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Andrey Iskanov's Visions of Suffering (Final Director's Cut)

After losing his girlfriend because of his obsession with necrophilia, death and a morbid fascination for decomposing human bodies, Sasha falls into despair. He suffers dreadful nightmares where he is wandering a dead otherworldly forest filled with fog and strange creatures. He happens to disturb a demonic shaman, which results in outlandish beings which start moving into our world, and strange voices are heard on his telephone line. A phone repairman comes to help with the faulty lines, but the old man is not what he seems; he's a phone-wizard and knows more than the average man about dreams, nightmares and the creatures that inhabit the other world with no shapes...

Andrey Iskanov's Visions of Suffering (Final Director's Cut)

NR 2016
TELEGRAMers: The chronicles of Russian elections in one chat

Fear and Loathing in Saratov. Russian elections through the eyes of direct participants in the process. The story of what measures are being taken in a quite ordinary Volga region in order to “elect” the governor. Juggling documents, deception, fights and hostage-taking - this is not a complete list of what observers had to face in the elections in Saratov in 2017. The film restores the history of the voting day, recorded in the general Telegram chat.

TELEGRAMers: The chronicles of Russian elections in one chat

NR 2018
Lord's Summer

Peasant summer from early spring to late autumn. Today there are no peasant farms in the Voronezh steppes for a long time, the collective farms are a thing of the past, and the various firms created in their place, the land was bought up by huge holdings. Others today are tractor drivers, those who are lucky with work. Other news on the radios, the Donbass is very close, and in that summer of 2015 there were battles going on there. But summer is still a whole life that still needs to be lived.

Lord's Summer

NR 2019
Chief of Cemetery

Can you enjoy being at a cemetery? Maybe you can - if you are the director of the Jewish cemetery. The main character of the film has held his position for 13 years, and he never loses his optimism and approaches his job with creativity. In the film, the director complains about his life and introduces us to the ins and outs of the funeral business while he smokes and retells national jokes. Along the way, he solves small everyday matters and remembers to share wisdom and moving memories. Viktor Mikhailovich, a manager and a romantic, always knows what could be improved, and why you should never do it. And his dreams go beyond buying a new warm WC for the visitors’ convenience. So what else does he dream about, the man who sends human souls onto their last journeys every day?

Chief of Cemetery

NR 2019
Leo Tolstoy and Dziga Vertov: A Double Portrait in the Interior of the Epoch

In the year of Leo Tolstoy's death, Dziga Vertov, an unknown boy from Bialystok, was 14 years old. The elder of Yasnaya Polyana could not know either the name or the work of the documentary filmmaker, the founder of non-fiction cinema as a high art. However, the film is structured as a parallel movement of creative aspirations, views and biographies of two artists. In his best paintings ("Kinoglaz", "Man with a Movie Camera", "Symphony of Donbass" and others), Vertov followed the basic aesthetic principles of Tolstoy, supported and developed the traditions of Russian classical literature on the screen. One of the main episodes of the film is a screen story about the Moscow agricultural exhibition of 1923, which reveals the common focus of the writer and director's efforts.

Leo Tolstoy and Dziga Vertov: A Double Portrait in the Interior of the Epoch

NR 2015
Forte

Forte is an ensemble cast documentary, featuring Tatiana Berman, Lucia Caruso, and Eldbjorg Hemsing. Directed by David Donnelly (Maestro, 2015), this fast-paced documentary explores the notion of success and excellence from the female perspective. It challenges the popular and perhaps somewhat outdated notions of success in classical music through a fast-paced narrative of three female artists. A young Norwegian violinist on the brink of stardom, a cultural entrepreneur and mother of three who reinvents the traditional concert experience to inspire the younger audience, and a first-generation American from Argentina, whose creative process of composing a film soundtrack is documented and exposed in an unprecedented way.

Forte

NR 2019
Love In Belarus

"Love in Belarus" is love through the prison bars for Nasta Palazhanka and Dzmitry Dashkevich . They met in the "Young Front" - illegal Democratic organization. After protests in December 2010, they were put in prison. After detention in a KGB pretrial center Nasta was sentenced to a year of probation, and Dmitry was thrown in jail almost for three years. During his detention Dzmitry’s mom died, and Nastya remained the sole support for his father. The young couple married in prison, and on August 28, 2013 the leader of the "Young Front " was released. The lovers wrote thousands of letters to each other from behind the bars. These letters tell us about the feelings of young Belarusians, who fell in love in the time of the dictatorship.

