Discover Movies

58,303 Matches Found

La spagnola

Lola, a hot-blooded Spaniard, is deserted by her husband for a cool and calculating Aussie blonde. Lola is pregnant again but she and their daughter Lucia are left to starve while Ricardo spends all their savings on a sleek new set of wheels for his mistress. When he dies unexpectedly the family fortune, one flash car, remains with the mistress. Despite all his betrayals, Lucia sides with her father. Desperate and destitute in a country she doesn't like or understand, Lola's quest for revenge begins. Caught in the tempests of begrudging love, revenge, sibling rivalry, jealousy and passion, fourteen year old Lucia must find the strength to survive on her own terms. Aided to break free of her mother by her eccentric Aunt Manolo she struggles to find her own identity and her own quest for justice puts her on a collision course with her mother.

La spagnola

5.3 2001
Terrace 49

Images of impending disaster (slamming doors, a truck careening down a hill and a frayed, almost snapping elevator rope) collide with the repeated image of a woman's body, cycling toward ephemerality as the woman disappears into the texture of the film itself. In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a lush, disorienting, ambiguous film space and an atmosphere of temporal suspension. In TERRACE 49, the space is shattered further, broken into shards: as fractured as memory and as fragile as glass.

Terrace 49

NR 2004
Vampire Secrets

At the mention of the word "vampire," images of bloody fangs, dark capes, and a man with a hideous, spooky laugh immediately come to mind. These conventional images, born from countless vampire films over the years, are most commonly associated with Irish writer Bram Stoker and his iconic 1897 novel Dracula. However, despite the popularity and influence of this celebrated nineteenth-century tome, the vampire myth dates back more than 1,000 years, long before Stoker ever put pen to paper. In this fascinating journey through time, HISTORY uncovers the ancient folkloric origins of blood-craving creatures from beyond the grave. Learn how the vampire myth is strongly rooted in Eastern European lore, but how it has also played a prominent role in the ancient cultures of Greece and China. From wooden stakes to garlic apotropes to ancient burial rituals, VAMPIRE SECRETS explores how this long-standing myth has been interpreted by different cultures around the world.

Vampire Secrets

NR 2006
Just Can't Get Enough

Straight-to-video filmmaker David Payne writes and directs the docudrama Just Can't Get Enough: The True Story of the Chippendales' Murders. The movie opens with Nick DeNoia (Peter Nevargic) getting shot in his office. The bulk of the story takes place in the early '80s during the glory days of the Chippendales night club, owned by sleazy businessman Steve Banerjee (Shelley Malil). Innocent college graduate Chad Patterson (Johnathan Aube) gets a job at the club to make some extra money, but he manages to get corrupted by the money and lifestyle. Then choreographer DeNoia gets involved in a blackmail scandal and Steve gets illegal ideas of his own.

Just Can't Get Enough

4.5 2002
AVH: Alien vs. Hunter

A journalist named Lee Custler (William Katt) is out jogging when a flying object passes behind him and crashes. Sheriff Joel Armstrong (Collin Brock) picks him up and they go to check it out. They find an abandoned caravan close to where the object crashed. As they discover the object and realize it is a spaceship, an Alien emerges. The Alien (resembling a giant spider with a lizard-like head and torso) then chases them, after which Lee flees to the car. However Armstrong makes a stand, trips, falls and is killed by the Alien that then leaves. A terrified Tammy finds Lee and they call the local authorities but their car is destroyed by the Alien.

AVH: Alien vs. Hunter

3.4 2007
Encounters at the End of the World

Acclaimed filmmaker Werner Herzog travels to Antarctica, where he finds a desolate, beautiful landscape, largely untouched by human hands, and a group of truly unique people who risk their lives to study it. Centered at McMurdo Station, the United States' largest Antarctic research center, Herzog explores the minds of the scientists willing to abandon civilization and endure volatile conditions to learn more about the continent's wildlife and awe-inspiring natural wonders.

Encounters at the End of the World

7.5 2007
The Haunting of #24

After breaking-up with his girlfriend Veronica, the unemployed John Hare rents a cheap room in an old boarding house owned by the nice Martin Stone and the landlord tells him that the house is crowded by discreet persons. John does not see any other tenant but a bizarre old woman in the house and during the nights, he sees weird things on his television and hears violent knocks on his door. When John calls Veronica, she notes that he is near a breakdown after many sleepless nights and decides to stay with him. However, Veronica vanishes during the night, leading John to an ultimate decision.

The Haunting of #24

6.2 2005
Gentlemen's Relish

The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.

Gentlemen's Relish

5.0 2001
Greed Kills

A mix of show clips, archival materials, and interviews with Greenwalt, McNamara, Pasdar, executive producer Stephen J. Cannell, and actors Lisa Blount and Lisa Zane. This documentary covers the development of the McNamara/Greenwalt partnership as well as the origins of Profit, its path to the screen, shooting the “Pilot” and attached controversies, casting, character issues and the approaches taken by the actors, the use of voiceovers, inspirations and related concepts, storylines, stretching boundaries and censorship, reactions to the show and its legacy.

Greed Kills

8.0 2005