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Workshop - Welche Rolle spielst Du?

In 2017, Julia C. Kaiser receives a scholarship as a filmmaker. The only problem is that she can't work. Reasons for this include confusing experiences with the acting production during the shooting of her last film. In order to free herself from this crisis, she organizes a workshop at the Hanover University of Music, Drama and Media as part of the scholarship. Together with the acting students, she tries to find out in recurring and changing film scenes and acting constellations, as well as in personal conversations, when we play which role - and whether we ever fail to do so.

Workshop - Welche Rolle spielst Du?

NR 2021
The Extravagant Little Life of Jean-Claude D. Dreyfus

Self-taught magician, transformist at the Grande Eugène cabaret, man of theater, television and cinema, Jean-Claude D. Dreyfus has been dragging his inimitable drawl wherever he wants. Able to play the Diva for Michel Audiard as well as for Werner Herzog. Loubard one day for Gilles Béhat and Duke of Orleans the next day for Rohmer. We often met him with Mocky or Boisset, more mysteriously with Tommy Chong and remains permanently anchored in our memories thanks to his performance in Delicatessen or Marie's ads, depending on the genre. Jean-Claude D. Dreyfus is one of those marginal people, adventurers a bit crazy, often poet and above all a bon vivant, in short, a species on the way to extinction. The directors wanted to meet the character and remember this extravagant little life.

The Extravagant Little Life of Jean-Claude D. Dreyfus

NR 2021
Die Nachtigall – Der grausame Sohn

Rosa von Praunheim was inspired to make this film by his own radio play “Die Nachtigall” (The Nightingale) from 1986, when he improvised together with street singer Friedrich Steinhauer, who called himself “die Nachtigall vom Ramersdorf” (The Nightingale of Ramersdorf), and Luzi Kryn, who became famous for her role in Praunheim’s film DIE BETTWURST. Now, more than 30 years later, Rosa von Praunheim has filmed his material with singer and actor Hubert Wild and an eccentric former teacher, Ellen Reichardt, who has appeared in several of his films already.

Die Nachtigall – Der grausame Sohn

NR 2021
Boycie in Belgrade

Join John Challis on his journey to the capital of Serbia, Belgrade, where he aims to uncover why ‘Only Fools and Horses’ is so popular in the small Balkan nation, apparently it’s the most watched show in Serbia, but why? Boycie is received in Serbia as almost a national hero, causing a media frenzy everywhere he goes on his voyage to learn about the people and the country. From a Royal Palace, to a brandy distillery, to a university teaching cockney rhyming slang; the documentary will keep you entertained as well as discover what it is that unites this tiny Balkan state with British humour.

Boycie in Belgrade

6.0 2021
The Ants and the Grasshopper

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

The Ants and the Grasshopper

7.3 2021
El piso del viento

A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.

El piso del viento

NR 2021