembodied experience.

The Ghosts

2.0 2020
4 lonkos

Documentary that tells the life, death and desecration of the mortal remains of three great chiefs of the pampas and Patagonia: Mariano Rosas, Cipriano Catriel and Juan Calfucurá, who after the bloody Desert Campaign, were desecrated in the name of science (whose skulls ended up swelling the collections of Argentine anthropological museums) and a fourth lonko or cacique, the irreducible Vicente Pincén, who once stopped by Colonel Villegas, could only be captured on four famous photographic plates.

4 lonkos

NR 2020
Orphée aux Enfers - Salzburger Festspiele 2019

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

Orphée aux Enfers - Salzburger Festspiele 2019

6.0 2020
Nutcracker Delights: English National Ballet

English National Ballet has been performing a version of Nutcracker every year since 1950. In 2020, the tradition lives on. Join Clara and her enchanted Nutcracker on a hot air balloon ride to the Land of Snow, and enjoy iconic scenes featuring the Sugar Plum Fairy, Snowflakes, Flowers and more. As London moved into Tier 4 COVID-19 restrictions with the subsequent cancellation of all scheduled performances of Nutcracker Delights, the Company decided to film and share a recording of this specially-adapted production with its audience as a thank you at the close of its 70th Anniversary year. Nutcracker Delights was filmed on 18 and 19 December at the London Coliseum by Michael Nunn and William Trevitt.

Nutcracker Delights: English National Ballet

8.0 2020
Beyond Men and Masculinity

This is not a film about men versus women. Beyond Men and Masculinity explores how men see themselves, how they relate to the people they say they care about and how the personal impacts the political. What happens when men are taught to disconnect from their feelings in the name of being strong and independent? What is the link between shame and male violence?
Why do we find it hard to value kindness and compassion in men? And what role do women play in defining what is expected from men and masculinity? A discussion of these sometimes uncomfortable questions is now more crucial than ever. From the therapy room to the political battlefield, this provocative film offers a clear insight into why we must look beyond traditional definitions of men and masculinity.

Beyond Men and Masculinity

7.4 2020
Homo Urbanus Shanghaianus

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

Homo Urbanus Shanghaianus

NR 2020
Lebanon - Borders of Blood

The story of Lebanon is one of ongoing tragedy. A march of follies orchestrated by heads of state, sects, and militias. The Palestinians, French, British, Iranians, Syrians, Americans, Israelis and the Lebanese themselves, have all, at one point or another, contributed to the country's tragic history. Caught up in the chaos were the Lebanese themselves - made up of different sects, religions, and ethnicities - writing their own history in a string of political assassinations, massacres, and betrayals.

Lebanon - Borders of Blood

8.0 2020
Royal Opera House: Fidelio

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Royal Opera House: Fidelio

6.0 2020