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悲しいだけ

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

悲しいだけ

NR 1994
KATATSUMURI

Give it your all, give it your best, give it your courage. Akane is withdrawn and unable to communicate well with others. She is looking for a job, but can't find one, and her younger brother, who lives with her, lectures her about it. Her hobby is to go for walks in the morning when the town is deserted. One snowy morning, Akane sees a man carrying a red TV and follows him to the rubbish dump. Akane is fascinated by the man's unique atmosphere, and takes the TV home with her. She dismantles the TV and makes a snail object from its parts. The next day, Akane is trying to return the TV with the snail hidden in it, when she is spotted by the man. She rushes to turn back, but decides to hand over the TV to the man. The town is covered with snow and is very quiet, and the protagonist never speaks. This is the director's way of reading the beauty in things that are often overlooked, and it leads effectively to the ending, in which the protagonist steps forward to communicate.

KATATSUMURI

NR 1997
Invitation from Alice -Welcome to the Cheshire Cat Hotel-

Jack Wilkins is a news writer who prefers to go by his pen name, Ernest Milton. He receives a mysterious invitation to the Cheshire Cat Hotel and takes a week off in order to go check it out. The hotel is a lively if somewhat strange place with curious staff members, and at first Ernest is wary about staying. The hotel manager eventually persuades him, though, offering Ernest free services if he does a favor for another patron. They want him to help break up the engagement of a certain couple, Mary and Charles.

Invitation from Alice -Welcome to the Cheshire Cat Hotel-

NR 1996
Document : Amsterdam Backstreets Diary

This is Amsterdam, the city of pleasure. Where there's a front, there's also a back. This documentary captures the bizarre adventures of Yuji Kitano and his undergarment-clad companion, Tsubaki, over roughly one month, primarily in Amsterdam, Netherlands. Neither husband and wife nor lovers, this odd couple infiltrates various hair-raising danger zones in a foreign land, gets involved with shady characters, and somehow ends up attending secret parties... 90 minutes of cold sweat, laughter, and shock.

Document : Amsterdam Backstreets Diary

NR 1999
Natasha of the Rainbow

In 1932, the shadow of war threatens, but Japan is still at peace. A sponsor of the Imperial Symphony, Lord Kuretake Kimiya, is deathly ill. He calls to his bedside Sanjou Kaoru, who is both the fiancé of his daughter Umeko and an up-and-coming conductor. Lord Kuretake has a very serious request: Many years ago, he had a daughter with a Russian woman and he begs Sanjou to search for her in Shanghai. Because her mother, Anastasia, an opera singer, was a close friend of the princess, when the revolution came, she vanished with the imperial family. Since then, Kuretake has married and had a family, and he wants his daughter Natasha to be raised in his home.

Natasha of the Rainbow

NR 1997
Long Good-bye

Dreams, signs, fragments, margins, letters, one could also add love and memory to the list. My enchanted kingdom is filled with real aimlessness. The more the better. All that is left behind after it has disappeared is quiet. In the end I feel there hasn't been enough time to play. I want to say good-bye to this irrepressible feeling right around now though. After the color, the shape and the words have disappeared what will be left? Perhaps that is the tragedy of the twentieth century.

Long Good-bye

NR 1997
Kajol's Pigeon

Kajol is a star actress in Indian movies. I discovered a strange scene when I was watching a video of a movie she was in. In one scene of a musical, Kajol throws a dove into the sky, which then falls to the ground. This would not be OK on a Japanese movie set. So I thought about the differences between Indian and Japanese movies. By the way, I read in a book that there is a goddess of cinema in India. I guess she protects Indian movies. So, is there no god of cinema in Japan? Oh, but not of cinema, there is a god of dance. I started writing a screenplay with this goddess, Ame-no-Uzume, as the main character, but the Yatagarasu, the guide for nation building, fell to the ground, and the story ended happily.

Kajol's Pigeon

NR 1996