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The Empty Beach

Before shady businessman John Singer disappeared off Bondi Beach, his name meant money--big and small, clean and dirty--a man absorbed in a world of greed and dishonesty. Singer's widow, Marion, believes he's still alive and she employs the investigative skills of the tough, no-nonsense private eye, Cliff Hardy to find him. Battered and bruised, Hardy battles through the filth of corruption and the stench of political blackmail. He comes face to face with the crime bosses, who feed off human misery and eliminate their rivals without thinking twice. From the high life and low life of Sydney, to the seediness and splendour of Bondi Beach, Cliff Hardy uncovers the ultimate truth.

The Empty Beach

4.9 1985
Back to the Beach

Cowabunga! The surfing '60s ride into the new wave as Frankie and Annette star in this hip update of their old-time, good-time beach movies. With special appearances by Bob Denver, Tony Dow, Pee-Wee Herman, Jerry Mathers and other familiar faces. Frankie and Annette grow up and have kids in the midwest. They return to LA to visit their daughter who is shacked up with her boyfriend and tries to hide the fact. They begin to have marriage problems when Frankie runs into Connie, who has erected a shrine to him in her night club. Their punk son has joined up with the local surf toughs, and things all come to a head when the toughs challenge the good guys to a surfing duel

Back to the Beach

5.9 1987
Vegetable House

Vegetable House is no garden variety comedy. When actor/writers Joe Doyle, Ron Dean (Code of Silence), and Aaron Freeman (America's Political Satirist) team up, nothing is sacred. The Vegetable House players include some Chicago's brightest comedy stars drawn largely from the famed "Second City" comedy troupe. At Vegetable House, Brussels sprouts shiver in their sheets while above lurks the menace of the Vegomatic. Suburban housewives submit to weekly games of bondage bridge. Meet Tokai Lokoto, the 3rd World's funniest man, and Gordon, whose nailbiting has gotten out of hand. Follow the adventures of "Kaa Kaa of the City" who was abandoned at birth and raised by pigeons in Grant Park. And the Veggie Video, don't forget the Veggie Video. Hot Pop. Hot Veggies. Hot Video.

Vegetable House

10.0 1985
Droit de Réponse

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Droit de Réponse

8.3 1981
Cloak & Dagger

Davey Osborne is an average 11-year-old boy with an overactive imagination. He spends his days playing video games and pretending to be a spy with his imaginary father-figure, Jack Flack - a substitute for his real father, who is struggling with the recent death of Davey's mother. However, fantasy becomes reality for Davey after he witnesses the murder of an FBI agent, who in his dying breath, gives Davey a mysterious video game cartridge called Cloak & Dagger, which in actuality contains top-secret government information. With the help of his younger friend Kim, the tech savvy Morris, and even a little help from his fictional secret agent mentor, Davey must stay one step ahead of pursuers as he tries to survive a real-life game of espionage in the streets of San Antonio, Texas.

Cloak & Dagger

6.4 1984
Six God Combination GodMars: The Movie

The destruction of Earth is at hand! A pity that only one person knows it at the moment. Zule has announced his intention to take over Earth, and to demonstrate his resolved he's destroying interplanetary traffic. The warning is clear, stop expanding into space and prepare to be subjugated. Earth sends out their most competent troubleshooters: The Crasher Squad! Renowned for their skills at keeping the peace, they find their abilities are lacking against an opponent who can swallow star systems; and has. Not that the Earth represents anything more than a casual desire, but Zule has not gotten where he is by allowing the weaker species to flourish. Now, Earth's fate will be decided by Takeru Myojin, who is in the midst of discovering that his entire existence is a lie and his actual position is far more important than anyone would have believed. But he is only one, and Zule's armies are many. Even with the awesome power of the robot Gaia, how can he possibly win against Zule?

Six God Combination GodMars: The Movie

5.0 1982
Aida

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Aida

6.7 1985