6,119 Matches Found
With his monumental productions, Einar Schleef pushed theatre to the outer reaches, confounded expectations in East and West alike, grappled with GDR origins and the BRD present. A universal artist emerges from the archive: “I’m not human, I’m dynamite”.
The Orchestre Philharmonique de Radio France and Finnish conductor Sakari Oramo celebrate the memory of composer Kaija Saariaho with a performance of one of her last works as well as Mahler's Symphony No. 5.
An ethnographic film split into two halves. The first parodies OpenAI advertisements whilst blending real world events and films from the 70s-90s. The second presents itself as a television transmission that lists information about OpenAI.
Diagnosed autistic at 31, a Cumbrian filmmaker turns the camera on herself to explore burnout, stimming and the path to self-acceptance.
The final chapter of the Taiwan trilogy, exploring the long-term effects of cultural education during Taiwan's military dictatorship.
Upon returning his wallet, Adalia is invited into Aphid's home. There would be coffee, conversation, and an abundance of bugs.
Chaos ensues when 4 siblings reunite for their father’s will reading, creating a rocky divide within the already broken family.
The work of one-of-a-kind funeral director Hayley as she help families make their personal farewells in her own unique way. Filmed over 10 months, the documentary tells the story of three families navigating loss - a daughter mourning the mother she never got to say goodbye to, a family burying their father a year after losing their sister and a woman in her 40s planning her own funeral.
The German government refuses to pay reparations for its occupation of Namibia in the late 19th and early 20th centuries and for genocide of the indigenous population. Instead, it offers development cooperation programmes that exude a disheartening neo-colonialism and appalling racism, disguised as solidarity, obvious to everyone except German officials and nostalgic tourists.
1984. Produced by Steven Spielberg, fresh off the historic success of E.T., a film that blended horror and comedy managed to break Warner’s box-office record, spark a parental controversy, become the first merchandising success since *Star Wars*, and lay the groundwork for satire, six years later, of that very commercial success—in a kamikaze sequel that threw its original blueprint overboard, replacing it with the most anarchic spectacle ever produced with a blockbuster’s budget. A look back at Gremlins 1 & 2, the most irreverent phenomenon of its time, as told by its director and his closest collaborators—the real parasites behind this prophetic sabotage!
After the death of his partner Li, amateur photographer Peter Kräuchi photographed the view from his house daily in an attempt to accept the passing of time.
What if blue were disappearing from the spectrum? Through images and narratives blending visual poetry, irony and reflections on the disappearance of blue — and, with it, of living things — the film sketches out a meditation on the language of colours that we share.
When 11-year-old Mila finds her demented grandmother Elise's old violin, she begins to play - hoping to awaken a memory in her.
For ARTE Concert’s Piano Day, producer Legowelt reimagines the soundtrack to a cult classic: Stanley Kubrick’s 2001: A Space Odyssey. A cosmic experience, straddling the line between the synthetic and the organic.
No matter what happens. No matter what terror she’s subjected to. Is this still authentic, or is it already voyeurism?
Along an old country road, where an ancient legend of the sea, wolves, and men lingers, three generations of women come together to face a deep sadness. Something is changing: the time has come to remember buried dreams, mend broken ties, consult the tarot, free themselves from their fate and bring the old legend back to life.
After getting fired from his job, an ambitious loser attempts to rally his two friends together to get revenge on the man who fired him.
A former pro cyclist embarks on a heart-pounding, visually breathtaking journey into the thin air between success and failure.
Two movers. One grand piano. One very uncooperative staircase and a passion they never saw coming.
The heads of exquisite corpses assembled from YouTube videos enthusiastically share their so-called success stories. This polyphonic montage of self-obsession and relentless competitiveness is contextualised by fragments from 1950s documentaries, when the normalisation of productivity, progress and individualism was in full swing.
A Facebook conversation between a father and daughter defined by time and distance.
A woman named Epiphanea has unfortunately become pregnant by a stranger; she fears her parents' reactions and especially a permanent family break.
In this twisty comedy, a maid who works for a mob boss must stand up for herself when he refuses to pay the money he owes her.
Vincent Dieutre returns to wander through an unfamiliar city, following paths that fork through clearings, ponds, and tree-lined avenues. Like a moving diary, fleeting encounters, reflections on the water, and voice-overs seem to weave together desire, memory, and loss. A wide-eyed flânerie in which every moment seems to hold a fragment of cinema already seen or dreamed, evoking the sentimental geometries of beloved filmmakers. Between intimate confession and sensory drift, Dieutre transforms the landscape into an emotional archive: past lovers reemerge like ghosts among the trees, while the present dissolves into a continuous overlapping of times. The film, suspended between documentary and autofiction, extends the director’s autobiographical work, adding a new chapter in which the director’s body, the city, and cinema itself merge. It is a journey with no apparent destination, where the act of walking becomes a creative act and a form of survival.
At night, Matthieu, Solo, Kany, and their crew gather at La Perm’, a community space at the foot of Belleville Park, to debate, create, and build a collective. Facing the changes in their childhood neighborhood, La Perm’ becomes a refuge and a shared space of resistance. Ahead: Belleville en Vrai, the festival where everything they’ve sown can finally bloom.
A young dreamer from Alloa becomes fixated on a long shot football bet he’s convinced will fund his dream move to Stirling.
the city is welcoming when you make it your own and a novelty seeker is most fearful of forgetting. is it really worth an all nighter and 8% left on my phone?
Saying yes to a stranger who writes to you to suggest that you follow in the footsteps of her childhood in China... This is the crazy challenge that Louanne took on by accepting Laura's proposal. On one condition: travel by train.
This film is a collection of images from the Po River valley. Within it lie trains, old country houses and new factories, cultivated fields, and the noise of machinery. Everything moves forward and grows old, with the river watching it all drift by.
A filmmaker accidentally comes across a ruined village where silent souls refuse to revive the past. The remnants of a film shot years earlier constitute the only clue to understanding what once happened there.
A woman is getting ready to go out. When the time comes to go down to her driver, she comes across a rather stressful problem.
The BBC's 2026 Winter Olympics film celebrates the trails athletes will blaze, as they smash records and break boundaries at the games.
In 1996, a ragtag team of Scottish scientists changed history by creating Dolly the sheep - the first ever mammal clone. From global fame to moral uproar, this is Dolly’s story.
After 10 years on the stage, PECS Drag Kings Collective gathers for a one-day festival in London to celebrate their anniversary with the queer community. Critical thinker and Drag King fan Diana G. penetrates Shoreditch Town Hall to ask the audience a crucial question. Have Drag Kings and Things changed the landscape of Gender and Sexuality?
Carmen, a usually bubbly and self-assured young woman, sees her daily life turned upside down by a mysterious encounter. Between cards and satellites, she realizes that her destiny may not depend solely on her...
A claustrophobic plunge into the dystopian heart of darkness inspired by the director’s own detention, "Tomorrow Was War" unspools on a fraught New Year’s Eve in a Russian police state. Shura, a trans man hiding in plain sight, dreads his prying neighbors and the inevitable knock at the door. As the night fractures, so does the narrative — steered by the officer who arrested him, an architect of memory who twists history, truth, and identity to his will.
a body, stripped of its dance, faces the void of its own absence.
