Discover Movies

29,416 Matches Found

Sono solo fantasmi

Thomas, a struggling former magician, and Carlo, a Neapolitan submissive to his Northern wife and father-in-law, are two half-brothers who reunite after years in Naples following the death of their father, Vittorio, an inveterate gambler and womanizer. They discover they have a third brother, Ugo, who appears a bit dim-witted but is actually a genius. The inheritance Thomas and Carlo covet disappears due to their father's debts, and the three have a brilliant idea: to exploit Neapolitan superstition and credulity by becoming "ghostbusters." Just when their business seems to be unexpectedly successful, the spirit of their father, Vittorio, takes possession of Carlo's body. Thomas and Carlo become convinced that ghosts really do exist. Meanwhile, the ghosts captured by the trio break free and go to awaken the ghost of a witch who threatens to destroy Naples. With their father's help, the three brothers try to save the city.

Sono solo fantasmi

5.2 2019
Paris, My Love

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Paris, My Love

5.9 1962
White as Milk, Red as Blood

Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.

White as Milk, Red as Blood

6.3 2013
Lucia di Lammermoor

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Lucia di Lammermoor

10.0 1983
The Great Day

In a large villa on Lake Como, everything is ready to celebrate Elio and Caterina's wedding. It will be the most beautiful day of their lives and also of their parents' lives, especially their respective fathers, Giacomo and Giovanni. Too bad that together with Margherita, Giovanni's ex-wife and mother of the bride, Aldo, her new partner, also arrives at the wedding. Friendly, outgoing and above all a total troublemaker. Giacomo and Giovanni try to contain him in every way, but under Aldo's blows, cracks open up from which a hidden malaise emerges, destined to call into question the friendship between Giovanni and Giacomo, their marriages and more. And that will force everyone to deal with their own doubts and with the courage it takes to allow themselves happiness.

The Great Day

6.2 2022
Cainà

Cainá is a young peasant who lives in a small village in Sardinia together with her goats and parents. She is a wild and free spirit and unconventional for any small and closed communities dominated by old rules. Cainà yearns to escape from such a closed atmosphere and the isolated island, so, as an old tune says: "Somewhere beyond the sea, somewhere, waiting for me…"; When a boat arrives to the island, she will do her best to flee away from her little oppressing village and experience new adventures in the continent with the help of the boat captain.

Cainà

6.3 1922