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The Sun and the Moon

Summaries An architecture student and a daughter of a bank branch manager are in love with each other. The love cools down as she gets to know his family ancestors were butchers. He spends his life in obscurity cursing his destiny of being born as a child of butchers. One day his father tells him a moving story of himself, describing how he overcame the handicap of being a butcher and has built up his business to a success. Then, he realizes his stupidity, decides to forget her and harbor a hope in his mind.

The Sun and the Moon

5.0 1967
Chasing the Fish Spirit

Lackluster scholar Zhang was pulped for the marriage to grand councilor Jin's child when his parents were alive. But when Zhang's parent were both dead and their family became impoverished, Jin disliked Zhang and ordered him to study in a humble lakeside cottage. Jin said that the marriage should be reconsidered when Zhang gains official career and fame. Zhang is sad and talks to the lake about his miserable encounter under the moon. A carp spirit is touched by him and plays as Jin's daughter Peony to meet him in late night. The two then fall in love.

Chasing the Fish Spirit

NR 1960
Between Man and Ghost

Mo Yinhua fell in love with Lu Tianhe, but Hua was forced to marry Sun Ruochong as his concubine, and was later slandered by Chong's wife Chen Shi for having an affair with He. After Hua gave birth to Shaozong, she was pushed down the cliff, but fortunately survived, and turned into a Sheqing ghost to take revenge. Many years later, He finally reunited with Hua, and Shi Zong shot Hua in order to capture the green ghost, thus exposing the past, and the truth came out.

Between Man and Ghost

NR 1965
Here and There

Here and There (1961) fuses live-action and animation and was screened at Three-Person Animation 2. Musique concrète and electronic sounds made by modulating everyday noises such as flush toilets are interspersed throughout the work. Contrasts between opposites, as encapsulated by the title – between live-action space and animated space, between mundane sounds of daily life and bizarre noises – and the war between the sexes, a signature theme in Yōji Kuri’s work, are also palpable in the juxtaposition of musique concrète and scat singing. (CJC).

Here and There

10.0 1961
A Shoeshine Boy

Following the death of his parents, Yeong-cheol shines shoes in the streets, struggling to care for his sick younger sister Yeong-hui and make ends meet. Despite the persuasive efforts of low-life criminal boss Wang-cho, pickpocket Jjang-gu, and prostitute Mi-hwa, Yeong-cheol vows to lead an honest life by looking after Yeong-hui with cigarette salesgirl Myeong-sun and helping newly arrived shoeshine boy Dong-seok settle in. However, a tragic accident forces Yeong-cheol to make an important decision that may change his life. ※ Sharing the same Korean title with Vittorio De Sica’s classic Shoeshine (1946), this film was noted at the time of release for its strong neorealistic approach. All of the picture elements have been lost and only 4 original sound negative reels (around 40 minutes) survive today. The plot summary and scene descriptions have been added in the form of title cards as well as a selection of production stills to aid the viewing experience.

A Shoeshine Boy

7.0 1961
The Life of Buddha

A re-edited, feature length compilation of the two parts of Ôfuji's The Great Sage Shakyamuni Buddha - the culmination of Noburô Ôfuji's monochrome silhouette films. After a portentous dream about a white elephant, the ancient Hindu princess Maya gives birth to a prince. Reared in seclusion from the troubles of the world, Prince Siddhartha is troubled by sights of poverty and deprivation when he is 12 years old. He is married to a beautiful wife, but he is unable to bear the thought of others suffering, and leaves the palace in search of an answer. While sitting beneath a tree, he achieves enlightenment. Planned as a nine-reel life of Buddha, but exhibited in Cannes as ‘Part One’ with only 6 reels completed, this late work by Noburô Ôfuji was not completed until after his death. It was only in 1961 that it was finally exhibited as a full 72-minute film (comprising 10 reels).

The Life of Buddha

NR 1961
The Stubborn Generations

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

The Stubborn Generations

NR 1960