Love In Belarus

NR 2014
In Search Of Valentina Abramova

On March 25, 2008 municipal services of the small city of Shchekino in Tula region of Russia opened the apartment in the big house and found a corpse of the person on a sofa.These the 68-y woman Valentina Abramova appeared the person. It was succeeded to find out that she approximately in 1994 died and lay dead 13 years. I turned into a mummy. During this time nobody took an interest in its destiny. Nobody came into its apartment. Neither neighbors, nor relatives, neither social services of the city, nor police. Authors of the movie I decided to make the investigation and to answer a question:"How it occurred?". And still authors of the movie wanted to restore an image of this person on the basis of meetings with her acquaintances, search of personal belongings and Valentina Abramova,s photos.

In Search Of Valentina Abramova

NR 2019
Oleg Evgenievich

On the federal television channel they shoot an entertainment show, New Year's ether, pop stars. Over the ranks of the crowd, the loud voice of the brigadier rushes: "Besides the fact that you came to have fun, do not forget that you are on work. Enjoy, smile. You can see absolutely everyone in the picture. " But this is not true - most of them no one will ever see. But, if you go to one of the regular participants in the extras home - you can see something that will never be shown on TV.

Oleg Evgenievich

6.0 2017
Natalia Gorbanevskaya: I am not a Hero

The poet Natalya Gorbanevskaya (1936-2013) gained wide popularity first of all as a participant in the dissident movement and one of those legendary eight who on August 25, 1968 went to the Red Square to protest against the invasion of Soviet troops in Czechoslovakia, having paid for this several years of imprisonment. She was often called the heroine. She objected: "I'm not a heroine, I'm just an ordinary person." The authors of the film shot Gorbanevskaya for several years, asking questions that worried her as a poet, forced them to go to the square, and how her fate developed after forced emigration from the USSR.

Natalia Gorbanevskaya: I am not a Hero

NR 2016
His Daughter

First-grader Tanechka lives in a Yakut village with her grandparents. Although her father has not written to her for a long time, the girl has no doubt that he invisibly helps her every time she needs him. Every morning in the village house begins with the anthem of the USSR on the radio, telling about Brezhnev's meeting with the oil workers. However, Tanechka is sure that “every new day reveals something unknown and secret” and wants to tell about those events of her childhood that still cause her, already an adult woman, either tears or great joy. Looking out the window at her peers, the wise heroine asks: “Why do children play all the time? When do they think? Probably never, that's why they are happy? "

His Daughter

2.0 2017
Karavaichuk. Beyond Love

In Soviet times it was impossible to go to a concert of composer Oleg Karavaichuk. Because there weren’t any. Karavaychuk’s eccentricity was too bewildering for the culture officials of that time, and he was practically banned from performing in public. He began to work at the Lenfilm Studio and write film music there. Recognition came to Karavaichuk only in the 2000s. It is summer 2015 and Oleg Karavaichuk gives his “Pure Music” concert. Half a year later he travels to Spain, where rehearses again. While there he meets with journalists and talks about how he senses the smell of death in the streets of ancient Pamplona.

Karavaichuk. Beyond Love

NR 2017
Brage Haulers on Kama

The evacuation of the Russian Museum during the Great Patriotic War is a little–known and dramatic episode of Russian history. The echelon with paintings by Repin, Levitan, Serov, Shishkin, Rublev icons and other priceless treasures in August 1941 reached Gorky from Leningrad. There, the valuables were reloaded onto a barge, which went deep into Russia. The destinations were the city of Molotov, as Perm was then called, and the city of Solikamsk. The film tells about how they lived in the evacuation, how they worked and why after the war the participants of these events did not want to remember those difficult times.

Brage Haulers on Kama

NR 2013
Mission

This film was shot in an amazing place - in the very north of Transbaikalia, in the Chara basin, surrounded by the peaks of Kodar, Udokan and Kalar ridge. Since ancient times, only Evenks and reindeer herds roamed here. Civilization came here only in the middle of the twentieth century-for the first Soviet uranium, which was extracted by the Borlag prisoners, and for the copper of the unique Udokan deposit... But what brought our contemporaries-the heroes of this film-here? Who are they? What trials, sins, and memories do each of them bear? What do they (and any of us) have?) A mission?

Mission

NR 2016