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Forbidden to Forbid

Eight short episodes about the psychological and sexual hardships and joys of people in West Berlin at the time: two old-school bourgeois women chat with each other on the street, between the Theater des Westens and a peep show. A woman's session with her psychotherapist takes an unexpected turn. Two men spontaneously arrange to meet for a tête-à-tête, but are in for a surprise. A vagrant tells of her recent experiences and longings. Two young women become unprofessional while watching a porn movie. Two foreigners make a discovery while having sex with each other. A painter finds new inspiration in an unconventional way. Dieter Schidor and Ingrid Caven chat with each other on the street, between the Theater des Westens and a (former) peep show about sex in the age of AIDS.

Forbidden to Forbid

7.0 1988
Jeux d'artifices

Elisa and Eric are two teenage war orphans. They change their apartment on the outskirts of the city into a photo-studio to make a living, and they are very devoted to it. The two seem to live like heavenly beings without connecting to the outside world. Their only contact with the exterior is through Jacques, a loyal friend, but he also cuts himself out of any social life. The sister and the brother then take to get in touch with the world by Mrs Jean, a friend of their deceased mother with whom Elisa takes courses of singing. They live in harmony until a young man, whom Elisa falls for, eventually leaves with Eric for the USA and left her brokenhearted alone in France.

Jeux d'artifices

4.4 1987
La Face de l'Ogre

Several mountaineers attempt to climb La face de l'Ogre near Chamonix. Their starting point is a small mountain hotel from where many tourists observe them. Among these is Hélène, who has been staying there for a few weeks but who is excluded by the other tourists. Then she meets a city girl named Marion and they immediately become friends. She tells him that she is waiting for her husband who has tried to climb the mountain and should be back any day. But then the weather turns sour, which causes hope to wane but also brings women together in anxiety. Finally the weather improves and Marion's husband comes back but not Hélène's and she must finally accept the truth.

La Face de l'Ogre

8.1 1988
The Merchant of Venice

A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.

The Merchant of Venice

7.3 1980
Our Short Life

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…

Our Short Life

6.0 1981
Hecate

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

Hecate

5.7 1982
Un amour d'emmerdeuse

After ten years of marriage, Philippe and Catherine finally have the joy of having a baby: Julie. For these two extended teenagers, it's the end of night outings and improvised weekends. She is quickly overwhelmed and Philippe, who runs an advertising company, is not often there. On the other hand, the family - grandmother or godfather - is too much. And then she begins to choke. As a fashion designer, she first tries to work at home but can not share herself between her professional and maternal activities. Philippe tries to help her, in vain, then abandons to flee to Deauville for an extra-marital weekend. She will not forgive him and will disappear with Julie. And years go by before the little girl who grew up finds herself again between her mother and her father, accompanying her, for the first time, to school.

Un amour d'emmerdeuse

5.5 1980
Japanclips

The machine is introduced into the thousand-year-old garden, as a feudal Japan is modernized. American-Japanese relations are traced in 19th-century prints and 20th-century newsreels, which are scrolled, magnified, and submitted to electronic effects. The emperor is shown visiting an iron foundry in much the same way that he visits a grove in cherry blossom time. Lighting technology changes from candles to gas to electronics — now the empress can visit the rice fields under waves of computer graphics. Newsreels make much of the emperor's signature on articles of surrender at the end of World War II and of MacArthur's triumphant return to the United States. It is with utmost irony that we hear the emperor's admonishment to the coal industry (via an American newsreel voice collaged into this program for West German television): "So it is my hope, you will make your very best efforts..." The screen abruptly cuts to black. The series ends.

Japanclips

NR 1988
Fontamara

Fontamara is a village in the Marsica, forgotten by all but God and its inhabitants are called 'cafoni' (boors). Berardo Viola wants to marry Elvira but only after gaining enough money to buy some land and in order to reach his aim he has the idea of going to a great city. When Maria Grazia is raped by the fascists, Berardo and Antonio decide to leave Fontamara and go to Rome. Here they are swindled by a lawyer and afterwards they are invited by an antifascist to a restaurant where they are arrested by the police because of some subversive papers they had.

Fontamara

7.2 1980